Douglas Wayne Sahm was an American musician, singer-songwriter and multi-instrumentalist born in San Antonio, Texas. Sahm is regarded as one of the main figures of Tex-Mex music, and as an important performer of Texan Music. He gained fame along with his band, the Sir Douglas Quintet, with a top-twenty hit in the United States and the United Kingdom with "She's About a Mover" (1965). Sahm was influenced by the San Antonio music scene that included conjunto and blues, and later by the hippie scene of San Francisco. With his blend of music, he found success performing in Austin, Texas, as the hippie counterculture soared in the 1970s.
The Sir Douglas Quintet was an American rock band, formed in San Antonio in 1964. With their first hits, they were acclaimed in their home state. When their career was established, the band relocated to the West Coast. Their move coincided with the burgeoning San Francisco psychedelic rock scene of the mid 1960s to early 1970s. Overall, the quintet were exponents of good-times music with strong roots in blues and Texas-regional traditions.
Mike Buck is an Austin, Texas-based drummer and co-owner of Antone's Record Shop located in downtown Austin.
Shotgun Willie is the sixteenth studio album by Willie Nelson, released in 1973. The recording marks a change of style for Nelson, who later stated that the album "cleared his throat". When Nelson refused to sign an early extension of his contract with RCA Records in 1972, the label decided not to release any further recordings. Nelson hired Neil Reshen as his manager, and while Reshen negotiated with RCA, Nelson moved to Austin, Texas, where the ongoing hippie music scene at the Armadillo World Headquarters renewed his musical style. In Nashville, Nelson met producer Jerry Wexler, vice president of Atlantic Records, who was interested in his music. Reshen solved the problems with RCA and signed Nelson with Atlantic Records as their first country music artist.
T-Bird Rhythm is the fourth studio album by Texas-based blues rock band The Fabulous Thunderbirds, released in 1982. The recording contains a mixture of covers and originals. Chrysalis dropped the band following the release of the album.
Huey Purvis Meaux was an American record producer and the owner of various record labels and recording studios including Crazy Cajun Records, Tribe Records, Tear Drop Records, Capri Records, and SugarHill Recording Studios(1971).
Gary Primich was an American blues harmonica player, singer, guitarist and songwriter. He is best known for his 1995 album, Mr. Freeze.
Bill Bentley is an American music industry executive, particularly notable for having produced tribute albums of the music of significant cult artists Roky Erickson (1990), Skip Spence (1999), Doug Sahm (2009) and Lou Reed (2013), in addition to other recording projects.
Lillia Lavell "Lavelle" White is an American Texas blues and soul blues singer and songwriter. After performing most of her adult lifetime, White released three albums, the first of which was issued in 1994, when she was aged 65.
Texas Rock for Country Rollers is the third album by American country-music singer Doug Sahm. Sahm composed for the album seven original songs, while covers constituted the rest of the album. It was released by ABC-Dot in 1976.
The discography of Doug Sahm started in 1955 with the release of "A Real American Joe" on Sarg Records. Sahm fronted three bands early in his career: The Pharaohs, The Dell-Kings and The Markays. He released the song "Crazy Daisy" (1959), and he had a local hit in San Antonio, Texas with "Why Why Why" (1960) on Renner Records. Sahm had another local hit with "Crazy, Crazy Feeling" (1961). After he disbanded the Sir Douglas Quintet in 1972, he was signed by Atlantic Records in October 1972, and he released his solo debut album Doug Sahm and Band.
Doug Sahm and Band is the debut solo album of American singer-songwriter Doug Sahm. In 1972, after leaving the Sir Douglas Quintet, Sahm moved to Austin, Texas. He was signed by Jerry Wexler to the newly opened country music division of Atlantic Records, and started the album sessions by October 1972. It featured appearances by Bob Dylan, Dr. John, David "Fathead" Newman, Flaco Jimenez, David Bromberg and Kenny Kosek.
Antone's was a record label based in Austin, Texas.
Watermelon Records was a record label based in Austin, Texas.
Groover's Paradise is an album by Doug Sahm, produced by musician Doug Clifford and released on Warner Records in 1974. Following his return to Texas after his success with the Sir Douglas Quintet in California, Sahm settled in Austin, Texas. As the local music scene thrived, he was featured as the main attraction in local clubs and he recorded his debut album for Atlantic Records.
Texas Tornado is the second solo album by Doug Sahm, released by Atlantic Records in December 1973. Sahm co-produced the album with Jerry Wexler and Arif Mardin. Wexler signed Sahm to Atlantic records after the opening of the label's country music division.
Hell of a Spell is an album by singer-songwriter Doug Sahm released by Takoma Records in January 1980. Sahm was signed to the label in 1979 after it was acquired by Chrysalis Records the same year. Upon request of the president of Takoma, Sahm recorded blues numbers and he dedicated the record to Guitar Slim. While the album was well received by the critics, it was a commercial failure.
The Last Real Texas Blues Band Featuring Doug Sahm is an album by Doug Sahm released by Antone's Record Label in February 1995.
Get a Life is a 1998 album by Doug Sahm released by the Dutch label Munich Records. The tracks were recorded in Austin and San Marcos, Texas, Seattle, Washington and Los Angeles, California. The producers of the tracks included Sahm, Mike Stewart, Billy Stull and Bob Flick. Sahm wrote the liner notes for the album. The recordings featured The Gourds, as well as Augie Meyers. Sahm met The Gourds as he performed at a music festival in Belgium in 1997. Sahm approached the band after he heard them sing a cover of his original "At the Crossroads".
The Return of Wayne Douglas is the last studio album recorded by Doug Sahm. It was released by his own label, Tornado Records.
