Bossa Nova Bacchanal | ||||
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Studio album by | ||||
Released | 1963 | |||
Recorded | November 26, 1962 & January 22, 1965 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 35:29original LP | |||
Label | Blue Note BST 84119 | |||
Producer | Alfred Lion | |||
Charlie Rouse chronology | ||||
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Bossa Nova Bacchanal is an album by American saxophonist Charlie Rouse recorded in 1962 and released in 1963 on the Blue Note label. [1] It was the only album Rouse recorded as a leader for Blue Note. The CD reissue includes a bonus track recorded in 1965. [2]
Review scores | |
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Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz Recordings | [4] |
All About Jazz | [5] |
The AllMusic review by Thom Jurek awarded the album 4 stars and stated "Rouse's embrace of bossa nova, as well as other Latin and Caribbean music, is firmly rooted in jazz -- and not American jazz trying to be Brazilian. Rhythmically, Rouse, who is a hard bopper if there ever was one, takes the rhythmic and harmonic concepts of the samba, marries them to Afro-Caribbean folk styles, and burns it all through with the gloriously unapologetic swing of jazz... Ultimately, this is one of Rouse's finest moments as a leader". [3]
The authors of The Penguin Guide to Jazz Recordings wrote: "If you know Charlie Rouse only as a Monk sideman, or from the tribute group Sphere, this will be a pleasant revelation." [4]
Marc Davis of All About Jazz exclaimed: "What a happy record! And what a delightful change from the usual 1960s Blue Note formula." He concluded: "for any fan of happy, infectious, Latin-tinged jazz, Bossa Nova Bacchanal is a must have." [5] AAJ's Joshua Weiner called the recording "a fine album," and noted that "the selection of tunes is perfect." [6]
Recorded on November 26, 1962 (1-7) and January 22, 1965 (8).
On bonus track
Stan Getz was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema".
Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim, who also composed many of the tracks. It was released in March 1964 by Verve Records. The album features the vocals of Astrud Gilberto on two tracks, "Garota de Ipanema" and "Corcovado". The artwork was done by artist Olga Albizu. Getz/Gilberto is a jazz and bossa nova album and includes tracks such as "Desafinado", "Corcovado", and "Garota de Ipanema". The last received a Grammy Award for Record of the Year and started Astrud Gilberto's career. "Doralice" and "Para Machucar Meu Coração" strengthened Gilberto's and Jobim's respect for the tradition of pre-bossa nova samba.
Luiz Floriano Bonfá was a Brazilian guitarist and composer. He was best known for the music he composed for the film Black Orpheus.
Jazz Samba is a bossa nova album by Stan Getz and Charlie Byrd released by Verve Records in 1962. Jazz Samba signaled the beginning of the bossa nova craze in America. Stan Getz was the featured soloist and the tracks were arranged by Charlie Byrd, who had first heard bossa nova during a tour of Brazil in 1961.
Charlie Rouse was an American hard bop tenor saxophonist and flautist. His career is marked by his collaboration with Thelonious Monk, which lasted for more than ten years.
Mosaic is a studio album by Art Blakey & the Jazz Messengers recorded for Blue Note on October 2, 1961 and released the following year. The sextet features horn section Wayne Shorter, Freddie Hubbard and Curtis Fuller and rhythm section Cedar Walton, Jymie Merritt and Art Blakey.
Cannonball's Bossa Nova is a 1962 album by jazz musician Julian "Cannonball" Adderley. First released on Riverside in 1963, the album was reissued on Capitol Records several times with different covers and titles.
Jazz Samba Encore! is a bossa nova album by Stan Getz and Luiz Bonfá, released on the Verve label. It is bossa nova in a slower groove. It contains a mix of Jobim standards as well as originals from Bonfá. Performers also include Antonio Carlos Jobim and vocalist Maria Toledo, Bonfá's wife. The painting on the cover is a piece by the influential New York based abstract expressionist Olga Albizu from Puerto Rico.
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Bossa Nova Pelos Passaros is an album by American jazz guitarist Charlie Byrd featuring tracks recorded in 1962 and released on the Riverside label.
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Les Jazz Modes is an album by Les Jazz Modes, a group led by french horn player Julius Watkins and saxophonist Charlie Rouse. The album was recorded in 1956 and released on the Dawn label. The album was released on CD with additional tracks from Jazzville Vol. 1 and Modern Jazz Festival
Bossa Antigua is an album recorded by American jazz saxophonist Paul Desmond featuring performances recorded in 1964 which were released on the RCA Victor label. The album title is a word play on bossa nova, the genre of Brazilian music that inspired the album. "Bossa Antigua" loosely translates in English to "old thing", though "antigua" is a Spanish word rather than Portuguese. Antigua is also the name an island in the West Indies popular with North American tourists.
Just Wailin' is an album recorded by flautist Herbie Mann, tenor saxophonist Charlie Rouse, guitarist Kenny Burrell and pianist Mal Waldron in 1958 for the New Jazz label.
Trombone Jazz Samba is an album by jazz trombonist and arranger Bob Brookmeyer featuring bossa nova compositions recorded in 1962 for the Verve label.
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