Author | Judy Blunt |
---|---|
Illustrator | ISIS Large Print Books |
Country | United States |
Language | English |
Subject | Rural American Life |
Genre | Memoir |
Published | 10 January 2002 |
Publisher | ISIS Large Print Books Vintage Books |
Media type | Print (Hardcover) Print (Paperback) E-book |
Pages | 371 pp (first edition) |
Awards | PEN/Jerard Fund Award for work in progress (1997), Whiting Writers' Award (2001), Willa Award for memoir/nonfiction (2003), Mountains and Plains Book Award (2003), Guggenheim Fellowships U.S. and Canada(2006). |
ISBN | 9780753198223 |
Text | Breaking Clean at Wikisource |
Breaking Clean is a memoir by Judy Blunt, published in 2002, after a decade in the writing. The book is about Blunt's life in the countryside of eastern Montana, in the United States. In the book the author describes her childhood, and how growing up on a ranch conditioned her whole life.
The memoir is regarded as Blunt's most notable work. It won the 1997 PEN/Jerard Fund Award for a work in progress [1] and the 2001 Whiting Writers' Awards. [2] The book appeared on the list of The New York Times' Notable Books 2002. [3]
The first edition of the book is a hardcover, measures 6.7 x 1.4 x 9 inches and weighs 1.5 pounds. It is 371 pages long, containing an acknowledgments section consisting of an acclaim page, an introduction to the book, a photograph of the author with her two younger siblings, an information page about the edition, a Joan Didion quote, and a map of Phillips County, where the story is set. The content is divided into 14 chapters: [4]
The chapters Breaking Clean and Lessons in Silence and a portion of Learning Curves were originally published, in slightly different form, in Northern Lights magazine, while the chapter Salvage was originally published in Big Sky Journal magazine. [5]
The book narrates the author's story from before her birth, intertwining it with her current life, and explains how her life changed after she left the ranch.
Judy's family is the fourth generation of a ranching family. The author describes the difficult moments that her parents had to deal with, when three years after they were married they decided to establish their own ranch. The main problems included lack of economic resources and the working of the land to make it viable. All the difficulties with starting their own place were interconnected with her birth in 1954, since Judy's mother was pregnant with her at the time.
The book describes the hardship of growing up as a girl on a ranch in Phillips County, in a social context in which boys were more valued. It was the male kittens that were kept, and the community applauded the birth of stud colts, bull calves and male babies. When Judy was young she played cowboys and Indians with her siblings, but there was a difference in what was expected from a girl and a boy. In the community, several women were capable of riding horses, herding cattle and harvesting, but they were always expected to return to their own chores. Although Judy acted like a boy, she still had to learn women’s chores and to develop as a woman, in order to find a good marriage prospect.
Between the ages of five and thirteen Judy went to South First Creek School. Her class consisted of students of many different ages, which resulted in difficulties for the teacher in controlling the class. Every morning the teacher did a health inspection. If they passed the inspection, they got a gold star.
Judy's little sister Gail was a very good storyteller and people would listen to her stories with excitement. Judy realized that she was not as good at telling stories but was better at writing them, so she secretly started to write poems and witty news on tablet paper to tell stories.
When starting high school, Judy had to move into the city, Malta. It was different from what she was used to and she had never seen girls look and behave the way they did. She lived on her own at this point, and got a job to be able to afford clothes and makeup in order to fit in. When the twins started high school, her mother decided to move with them to Malta and they all moved into Judy's grandmother's house, which made Judy's life more isolated. She got into a lot of trouble during this time, until she moved back to the ranch.
When Judy was 15 years old, John, a 27-year-old bachelor neighbor, started courting her, and a year and a half later he asked Judy's father for her hand and they were engaged. After Judy and John were married, they took over John's family's main ranch house. At the beginning of their marriage, Judy felt that John's father and stepmother were constantly controlling her every move. The period after their children were born is described as an exhausting time—taking care of the garden, three kids and three men, while still keeping up with the household work.
In August 1986, Judy left Phillips County out of frustration, with a divorce and three children, and within days she started her freshman year at the University of Montana. It was difficult to find a job that fitted around classes and the family. Eventually she started working in construction, sanding floors to earn enough money to feed her children. It was around this time that she found her voice again and began to write.
The author explains how her children grew up differently than she or her parents did, as they did not have to face the hard work of country life and the strict education dictated by her parents. [6]
The story is structured without a sequential time of events: the narrative is full of flashbacks (both internal and external analepses). There are several types of narrative sequences: narration, descriptions, dialogues, together with the author's thoughts, like internal monologues. The background continuously changes from one paragraph to another. The narrative is always characterized by the stream-of-consciousness voice.
For the narrative structure, the author uses a peculiar strategy, which creates two different stylistic and temporal dimensions. In fact, the narration itself follows a linear chronology of the events, so the plot is a straight line which respects the relation between story and plot. However, the author seasons the narration with flashbacks, personal comments and thoughts on the events, stopping the narration and zeroing time in the linear chronology.
Moving the attention onto the narrative structure of the main character, the author herself, reviewers refer to her as the "ego in the centre" character, which means that all of the narration develops around her and everything that happens must be seen and understood by her point of view. That's also known as "the model of the onion", as the narrative structure follows the stratifications of the main character. Moreover, this model affected the presentation and the role of the other characters who take part in the story; All their actions and physical descriptions depend on the view of the author/protagonist; They are one of the figurative stratifications of this "onion" who is Judy Blunt. Some critics also asserted that the narrative structure is continuously shaped in this production by a metaphysical presence or element that belongs to the liberal and old-feminists way of interpreting writing; in fact, as Judy Blunt says, writing was a way to escape the ranch sexist hierarchy and at the same time a concealed way to protest against a minor role of women in society. This critique was made because, according to the reviewers, the reader is almost forced to adapt their view to the writer's in relation to these social issues, making more genuine the core of the book.
This could be considered in every aspect a biographical production, however, the author has a wide freedom in the literal and stylistic choices, as it is a personal narration of her life that goes beyond the writing style, but all the canons of genre have been respected. [7]
The story is set in Phillips County on a remote ranch in northeastern Montana, where Judy was born: more than one hour's drive on difficult dirt roads to the nearest town, Malta.
As the author herself wrote in the first pages of the book, the town was blessed by a wide community of writers and therefore she had the possibility to get in touch with this world early and frankly.
The cattle farm on which the author grew up was a typical ranch, described by Judy as livable and long-lasting, although not charming. The threshold was surrounded by a porch, decorated with linoleum cabbage flowers. The kitchen consisted of a square kitchen table, a double-oven cook stove, and a washbasin. Judy's bedroom, shared with her sister, had a foldaway cot and was next to the bathroom, which was provided with a wringer washing machine, a claw-foot bathtub and a pump used to obtain the household water. Several improvements to the house were made with the introduction of electricity in the ranch in the late 50s. [6] The environment which surround the story enforces the differences that came about between the "dutiful wife" and the "marlboro man"; in fact during those years women still lived in a sexist society, and the author enriches the stylistic choice of elements which underline the differences that occur between male figures and female figures.
As a young ranch wife, I wed my sixties-style feminism to a system of conflicting expectations and beliefs only slightly altered by a century of mute nobility. My brand of feminism celebrated strength through silence. A woman could do anything, so long as she did it quickly, quietly and efficiently. It never occurred to me then that silence looked passive from the outside, or that the two served the same purpose of not making waves, maintaining the status quo. It would take me ten years of doing it all to finally get it. The work we do isn't the issue. Work is the tool that wears us down, draws us in and keeps our eyes on the next two steps ahead. The issue is power. And it's the silence that kills us.
— Judy Blunt, Breaking Clean, chapter 9, Learning Curves.
The sexist environment Judy lived in influenced her life as a writer, even if in her community there were many people who had already undertaken this career, as often writing for her was an escape from ranch life. [10]
Judy Blunt has identified the wide range of writers in the community of Missoula, and is part of a Writing circle in the area. After her ranch life, she attended the University of Montana, which represented a turning point in her story as a writer. This university has a reputation for literature faculties, high quality of teaching and mix of people from different backgrounds. Montana is a northern state of the confederation of the United States, near to the Canadian border, still featured by a wild and virgin nature and its position made this territory attractive for people from different backgrounds: Canadians, French, Eastern Europeans, English, Americans from the South looking for virgin and uncontaminated forests, and many others. The university's Faculty of Literature is attended by aspirant writers, who share their backgrounds and ideas and stimulate the birth of new and effective writing styles. In this environment, many people decide to become writers and often obtain successful results, as in the case of Judy Blunt. [12]
Due to this high quantity of successful writers, some of them have founded a non profit organization, the Missoula Writers Collaborative, in which many old and new authors, most of whom come from University of Montana, take part to keep the traditions of creative writing by placing "writers in school classrooms, after-school programs, youth homes and other venues to show young people the power of words and help them find their voices as writers". [13]
As one of the professors of the faculty says, thanks to the success of "Breaking Clean" and other books, the writers and the university together have been able to identify a model, “the writing school of Missoula, Montana” as the French call it, and export this writing circle model to other universities. Montana has a reputation of being a rough country that exports raw materials, and the people of Montana were considered to a certain extent "brutal" as prejudicial. However, thanks to this constantly growing heritage of publications and the mission of the writers' organization in the University of Montana, they are projecting onto the world a sophisticated and cultural dimension of Missoula and of Montana. [12]
When the book was published, it caused trouble in her hometown of northeast Montana. Blunt's ex-husband described himself as "shell-shocked" and added that "a lot of people in this county are disturbed", while her parents were reluctant to discuss the substance of the memoir. "Judy sure has a way with words" is all her mother, Shirley, would say. The author's former father-in-law accused her of fabricating a scene in the opening chapter, which was originally a classroom essay that she wrote in her sophomore year of college. In the chapter she recounted how one day her father-in-law, furious at her for being late at the table for lunch, took her new typewriter outside and "killed it with a sledgehammer". Blunt's former in-laws publicly repudiated the account, stating that no such thing had ever happened, and later Blunt admitted that she wrote that as an essay and when trying to fit her life into four pages for the classroom exercise, she wrote "more of a prose poem" and the episode was meant to be read symbolically, to represent what she had to endure on her husband's ranch.
This particular scene in Blunt's essay is what in 1993 landed her a $100,000 advance for the memoir she had only begun to write, and Ms Desser, her editor, convinced her to make that essay the first chapter in the book, not without considerable objection from the author. Ms Desser commented that the essay "compresses the essence of her book the same way that an overture contains an entire piece of music," adding that she was not aware of the factual problems. To avoid further controversies the publisher decided to delete the episode from future editions of the book. [8] "The metaphor was perfect, but in a book of nonfiction one cannot defend using an image like that at the expense of another person. If it did not occur, except metaphorically, I should not have put it in this book," [14] Blunt commented, clearly embarrassed by the mistake, and added "I hope this can be taken in perspective and it does not become what my book is about. It is ironic that I worked ten years writing this book and four hours writing this essay. But there it is. It is just one of them things." [8]
When Judy left the ranch at the age of 32 with her small children, her family felt that she left for no good reason. Her husband did not treat her badly, as in he did not beat her, he was not a drunk, he did not chase other women, and their ranch was doing well. [14] After the book was published, they avoided commenting on the matter discussed in the book. "My parents are of the old school," Blunt said, "if you say to them you feel a certain way and they don't understand or approve of the way you feel, they say, 'No you don't'." [8] Her family was hurt by her decision to leave and worried about how she would survive, but today they have mended their relationship. Her parents recently sold most of their 15,000-acre ranch and most of the cattle shortly after the publication of the memoir and have retired into town, while her ex-husband remarried and still lives on his ranch. [14]
|
Sales ranking statistics from Amazon show that up to 2016 the book has sold widely in the United States, Europe and Asia. [16] The sales ranking in the main other countries for the 1st edition have an average ranking of 1,694,693. [17]
|
|
The book has received largely positive feedback from readers. On Goodreads, 91 percent of readers left an overall positive feedback.
|
The book has been reviewed by a large number of national magazines and newspaper in the United States:
A first-person narrative is a mode of storytelling in which a storyteller recounts events from that storyteller's own personal point of view, using first-person grammar such as "I", "me", "my", and "myself". It must be narrated by a first-person character, such as a protagonist, re-teller, witness, or peripheral character. Alternatively, in a visual storytelling medium, the first-person perspective is a graphical perspective rendered through a character's visual field, so the camera is "seeing" out of a character's eyes.
Annie Dillard is an American author, best known for her narrative prose in both fiction and non-fiction. She has published works of poetry, essays, prose, and literary criticism, as well as two novels and one memoir. Her 1974 book Pilgrim at Tinker Creek won the 1975 Pulitzer Prize for General Nonfiction. From 1980, Dillard taught for 21 years in the English department of Wesleyan University, in Middletown, Connecticut.
Tobias Jonathan Ansell Wolff is an American short story writer, memoirist, novelist, and teacher of creative writing. He is known for his memoirs, particularly This Boy's Life (1989) and In Pharaoh's Army (1994). He has written four short story collections and two novels including The Barracks Thief (1984), which won the PEN/Faulkner Award for Fiction. Wolff received a National Medal of Arts from President Barack Obama in September 2015.
Cyra McFadden was an acclaimed American author, who lived on a houseboat in Sausalito, California.
James Phillip Welch Jr., who grew up within the Blackfeet and A'aninin cultures of his parents, was a Native American novelist and poet, considered a founding author of the Native American Renaissance. His novel Fools Crow (1986) received several national literary awards, and his debut novel Winter in the Blood (1974) was adapted as a film by the same name, released in 2013.
Judy Blunt is an American writer from Montana. Her most notable work to date is Breaking Clean, a collection of linked essays exploring her rural upbringing.
Annick Smith is a French-born American writer and filmmaker whose work often focuses on the natural world.
Dorothy Marie Johnson was an American writer best known for her Western fiction.
Ianthe Elizabeth Brautigan, also known as Ianthe Brautigan-Swensen is an American writer and educator, who lives and works in Sonoma County, California.
Reading Like a Writer is a writing guide by American writer Francine Prose, published in 2006.
William Kittredge was an American writer from Oregon, United States, who lived mostly in Missoula, Montana.
Bertha Muzzy Sinclair or Sinclair-Cowan, néeMuzzy, best known by her pseudonym B. M. Bower, was an American author who wrote novels, fictional short stories, and screenplays about the American Old West. Her works, featuring cowboys and cows of the Flying U Ranch in Montana, reflected "an interest in ranch life, the use of working cowboys as main characters, the occasional appearance of eastern types for the sake of contrast, a sense of western geography as simultaneously harsh and grand, and a good deal of factual attention to such matters as cattle branding and bronc busting." She was married three times: to Clayton Bower in 1890, to Bertrand William Sinclair in 1905, and to Robert Elsworth Cowan in 1921. However, she chose to publish under the name Bower.
Misha: A Mémoire of the Holocaust Years is a literary hoax by Misha Defonseca, first published in 1997. The book was fraudulently published as a memoir telling the supposed true story of how the author survived the Holocaust as a young Jewish girl, wandering Europe searching for her deported parents. The book sold well in several countries and was made into a film, Survivre avec les loups, named after the claim that Misha was adopted by a pack of wolves during her journey who protected her.
Charlotte Grimshaw is a New Zealand novelist, short-story writer, columnist and former lawyer. She has written both fiction and non-fiction, often drawing on her legal experience. Her short stories and longer works often have interlinked themes and characters, and feature psychological and family dramas.
Jaykub Allen Hurley was an American author of short fiction. Hurley was a native of Oakland, California and published stories in Southern Review and Mid-American Review. He died in an accidental hit and run while walking alone on a country road in Missoula, Montana on May 28, 2008.
Thomas Savage was an American author of novels published between 1944 and 1988. He is best known for his Western novels, which drew on early experiences in the American West.
Amy M. Homes is an American writer best known for her controversial novels and unusual short stories, which feature extreme situations and characters. Notably, her novel The End of Alice (1996) is about a convicted child molester and murderer.
Alden Jones is an American writer and educator. She is the author of memoirs The Wanting Was a Wilderness (2020) and The Blind Masseuse (2013) and the short story collection Unaccompanied Minors (2014). The Blind Masseuse was longlisted for the PEN/Diamonstein-Spielvogal Award for the Art of the Essay.
Stephanie Land is an American author and public speaker. She is best known for writing Maid: Hard Work, Low Pay, and a Mother's Will to Survive (2019), which was adapted to television miniseries Maid (2021) for Netflix. Her second memoir, Class: A Memoir of Motherhood, Hunger, and Higher Education (2023) explores the challenges of single parenting and poverty while attending college. Land has also written several articles about maid service work, domestic abuse and poverty in the United States.
Elissa Altman is an American food writer and author. She has written three memoirs: Poor Man’s Feast: A Love Story of Comfort, Desire, and the Art of Simple Cooking, Treyf: My Life as an Unorthodox Outlaw, and Motherland: A Memoir of Love, Loathing, and Longing. Her blog "Poor Man's Feast" won a James Beard Foundation Award for Individual Food Blog in 2012.