Boss MT-2 | |
---|---|
Brand | Boss |
Manufacturer | Roland Corporation |
Dates | 1991—present |
Technical specifications | |
Effects type | Distortion pedal |
Controls | |
Pedal control | Level, High, Low, Mid, Mid Freq, Dist |
Input/output | |
Inputs | mono |
Outputs | mono |
The Boss MT-2 Metal Zone is a distortion pedal released by Boss in 1991. Designed for the death metal genre, the Metal Zone is characterized by its thick, tight tone and expanded EQ controls. [1] The extreme sounds the pedal is capable of producing made it successful yet divisive upon its release. The MT-2 has sold over a million units, more than any Boss pedal except the DS-1, and has been in continuous production since its debut. [1]
Following the discontinuation of the earlier Boss HM-2, which found a niche market in the surging death metal genre, Boss sought to appeal to those players with an improved pedal design with the Metal Zone. [2] Boss settled on a complex design for a distortion pedal, with a dual-stage gain circuit, seven filters for both pre- and post-distortion, and a semi-parametric three-band EQ section. In a retrospective, Premier Guitar described the MT-2 as "literally the hottest piece of gear in the guitar world" upon its 1991 release. [3] For its October 1992 issue, Guitar Player conducted a "shoot-out" of 29 distortion pedals and concluded the MT-2 was the standout model for metal players. Demand was so high, however, the magazine could not photograph the pedal for the article before the store that loaned it asked for it back to try to fill backorders. [3]
While initially embraced, popular opinion of the Metal Zone turned in subsequent decades, in part due to younger players not knowing how to get the best sounds from it, with Premier Guitar writing that "[t]he endless hordes of preteens that butchered 'Crazy Train' through a Metal Zone at their local Guitar Center probably didn't help" the pedal's reputation. [3] Detractors often compared the Metal Zone to "buzzing bees" and lampooned it as the worst pedal ever made. Guitar World characterized the general reaction to the pedal as "inspiring or confusing." [2] Music Radar suggested the problems guitarists had with the Metal Zone stemmed from the tone controls being too complicated and it having too much gain available, with players not realizing it was best to start with lower gain settings. [4] Kurt Ballou expressed a similar sentiment: "Guitarists tend to turn things all the way up, but, as with most gear, that’s not typically the best way to use an MT-2." [5]
Despite the negative reactions, the Metal Zone has found users inside the metal community and out. At the Gates and Cannibal Corpse embraced the pedal, [5] while Nathan Weaver of Wolves in the Throne Room favorably described the MT-2 as a "fucked-up, corpse-grinding type sound." [2] Prince notably used a Metal Zone on tour throughout the 1990s. Blues guitarist Joe Bonamassa cited the MT-2 as his favorite Boss "dirt" pedal and said, "Just because it’s called the Metal Zone, that doesn’t mean you need to run the gain all the way up." [6] Munky of Korn likes the pedal for "lo-fi" effects. [7]
With the release of a 30th anniversary edition from Boss, the MT-2 has experienced a degree of public reevaluation. Premier Guitar observed that while the dismissive clickbait titles remain, many Youtube content creators conclude with praise for the pedal. [3] In a viral video reviewing the MT-2, Ola Englund praised the MT-2 after admitting he was unimpressed by it in the '90s. His review also popularized using the MT-2 as a preamp into the return of an amp's effects loop. [5]
Outside of the music industry, the MT-2 found notoriety when online conspiracy theorists repurposed the pedal's schematics to fake evidence that COVID-19 vaccines contained implanted 5G chips. [6]
The Metal Zone features a dual-stage gain circuit, seven filters for both pre- and post-distortion, and a semi-parametric three-band EQ section. The high and low controls are active, with a significant 15dB of cut or boost; the mids control has the same 15dB of range, while paired with a separate mid frequency control. In an article on how to best use the Metal Zone, Guitar World wrote that the high control is crucial, as it acts as a shelving EQ that interacts with the pedal's other settings. [8] Simply rolling it back removes some undesirable fizziness, but will also remove high mids and result in an overly dark tone. The mid frequency control has a wide range, from 200Hz all the way to 5kHz, making it functionally a global active EQ, rather than simply a mid frequency control. The mid frequency also dictates the character of the distortion. [8]
An effects unit, effects processor, or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing.
A guitar amplifier is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier circuits, requiring the use of a separate speaker cabinet–or it may be a combo amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight practice amplifiers with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance.
Boss is a manufacturer of effects pedals for electric guitar and bass guitar. It is a division of the Roland Corporation, a Japanese manufacturer that specializes in musical equipment and accessories. For many years Boss has manufactured a wide range of products related to effects processing for guitars, including "compact" and "twin" effects pedals, multi-effect pedals, electronic tuners and pedal boards. In more recent times, Boss expanded their product range by including digital studios, rhythm machines, samplers and other electronic music equipment. They also are now manufacturing solid-state amplifiers and speaker heads such as the Waza and the Katana. Both feature multi-effects units meant to emulate Boss' classic effects pedals.
Mesa/Boogie is an American company in Petaluma, California, that manufactures amplifiers and other accessories for guitars and basses. It has been in operation since 1969.
Scholz Research & Development, Inc. was the name of the company founded by musician and engineer Tom Scholz to design and manufacture music technology products.
Electro-Harmonix is a New York City-based company that makes electronic audio processors and sells rebranded vacuum tubes. The company was founded by Mike Matthews in 1968. It is best known for a series of guitar effects pedals introduced in the 1970s and 1990s. EHX also made a line of guitars in the 1970s.
The Boss DS-1 is a distortion pedal for guitar, manufactured by the Roland Corporation under the brand name Boss since 1978. The first distortion effects unit made by Boss, it has become a classic effect, used by many notable guitar players.
The Dunlop Cry Baby is a popular wah-wah pedal, manufactured by Dunlop Manufacturing, Inc. The name Cry Baby was from the original pedal from which it was copied, the Thomas Organ/Vox Cry Baby wah-wah, first manufactured in 1966. Thomas Organ/Vox failed to register the name as a trademark, leaving it open for Dunlop. More recently, Dunlop manufactured the Vox pedals under licence, although this is no longer the case.
The Ibanez Tube Screamer is a guitar overdrive pedal, made by Ibanez. The pedal has a characteristic mid-boosted tone popular with blues, rock and metal players. The Tube Screamer has been used by many guitarists to create their signature sound, and is one of the most successful, widely copied, and custom-modified ("modded") overdrive pedals in the history of the electric guitar.
The Pro Co "The RAT" is a distortion pedal produced by Pro Co Sound. The original RAT was developed in the basement of Pro Co's Kalamazoo, Michigan facility in 1978. Numerous variations of the original RAT pedal are still being produced today, and it has become the 8th best selling guitar pedal of all time.
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, grunge and heavy metal music, while the use of distorted bass has been essential in a genre of hip hop music and alternative hip hop known as "SoundCloud rap".
The Peavey 5150 is a vacuum tube based guitar amplifier made by Peavey Electronics from 1992 on. The amplifier was initially created as a signature model for Eddie Van Halen. After Van Halen and Peavey parted ways in 2004, the name was changed to Peavey 6505 in celebration of Peavey's 40th anniversary (1965–2005). The 5150 name was used again by Van Halen in partnership with Fender under the EVH brand in 2007 and 2011.
Blackstar Amplification is a British company that produces and manufacturers guitar amplifiers and effects units. The company was founded by a group of ex-Marshall employees, most notably Bruce Keir, who became technical Director at Blackstar, and former Chief Design Engineer at Marshall, Ian Robinson. In 2009 the company began operations in the United States. The majority of the research and development for Blackstar is carried out in the UK. Blackstar is endorsed by major artists like Ozzy Osbourne, Neal Schon, Opeth, and Richie Sambora of Bon Jovi. Blackstar has been consistently ranked amongst the best amplification brands by leading guitarists. Bruce Keir died in September 2021 at the age of 60.
The Big Muff Pi (π), often known simply as the Big Muff, is a "fuzzbox" effects pedal produced in New York City by the Electro-Harmonix company, along with their Russian sister company Sovtek, primarily for use with the electric guitar. It is used by bassists as well, due to the Big Muff's squeaky frequency response.
Fuzz bass is a style of playing the electric bass or modifying its signal that produces a buzzy, distorted, overdriven sound, as the name implies. Overdriving a bass signal significantly changes the timbre, adds higher overtones (harmonics), increases the sustain, and, if the gain is turned up high enough, creates a "breaking up" sound characterized by a growling, buzzy tone.
The Boss HM-2 Heavy Metal is a distortion pedal manufactured by Boss from October 1983 until October 1991. Designed to emulate a Marshall stack, it became associated with Swedish death metal and gained a cult following in the heavy metal scene.
Gnosis is the eighth studio album by American post-metal band Russian Circles. It was released on August 19, 2022, through Sargent House.
Fulltone USA Inc. is an American manufacturer of effects pedals for the electric guitar. Founded by Michael Fuller in California in 1991, Fulltone was one of the first "boutique" pedal companies and became best-known for its overdrive pedals, the Full-Drive and OCD, with the latter dubbed by Music Radar "one of the most legendary overdrives ever made."