Border Wave | ||||
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Studio album by | ||||
Released | 1981 | |||
Studio | Electric Lady | |||
Label | Takoma | |||
Producer | Craig Leon, Cassell Webb | |||
Sir Douglas Quintet chronology | ||||
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Border Wave is an album by the American band the Sir Douglas Quintet, released in 1981. [1] [2] Doug Sahm was inspired to record the album after the success of Joe Carrasco and Elvis Costello. [3] [4] It was Sahm's second album for Takoma Records. [5] Border Wave peaked at No. 184 on the Billboard 200. [6] The band supported the album with a North American tour. [7]
Recorded at Electric Lady Studios over five days, the album was coproduced by Craig Leon. [8] [9] Sahm was joined by original bandmembers Johnny Perez and Augie Meyers. [10] Speedy Sparks played bass and Alvin Crow played guitar. [11] [12] "You're Gonna Miss Me" is a cover of the Roky Erickson song. "I Keep Wishing for You" was written by Butch Hancock. [13] "Who'll Be the Next in Line" is a cover of the Kinks song. [14]
Review scores | |
---|---|
Source | Rating |
AllMusic | [15] |
Robert Christgau | A− [16] |
The Encyclopedia of Popular Music | [17] |
MusicHound Blues: The Essential Album Guide | [18] |
Omaha World-Herald | [19] |
The Rolling Stone Album Guide | [20] |
Ukiah Daily Journal | B+ [21] |
The New York Times wrote that "Mr. Sahm and his cohorts, whether from age or their record production, sound older and heavier, too." [22] Robert Christgau determined that "he handles horns better than most, but the quintet is Doug's home concept, and this reunion could be his best LP ever." [16] The Guardian stated that "the playing is tight, sparse, and energetic, with that Mexican organ played off against neat guitar licks and a tight rhythm section." [14] The Buffalo News praised the "pumping staccato organ and the drawling harmonies." [23] The Cambridge Evening News panned the album, labeling it "bland, irritating, dated and full of jumpy, up-beat Sixties Searchers-type songs." [24] The Omaha World-Herald considered the lyrics to be "painfully thin." [19]
AllMusic wrote: "How someone as old wave as Doug Sahm hooked into the new wave of the 80s is not exactly so mysterious if one examines the rich stylistic makeup of the Sir Douglas Quintet repertoire, and how so many of these grooves were finding their way into the sounds of the so-called new wave era." [15] Reviewing a reissue, the Edmonton Journal stated that "Sahm never had any problem switching gears or focus as he was a true chameleon, comfortably moving from country to rock to blues to Tex-Mex music over the space of three or four releases." [13] In 2012, the Houston Press opined that the band "gives Joe King Carraso & the Crowns a run for their money when the still-bizarre Tex-Mex/New Wave craze was at its height." [25]
No. | Title | Length |
---|---|---|
1. | "Who'll Be the Next in Line" | |
2. | "It Was Fun While It Lasted" | |
3. | "Down on the Border" | |
4. | "I Keep Wishing for You" | |
5. | "Revolutionary Ways" | |
6. | "Old Habits, Die Hard" | |
7. | "You're Gonna Miss Me" | |
8. | "Sheila Tequila" | |
9. | "Tonite, Tonite" | |
10. | "Border Wave" |
Leonardo "Flaco" Jiménez is an American singer, songwriter and accordionist from San Antonio, Texas. He is known for playing Norteño, Tex Mex and Tejano music. Jiménez has been a solo performer and session musician, as well as a member of the Texas Tornados and Los Super Seven.
Douglas Wayne Sahm was an American musician, singer-songwriter and multi-instrumentalist born in San Antonio, Texas. Sahm is regarded as one of the main figures of Tex-Mex music, and as an important performer of Texan Music. He gained fame along with his band, the Sir Douglas Quintet, with a top-twenty hit in the United States and the United Kingdom with "She's About a Mover" (1965). Sahm was influenced by the San Antonio music scene that included conjunto and blues, and later by the hippie scene of San Francisco. With his blend of music, he found success performing in Austin, Texas, as the hippie counterculture soared in the 1970s.
The Sir Douglas Quintet was an American rock band formed in San Antonio, Texas in 1964. With their first hits, they were acclaimed in their home state. When their career was established, the band relocated to the West Coast. Their move coincided with the burgeoning San Francisco psychedelic rock scene of the mid 1960s to early 1970s. Overall, the quintet were exponents of good-times music with strong roots in blues and Texas-regional traditions. The band's songs were most noted for the instantly distinguishable organ sound of Augie Meyers' Vox Continental.
Texas Tornados is an American Tejano supergroup, composed of some of country music's biggest artists who modernized the Tex-Mex style including Flaco Jiménez, Augie Meyers, Doug Sahm, and Freddy Fender. Its music is a fusion of conjunto with rock, country, and various Mexican styles.
Shotgun Willie is the 16th studio album by American country music singer-songwriter Willie Nelson, released on June 11, 1973. The recording marks a change of style for Nelson, who later stated that the album "cleared his throat". When Nelson refused to sign an early extension of his contract with RCA Records in 1972, the label decided not to release any further recordings. Nelson hired Neil Reshen as his manager, and while Reshen negotiated with RCA, Nelson moved to Austin, Texas, where the ongoing hippie music scene at the Armadillo World Headquarters renewed his musical style. In Nashville, Nelson met producer Jerry Wexler, vice president of Atlantic Records, who was interested in his music. Reshen solved the problems with RCA and signed Nelson with Atlantic as their first country music artist.
Mott the Hoople is the debut studio album by the band of the same name. It was produced by Guy Stevens and released in 1969 by Island Records in the UK, and in 1970 by Atlantic Records in the US. It was re-issued by Angel Air in 2003 (SJPCD157).
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She's About a Mover is a 1965 song by the Sir Douglas Quintet that was quickly covered by several other artists. The song has a 12-bar blues structure, and is essentially a rewrite of The Coasters’ 1957 hit, "Searchin'"
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Texas Rock for Country Rollers is the third album by American country-music singer Doug Sahm. Sahm composed for the album seven original songs, while covers constituted the rest of the album. It was released by ABC-Dot in 1976.
The discography of Doug Sahm started in 1955 with the release of "A Real American Joe" on Sarg Records. Sahm fronted three bands early in his career: The Pharaohs, The Dell-Kings and The Markays. He released the song "Crazy Daisy" (1959), and he had a local hit in San Antonio, Texas with "Why Why Why" (1960) on Renner Records. Sahm had another local hit with "Crazy, Crazy Feeling" (1961). After he disbanded the Sir Douglas Quintet in 1972, he was signed by Atlantic Records in October 1972, and he released his solo debut album Doug Sahm and Band.
Doug Sahm and Band is the debut solo album of American singer-songwriter Doug Sahm. In 1972, after leaving the Sir Douglas Quintet, Sahm moved to Austin, Texas. He was signed by Jerry Wexler to the newly opened country music division of Atlantic Records, and started the album sessions by October 1972. It featured appearances by Bob Dylan, Dr. John, David "Fathead" Newman, Flaco Jimenez, David Bromberg and Kenny Kosek.
Groover's Paradise is an album by Doug Sahm, produced by musician Doug Clifford and released on Warner Records in 1974. Following his return to Texas after his success with the Sir Douglas Quintet in California, Sahm settled in Austin, Texas. As the local music scene thrived, he was featured as the main attraction in local clubs and he recorded his debut album for Atlantic Records.
Texas Tornado is the second solo album by Doug Sahm, released by Atlantic Records in December 1973. Sahm co-produced the album with Jerry Wexler and Arif Mardin. Wexler signed Sahm to Atlantic records after the opening of the label's country music division.
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Juke Box Music is an album by singer Doug Sahm released by Antone's Record Label in January 1989. Sahm returned to Austin, Texas in 1988 after living and experiencing success with his music in Sweden and Canada. Upon his return, Sahm started to perform at the Austin night club Antone's. The owner of the club, Clifford Antone signed him to his independent record label.
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