Texas Tornado | ||||
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Studio album by | ||||
Released | December 1973 | |||
Recorded | October 1972 | |||
Studio | Atlantic Studios Wally Heider Studios | |||
Genre | rock and roll, tejano, blues, jazz | |||
Length | 37:55 | |||
Label | Atlantic | |||
Producer | Doug Sahm, Jerry Wexler, Arif Mardin | |||
Doug Sahm chronology | ||||
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Texas Tornado is the second solo album by Doug Sahm, released by Atlantic Records in December 1973. Sahm co-produced the album with Jerry Wexler and Arif Mardin. Wexler signed Sahm to Atlantic records after the opening of the label's country music division.
Sahm recorded with Atlantic during October 1972. Texas Tornado was constituted by the leftover tracks of his debut album, Doug Sahm and Band . Sahm's second album was favored by the critics.
Interested in the development of alternative country, Atlantic Records producer Jerry Wexler started a Country & Western division in the label in 1972. [1] Wexler signed Doug Sahm among his acts. [2] Sahm recorded material for the label during October 1972 and his debut solo album, Doug Sahm and Band , was released in 1973. [3] Following his move to Austin, Texas Sahm released the leftover material of his Atlantic sessions as Texas Tornado. [4] The album was credited to the "Sir Douglas Band" and produced by Sahm, Wexler and Arif Mardin. [5]
Review scores | |
---|---|
Source | Rating |
The Kansas City Star | Favorable |
Detroit Free Press | Favorable |
The Cincinnati Enquirer | Favorable |
Austin American-Statesman | Favorable |
Robert Christgau | B+ |
AllMusic |
Texas Tornado was released in December 1973. [6] The Kansas City Star delivered a favorable review that stated on the album Sahm "proves just how good a writer, composer and vocalist ... [he] is." [7] Critic Bob Talbert of the Detroit Free Press favored the album, and commented on the variety of musical genres and Sahm's "taste of every musical style." [8] Meanwhile, The Cincinnati Enquirer also remarked the mixture of styles and Sahm's voice changing from "the twangy nasal country sound to the mellow crooning style". [9] the Austin American-Statesman considered the album "more consistent overall" in comparison to Sahm's debut release with the label. [10]
Critic Robert Christgau gave the album a B+, and he compared it with previous Sahm releases: "the singing especially has the kind of force and definition he's always rendered irrelevant in the past". [11] AllMusic gave the album four-and-a-half stars out of five. Stephen Thomas Erlewine determined that the album "captures (Sahm) at an undeniable peak and it's undeniably irresistible." [12]
No. | Title | Length |
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1. | "San Francisco FM Blues" | 3:30 |
2. | "Someday" | 3:21 |
3. | "Blue Horizon" | 4:25 |
4. | "Tennessee Blues" | 5:34 |
5. | "Ain't That Loving You" | 4:57 |
No. | Title | Length |
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1. | "Texas Tornado" | 2:56 |
2. | "Juan Mendoza" | 2:59 |
3. | "Chicano" | 2:18 |
4. | "I'll Be There" | 2:38 |
5. | "Hard Way" | 2:12 |
6. | "Nitty Gritty" | 3:05 |
| Studio [5]
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Douglas Wayne Sahm was an American musician, singer-songwriter and multi-instrumentalist born in San Antonio, Texas. Sahm is regarded as one of the main figures of Tex-Mex music, and as an important performer of Texan Music. He gained fame along with his band, the Sir Douglas Quintet, with a top-twenty hit in the United States and the United Kingdom with "She's About a Mover" (1965). Sahm was influenced by the San Antonio music scene that included conjunto and blues, and later by the hippie scene of San Francisco. With his blend of music, he found success performing in Austin, Texas, as the hippie counterculture soared in the 1970s.
The Sir Douglas Quintet was an American rock band, formed in San Antonio in 1964. With their first hits, they were acclaimed in their home state. When their career was established, the band relocated to the West Coast. Their move coincided with the burgeoning San Francisco psychedelic rock scene of the mid 1960s to early 1970s. Overall, the quintet were exponents of good-times music with strong roots in blues and Texas-regional traditions. The band's songs were most noted for the instantly distinguishable organ sound of Augie Meyers' Vox Continental.
Texas Tornados is a Tejano supergroup, composed of some of country music's biggest artists who modernized the Tex-Mex style including Flaco Jiménez, Augie Meyers, Doug Sahm, and Freddy Fender. Its music is a fusion of conjunto with rock, country, and various Mexican styles.
Shotgun Willie is the 16th studio album by Willie Nelson, released in 1973. The recording marks a change of style for Nelson, who later stated that the album "cleared his throat". When Nelson refused to sign an early extension of his contract with RCA Records in 1972, the label decided not to release any further recordings. Nelson hired Neil Reshen as his manager, and while Reshen negotiated with RCA, Nelson moved to Austin, Texas, where the ongoing hippie music scene at the Armadillo World Headquarters renewed his musical style. In Nashville, Nelson met producer Jerry Wexler, vice president of Atlantic Records, who was interested in his music. Reshen solved the problems with RCA and signed Nelson with Atlantic Records as their first country music artist.
Phases and Stages is the 17th studio album by Willie Nelson, which followed the moderate success of his first Atlantic Records release, Shotgun Willie. Nelson met producer Jerry Wexler at a party where Nelson sang songs from an album he planned to record. The single "Phases and Stages" was originally recorded the same year. Nelson recorded the album at Muscle Shoals Sound Studios in two days and Wexler produced it.
Mott the Hoople is the debut studio album by the band of the same name. It was produced by Guy Stevens and released in 1969 by Island Records in the UK, and in 1970 by Atlantic Records in the US. It was re-issued by Angel Air in 2003 (SJPCD157).
The Troublemaker is the 20th studio album by country singer and songwriter Willie Nelson. When Nelson refused to sign an early extension of his contract with RCA in 1972, the label decided not to release any further recordings. Nelson hired Neil Reshen as his manager, and while Reshen negotiated with RCA, Nelson moved to Austin, Texas, where the ongoing hippie music scene at the Armadillo World Headquarters renewed his musical style. In Nashville, Nelson met producer Jerry Wexler, vice president of Atlantic Records, who was interested in his music. Reshen solved the problems with RCA and signed Nelson with Atlantic Records as their first country music artist.
Bill Bentley is an American music industry executive, particularly notable for having produced tribute albums of the music of significant cult artists Roky Erickson (1990), Skip Spence (1999), Doug Sahm (2009) and Lou Reed, in addition to other recording projects.
"Bloody Mary Morning" is a song written and recorded by American country music singer Willie Nelson. Nelson wrote the song inspired by his struggles to become a "better parent". It was originally released in the 1970 RCA Records release Both Sides Now with the title "Bloody Merry Morning".
Shandon Sahm is an American drummer, who is a native of San Antonio, Texas and is best known for his two stints as the drummer of the Meat Puppets, from 1999–2002 and 2009–2018.
Louie and the Lovers was an American rock band based in Prunedale, California.
Texas Rock for Country Rollers is the third album by American country-music singer Doug Sahm. Sahm composed for the album seven original songs, while covers constituted the rest of the album. It was released by ABC-Dot in 1976.
The discography of Doug Sahm started in 1955 with the release of "A Real American Joe" on Sarg Records. Sahm fronted three bands early in his career: The Pharaohs, The Dell-Kings and The Markays. He released the song "Crazy Daisy" (1959), and he had a local hit in San Antonio, Texas with "Why Why Why" (1960) on Renner Records. Sahm had another local hit with "Crazy, Crazy Feeling" (1961). After he disbanded the Sir Douglas Quintet in 1972, he was signed by Atlantic Records in October 1972, and he released his solo debut album Doug Sahm and Band.
Doug Sahm and Band is the debut solo album of American singer-songwriter Doug Sahm. In 1972, after leaving the Sir Douglas Quintet, Sahm moved to Austin, Texas. He was signed by Jerry Wexler to the newly opened country music division of Atlantic Records, and started the album sessions by October 1972. It featured appearances by Bob Dylan, Dr. John, David "Fathead" Newman, Flaco Jimenez, David Bromberg and Kenny Kosek.
Groover's Paradise is an album by Doug Sahm, produced by musician Doug Clifford and released on Warner Records in 1974. Following his return to Texas after his success with the Sir Douglas Quintet in California, Sahm settled in Austin, Texas. As the local music scene thrived, he was featured as the main attraction in local clubs and he recorded his debut album for Atlantic Records.
Hell of a Spell is an album by singer-songwriter Doug Sahm released by Takoma Records in January 1980. Sahm was signed to the label in 1979 after it was acquired by Chrysalis Records the same year. Upon request of the president of Takoma, Sahm recorded blues numbers and he dedicated the record to Guitar Slim. While the album was well received by the critics, it was a commercial failure.
Juke Box Music is an album by singer Doug Sahm released by Antone's Record Label in January 1989. Sahm returned to Austin, Texas in 1988 after living and experiencing success with his music in Sweden and Canada. Upon his return, Sahm started to perform at the Austin night club Antone's. The owner of the club, Clifford Antone signed him to his independent record label.
The Last Real Texas Blues Band Featuring Doug Sahm is an album by Doug Sahm released by Antone's Record Label in February 1995.
Get a Life is a 1998 album by Doug Sahm released by the Dutch label Munich Records. The tracks were recorded in Austin and San Marcos, Texas, Seattle, Washington and Los Angeles, California. The producers of the tracks included Sahm, Mike Stewart, Billy Stull and Bob Flick. Sahm wrote the liner notes for the album. The recordings featured The Gourds, as well as Augie Meyers. Sahm met The Gourds as he performed at a music festival in Belgium in 1997. Sahm approached the band after he heard them sing a cover of his original "At the Crossroads".
The Return of Wayne Douglas is the last studio album recorded by Doug Sahm. It was released by his own label, Tornado Records.