Break Stuff | ||||
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Studio album by | ||||
Released | February 10, 2015 | |||
Recorded | June 2014 | |||
Studio | Avatar, New York City | |||
Genre | Jazz | |||
Length | 1:10:36 | |||
Label | ECM ECM 2420 | |||
Producer | Manfred Eicher | |||
Vijay Iyer chronology | ||||
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Aggregate scores | |
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Source | Rating |
Metacritic | 84/100 [1] |
Review scores | |
Source | Rating |
All Music | [2] |
The Guardian | [3] |
PopMatters | 8/10 [4] |
The Irish Times | [5] |
All About Jazz | [6] |
Tom Hull | B+ [7] |
Break Stuff is an album by the Vijay Iyer Trio recorded in June 2014 and released on ECM February the following year. The trio features rhythm section Stephan Crump and Marcus Gilmore. [8]
Thom Jurek in his review for All Music says that "This trio aims at an interior center, finds it, and pushes out, projecting Iyer & Co.'s discoveries." [2]
In The Guardian , John Fordham gave this album four stars out of five, saying, "Iyer, bassist Stephan Crump and drummer Marcus Gilmore sound joined at the hip even when sometimes seeming to be investigating completely different tunes, but almost everything here feels just as jazz-rooted as the three classic covers on the tracklist." [3]
John Garelick of The Boston Globe stated:
Like the pianist and composer’s other trio records, it makes for a satisfying, portable Iyer, alternating math-y rhythmic concoctions like the post-minimalist “Hood” (for the Detroit techno producer DJ Robert Hood) and “Mystery Woman” (which draws from the compound rhythms of South Indian music) with varied jazz standards (Thelonious Monk's “Work,” John Coltrane's “Countdown,” Billy Strayhorn's “Blood Count”) and more atmospheric originals. Iyer, bassist Stephan Crump, and drummer Marcus Gilmore have fully incorporated electronica and hip-hop into a jazz vocabulary. Despite the album's layered meters, you couldn't ask for a more swinging “Work,” or a more moving solo-piano treatment of “Blood Count,” ending with a repetition of the questing opening phrase over somber low-register chords. With all of this band's attention to rhythm, it's nice to have an isolated example of Iyer's sensitive voice leading, his beautiful touch and tone. [9]
All music is composed by Vijay Iyer, except where indicated
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Starlings" | 3:52 | |
2. | "Chorale" | 4:35 | |
3. | "Diptych" | 6:47 | |
4. | "Hood" | 6:10 | |
5. | "Work" | Thelonious Monk | 6:14 |
6. | "Taking Flight" | 7:15 | |
7. | "Blood Count" | Billy Strayhorn | 4:34 |
8. | "Break Stuff" | 5:26 | |
9. | "Mystery Woman" | 6:21 | |
10. | "Geese" | 6:38 | |
11. | "Countdown" | John Coltrane | 5:57 |
12. | "Wrens" | 6:47 | |
Total length: | 1:10:36 |
Vijay Iyer is an American composer, pianist, bandleader, producer and writer based in New York City. The New York Times has called him a "social conscience, multimedia collaborator, system builder, rhapsodist, historical thinker and multicultural gateway". Iyer received a 2013 MacArthur Fellowship, a Doris Duke Performing Artist Award, a United States Artists Fellowship, a Grammy nomination, and the Alpert Award in the Arts. He was voted Jazz Artist of the Year in the DownBeat magazine international critics' polls in 2012, 2015, 2016, and 2018. In 2014, he received a lifetime appointment as the Franklin D. and Florence Rosenblatt Professor of the Arts at Harvard University, where he was jointly appointed in the Department of Music and the Department of African and African American Studies.
Craig Marvin Taborn is an American pianist, organist, keyboardist and composer. He works solo and in bands, mostly playing various forms of jazz. He started playing piano and Moog synthesizer as an adolescent and was influenced at an early stage by a wide range of music, including by the freedom expressed in recordings of free jazz and contemporary classical music.
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