Blues Forever | ||||
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Studio album by | ||||
Released | 1982 | |||
Recorded | July 20, 21, 27, 1981 | |||
Studio | Barigozzi Studio, Milan | |||
Genre | Jazz | |||
Length | 42:21 | |||
Label | Black Saint | |||
Producer | Giovanni Bonandrini | |||
Muhal Richard Abrams chronology | ||||
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Blues Forever is an album by Muhal Richard Abrams, released by the Italian label Black Saint in 1982 and featuring performances of seven of Abrams compositions by an eleven-member big band.
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Penguin Guide to Jazz | [2] |
The Rolling Stone Jazz Record Guide | [3] |
The AllMusic review by Ron Wynn stated: "Although every arrangement doesn't click, the band successfully romps and stomps through enough cuts to show that the big band sound doesn't just mean "ghost" groups recreating dusty numbers from the 1930s and 1940s." [1] The Rolling Stone Jazz Record Guide called the album "Abrams's crowning achievement". [3] The Penguin Guide to Jazz described it as "a sparkling big-band date with some demanding charts and a vivid sub-current of the blues". [2]
3 Compositions of New Jazz is the debut album by Anthony Braxton released in 1968 on the Delmark label. It features performances by Braxton, violinist Leroy Jenkins and trumpeter Wadada Leo Smith with pianist Muhal Richard Abrams appearing on two tracks.
The Hearinga Suite is an album by Muhal Richard Abrams released on the Italian Black Saint label in 1989 and features performances of seven of Abrams compositions by an eighteen-member orchestra. Abrams dedicated the music on the album to Steve McCall and Donald Raphael Garrett.
The Night of the Cookers is a live album by trumpeter Freddie Hubbard recorded at Club La Marchal in April 1965 and released on the Blue Note label, originally as two volumes on LP. It features performances by Hubbard, Lee Morgan, James Spaulding, Harold Mabern, Jr., Larry Ridley, Pete LaRoca and Big Black. It has been called "one of the most compelling documents of a live band in full flight".
Blu Blu Blu is an album by Muhal Richard Abrams released on the Italian Black Saint label in 1991 and features performances of eight of Abrams compositions by a big band. Abrams dedicated the title track on the album to Muddy Waters.
Mama and Daddy is an album by Muhal Richard Abrams that was released on the Italian Black Saint label in 1980 and features performances of four of Abrams' compositions by a big band.
Levels and Degrees of Light is the debut album by Muhal Richard Abrams which was released on the Delmark label in 1968 and features performances of three of Abrams' compositions by Abrams, Anthony Braxton, Leroy Jenkins, Charles Clark, Gordon Emmanuel, Maurice McIntyre, Thurman Barker and Leonard Jones with vocals by Penelope Taylor and a poetry recitation by David Moore.
Young at Heart/Wise in Time is an album by pianist/composer Muhal Richard Abrams released by the Delmark label in 1970 that featured an LP side-length solo piano composition and Abrams accompanied by Leo Smith, Henry Threadgill, Lester Lashley and Thurman Barker on the other side.
Things to Come from Those Now Gone is the third album by Muhal Richard Abrams which was released on the Delmark label in 1975 and features performances of seven of Abrams' compositions by Abrams with varying line-ups that include Wallace McMillan, Edwin Daugherty, Richard Brown, Emanuel Cranshaw, Reggie Willis, Rufus Reid, Steve McCall and Wilbur Campbell with vocals by Ella Jackson.
1-OQA+19 is an album by Muhal Richard Abrams released on the Italian Black Saint label in 1977 which features performances by Abrams, Anthony Braxton, Henry Threadgill, Steve McCall and Leonard Jones.
Spihumonesty is an album by Muhal Richard Abrams which was released on the Italian Black Saint label in 1979 and features performances by Abrams, George Lewis, Roscoe Mitchell, Amina Claudine Myers, Youseff Yancy and Leonard Jones with vocals by Jay Clayton.
Duet is an album by Muhal Richard Abrams featuring duet performances with Amina Claudine Myers which was released on the Italian Black Saint label in 1981.
Rejoicing with the Light is an album by Muhal Richard Abrams. It was released on the Italian Black Saint label in 1983 and features performances of five of Abrams' compositions by a fourteen-member orchestra.
View from Within is an album by Muhal Richard Abrams released on the Italian Black Saint label in 1985 and featuring performances of six of Abrams' compositions by an octet.
Just the Facts and Pass the Bucket is an album by Henry Threadgill released on the About Time label in 1983. The album features six of Threadgill's compositions performed by Threadgill with Craig Harris, Olu Dara, Fred Hopkins, Diedre Murray, Pheeroan akLaff and John Betsch.
New Orleans Suite is a studio album by the American pianist, composer, and bandleader Duke Ellington, recorded and released on the Atlantic label in 1970. The album contains the final recordings of longtime Ellington saxophonist Johnny Hodges, who died between the album's two recording sessions. The album won a Grammy Award in 1971 for Best Jazz Performance by a Big Band.
Lifelong Ambitions is a live album by American jazz violinist Leroy Jenkins recorded in 1977 for the Italian Black Saint label.
Colours is an album by American jazz saxophonist Sam Rivers featuring Winds of Manhattan, an 11-piece woodwind orchestra. The album was recorded in 1982 for the Italian Black Saint label. The album was composed with some sections of group improvisation. According to participant Steve Coleman, solo improvisations were omitted before the album's release to shorten the track times.
Waves is an album by American jazz saxophonist Sam Rivers featuring performances recorded in 1978 and released on the Tomato label.
Creative Orchestra Music 1976 is an album by American jazz saxophonist and composer Anthony Braxton recorded in 1976 and released on the Arista label. The album was subsequently included on The Complete Arista Recordings of Anthony Braxton released by Mosaic Records in 2008.
Beyond the Rain is an album by American jazz saxophonist Chico Freeman recorded in 1977 and released on the Contemporary label.