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Along with a concerted effort to commission new works for brass quintet since 1967 the bulk of any brass quintet's repertoire consists of arrangements of pre-existing music. Victor Ewald's four brass quintets are the first serious attempts at establishing a repertoire for the ensemble, though they do not stand up to typical string quartet repertoire of the same and preceding eras. The Chicago and New York Brass Quintets made sustained efforts to commission new works, and much of the original repertoire for brass quintet from the mid-20th century derives from their groundbreaking work. In the 1960s the mantle of creating a repertoire for brass quintet was taken up by the American Brass Quintet and the New York Brass Quintet, with both groups essentially establishing the brass quintet as a part of the chamber music field. Notably, only two brass quintets have ever been awarded the Walter W. Naumburg Chamber Music Award, considered by many to be the highest achievement in brass chamber music: The Empire Brass Quintet in 1976 and The Saturday Brass Quintet in 1990. But it was Canadian Brass that developed the pragmatic approach to repertoire allowed the ensemble to reach a wider audience. They developed a two prong approach to performance, developing a masterpiece approach to repertoire that popularized the brass quintet as an ensemble into what was essentially a "pops" ensemble. Meanwhile, the ensemble has been pursuing an aggressive 45-year commissioning schedule. Though this ensemble is seldom recognized for its achievement in the contemporary sphere, they have created well over 100 newly composed works for brass quintet, though few of the Canadian Brass commissions of original compositions have taken hold in the repertoire of other brass quintets.
It is generally agreed amongst brass players[ citation needed ] that the tuba is the dominant choice for brass quintets, with the ability to play smaller instruments such as bass trombone or baritone for certain repertoire such as Renaissance. The American Brass Quintet has always used bass trombone instead of tuba, and their extensive commissioning has validated use of this instrumentation. It is not uncommon for composers to write interchangeable parts for tuba and bass trombone to enable both types of quintets to perform their work.
A string quintet is a musical composition for five string players. As an extension to the string quartet, a string quintet includes a fifth string instrument, usually a second viola or a second cello, or occasionally a double bass.
A brass quintet is a five-piece musical ensemble composed of brass instruments. The instrumentation for a brass quintet typically includes two trumpets or cornets, one French horn, one trombone or euphonium/baritone horn, and one tuba or bass trombone. Musicians in a brass quintet may often play multiple instruments. Trumpet players for instance may double on piccolo trumpets and flugelhorns. There can be variation in instrumentation depending on the type of quintet. In some quintets, the horn is replaced by an additional trombone. Euphonium may also be substituted for the trombone part. While the tuba is considered a standard, the range and style of many pieces lend themselves to being played with bass trombone as the lowest-pitched instrument. Additionally, some pieces call for the use of percussion instruments, particularly the snare drum, tambourine, or timpani.
A wind quintet, also known as a woodwind quintet, is a group of five wind players.
Victor Vladimirovich Ewald, was a Russian engineer, architect, and composer of music, mainly for conical brass instruments.
Frederik Reesen Magle is a Danish composer, concert organist, and pianist. He writes contemporary classical music as well as fusion of classical music and other genres. His compositions include orchestral works, cantatas, chamber music, and solo works, including several compositions commissioned by the Danish royal family. Magle has gained a reputation as an organ virtuoso, and as a composer and performing artist who does not refrain from venturing into more experimental projects – often with improvisation – bordering jazz, electronica, and other non-classical genres.
William James Mathias CBE was a Welsh composer noted for choral works.
Robert Muczynski was a Polish-American composer.
The American Brass Quintet is an American brass quintet founded in 1960. Unlike conventional brass quintets, the bass voice is provided by a bass trombone rather than a tuba. The Quintet has served as Ensemble-in-Residence at the Aspen Music Festival and School since 1970 and at the Juilliard School since 1987.
The Atlantic Brass Quintet is an American brass quintet that has been in existence for over 30 years.
Masamichi Amano is a Japanese music composer, arranger and conductor. He studied at the Kunitachi College of Music in Tokyo and completed master's degree in 1982.
Dianne Goolkasian Rahbee is an Armenian-American contemporary classical composer and pedagogue.
Mark Edgley-Smith [the hyphen disappeared at some point] was a British composer. He was born in Wimbledon and educated at Tiffin School, Kingston upon Thames. There it was soon apparent that he was equally gifted as artist, composer, and litterateur/wit. It was at Tiffin that he began to compose seriously and had his first composition lessons, from David Nield. He won a scholarship (1974) to read music at the Queen's College, Oxford.
Anthony Plog is an American conductor, composer and trumpet player.
Martin S. Mailman was an American composer noted for his music for orchestra, chorus, multimedia, and winds.
The trumpet repertoire consists of solo literature and orchestral or, more commonly, band parts written for the trumpet. Tracings its origins to 1500 BC, the trumpet is a musical instrument with the highest register in the brass family.
Giancarlo Castro D'Addona is a Venezuelan – Italian composer, conductor and trumpet player. Gold medal winner at the Global Music Awards in San Diego – California (US).
Raymond Luedeke is an American / Canadian composer of contemporary classical music. Praised for his idiosyncratic instrumental writing and for his orchestration, Luedeke has more recently concentrated on works for music theatre. Although born in New York City, he spent 29 years as Associate Principal Clarinet with the Toronto Symphony Orchestra, a position he left in 2010. A dual citizen of the United States and Canada, Ray Luedeke is artistic director of Voice Afire Opera-Cabaret in New York City.
This page lists classical pieces in the tuba repertoire, including solo works, concertenti and chamber music of which tuba plays a significant part.
Robert Russell was an American composer, educator, and broadcaster.
The Quintet No. 1, op. 73 by Sir Malcolm Arnold is part of today's standard repertoire for brass quintet and is one of the repertoire's more popular works.
"Brass Menagerie has become one of the most popular brass quintets," said Phil Elkins, co-principle trumpet player with the Greenville Symphony.
Cheetham's "Scherzo" has become a part of the standard repertoire for brass quintets.
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