Maintained by | City of Portland |
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Location | Portland, Maine, U.S. |
Coordinates | 43°39′25″N70°15′07″W / 43.65701°N 70.251887°W |
Boothby Square is a public square in Portland, Maine, United States. Located on the last remaining cobblestoned section of Fore Street, it is named for Frederic E. Boothby, a former mayor of Portland. [1] A water trough in the square is dedicated to Boothby's philanthropic wife, Adelaide. [2]
Now open, but surrounded by sections of granite blocks, the square was formerly enclosed by iron railings. [3] The street is bisected by Silver Street.
The Boothby Square Watering Trough was installed in 1902 to supply water for horses and dogs and a peaceful respite for people. It's installation was part of the City Beautiful movement. In 1946 it was struck by a car and knocked off its base. The crash broke the ornate top section. Shortly afterward, the trough was removed and put in storage. It was purchased by an antiques dealer in 1983. Donors raised $50,000 to buy back the trough and reinstall it. [4]
In 2006, the City of Portland installed a piece of public art, titled "Tracing the Fore", in the square, created by landscape artist Shauna Gillies-Smith. It cost around $135,000. The piece received a large amount of criticism, and was removed in 2011. It was sold for $100 at a local auction, with the successful bidder also paying $9,000 for its removal. Gillies-Smith, based in Cambridge, Massachusetts, claimed the City did not want to put the funds towards making the sculpture look acceptable, while Alex Jaegerman, Portland's planning-division director, refuted the claim that money was the issue. He had received a petition without around 150 signatures, asking for the sculpture to be removed. [5]
Portland is the most populous city in the U.S. state of Maine and the seat of Cumberland County. Portland's population was 68,408 in April 2020. The Greater Portland metropolitan area has a population of approximately 550,000 people. Historically tied to commercial shipping, the marine economy, and light industry, Portland's economy in the 21st century relies mostly on the service sector. The Port of Portland is the second-largest tonnage seaport in the New England area as of 2019.
Portland, Maine, is home to many neighborhoods.
Congress Street is the main street in Portland, Maine. Congress stretches from Portland's southwestern border with Westbrook through a number of neighborhoods before ending overlooking the Eastern Promenade on Munjoy Hill. In March 2009, the Portland City Council designated much of the inner portion of Congress Street a historic district. The western section of the street includes the city's Arts District.
Kvinneakt is an abstract bronze sculpture located on the Transit Mall of downtown Portland, Oregon. Designed and created by Norman J. Taylor between 1973 and 1975, the work was funded by TriMet and the United States Department of Transportation and was installed on the Transit Mall in 1977. The following year Kvinneakt appeared in the "Expose Yourself to Art" poster which featured future Mayor of Portland Bud Clark flashing the sculpture. It remained in place until November 2006 when it was removed temporarily during renovation of the Transit Mall and the installation of the MAX Light Rail on the mall.
Pod is the name of a 2002 modern sculpture by American artist Pete Beeman, currently installed at Southwest 10th Avenue and West Burnside Street in downtown Portland, Oregon. The 30-foot (9.1 m) sculpture, intended to represent the "infrastructure, energy, and vibrancy of Portland," is supported by its static tripod base with a 15-foot (4.6 m) diameter. It is constructed from stainless steel, galvanized steel, bronze, titanium, lead and other materials. Pod was fabricated by Beeman and David Bermudez, and engineered by Beeman and Peterson Structural Engineers. It is considered interactive and kinetic, with a central, vertical pendulum that swings back and forth when pushed. The sculpture cost as much as $50,000 and was funded by the Portland Streetcar Project. Pod is part of the City of Portland and Multnomah County Public Art Collection courtesy of the Regional Arts & Culture Council.
Throwback (1/3) is a public artwork by American artist Tony Smith, located in the Marsh & McLennan Companies (MMC) Plaza at 1166 Avenue of the Americas in Midtown Manhattan, New York City, New York.
Thompson Elk Fountain, also known as the David P. Thompson Fountain, David P. Thompson Monument, Elk Fountain, the Thompson Elk, or simply Elk, is a historic fountain and bronze sculpture by American artist Roland Hinton Perry. The fountain with its statue was donated to the city of Portland, Oregon, United States, in 1900 for display in Downtown Portland's Plaza Blocks. It is owned by the City of Portland.
Fountain for Company H, also known as Second Oregon Company Volunteers, is a 1914 fountain and war memorial designed by John H. Beaver, installed in Portland, Oregon's Plaza Blocks, in the United States. Dedicated to the men of Company H of the 2nd Oregon Volunteer Infantry Regiment killed in service during the Spanish–American War, the limestone and bronze memorial was installed in Lownsdale Square in 1914. It is part of the City of Portland and Multnomah County Public Art Collection courtesy of the Regional Arts & Culture Council. The memorial has been included in published walking tours of Portland.
Little Prince, also known as The Little Prince, is an outdoor 1995 copper and steel sculpture created by artist Ilan Averbuch, located in the Rose Quarter of Portland, Oregon. It is part of the City of Portland and Multnomah County Public Art Collection, courtesy of the Regional Arts & Culture Council.
The Promised Land is an outdoor bronze sculpture by David Manuel, installed in 1993 in Chapman Square, in Portland, Oregon. It is a bronze sculpture depicting a pioneer family at the end of their journey that was de-accessioned in 2020 in response to vandalism and racial justice concerns during the George Floyd protests.
Running Horses is an outdoor 1986 bronze sculpture by Tom Hardy, located on the Transit Mall in downtown Portland, Oregon. It is part of the City of Portland and Multnomah County Public Art Collection courtesy of the Regional Arts & Culture Council.
The Chiming Fountain, also known as Cupid's Fountain, the John Staehli Fountain, Portland's City Park Fountain and Washington Park Fountain, is an outdoor cast iron fountain and sculpture built in 1891 by John "Hans" Staehli. It is installed in Washington Park in Portland, Oregon, United States. The fountain's name derives from the sound made when water drips from the upper basin. Staehli designed the fountain to serve as a watering trough for horses pulling carriages into the park. Based on a Renaissance fountain, it was originally painted white and included a statuette of a boy, possibly depicting Cupid, though the figure was damaged and permanently removed from the sculpture before or during the 1940s.
Dog Bowl is a 2002 outdoor sculpture by dog photographer William Wegman, located in the North Park Blocks in Portland, Oregon, United States.
The Dreamer, or simply Dreamer, is an outdoor 1979 muntz bronze sculpture and fountain of a reclining woman by Manuel Izquierdo, installed at Pettygrove Park in Portland, Oregon, United States. It is part of the City of Portland and Multnomah County Public Art Collection courtesy of the Regional Arts & Culture Council, which administers the work.
The State of Maine Armory is an historic building in Portland, Maine's Old Port District. The brick building spans from its entrance at 20 Milk Street to Fore Street at its rear and parallels Market Street and Silver Street on its west and east sides. The historic Boothby Square is located on Fore Street behind the hotel.
The Hollow Reed was a vegetarian restaurant in the Old Port district of Portland, Maine. It opened on February 7, 1974, and closed in 1981, and is cited for its influence on the city's notable restaurant culture.
Many artworks related to the Black Lives Matter movement have been created. These works are either seen as a direct tribute to those who have died or more broadly to the movement. Often the pieces are created in the streets as to be more publicly visible. As such several attempts have been made at preserving the art created in protest on the basis of their artistic merit and cultural significance. Increasingly, the erasure of the artwork has been a problem for preservationists. As such, the artworks below represent a fraction of the works created.
Public drinking fountains in Philadelphia, Pennsylvania, United States, have been built and used since the 19th century. Various reform-minded organizations in the city supported public drinking fountains as street furniture for different but overlapping reasons. One was the general promotion of public health, in an era of poor water and typhoid fever. Leaders of the temperance movement such as the Woman's Christian Temperance Union saw free, clean water as a crucial alternative to beer. Emerging animal welfare organizations, notably the Society for the Prevention of Cruelty to Animals, wanted to provide water to the dogs and working horses of the city on humanitarian grounds, which is why Philadelphia's drinking fountains of the era often include curb-level troughs that animals could reach.
Fore Street is a downtown street in Portland, Maine, United States. It runs for around 1 mile (1.6 km), from the Eastern Promenade on Munjoy Hill in the northeast to Pleasant Street in the southwest. Near its midsection, Fore Street crosses Franklin Street. It splits briefly at Boothby Square, shortly after passing the United States Custom House. The street passes through the Old Port district.
The Maine Lobsterman is a sculpture in Lobsterman Park, Portland, Maine, United States. It was sculpted by Victor Kahill for the 1939 New York World's Fair and served as the centerpiece of the Maine exhibit in the Hall of States. Once it returned to Portland, it was displayed at the Columbia Hotel and the Portland City Hall before being placed at its present location on Temple Street in 1977. In 2021, the Portland Press Herald described it as one of the most iconic landmarks in the city. In July 2022, the animal rights non-profit People for the Ethical Treatment of Animals sent a letter to mayor Kate Snyder urging the city replace the sculpture with another sculpture showing a lobster crushing a trap.