Brian Jackson | |
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Background information | |
Birth name | Brian Robert Jackson |
Born | Brooklyn, New York, U.S. | October 11, 1952
Genres | Jazz, soul |
Occupation(s) | Musician |
Instrument(s) | Keyboards, flute, vocals |
Years active | 1971–present |
Website | brianjackson |
Brian Robert Jackson (born October 11, 1952) [1] is an American keyboardist, flautist, singer, composer, and producer known for his collaborations with Gil Scott-Heron in the 1970s. The sound of Jackson's Rhodes electric piano and flute accompaniments featured prominently in many of their compositions, most notably on "The Bottle" and "Your Daddy Loves You" from their first official collaboration Winter in America .
Jackson was born in Brooklyn, New York, United States, [1] to Clarence and Elsie Jackson, respectively a New York State parole officer and a librarian at the Ford Foundation. He spent the first two years of his life in Bedford-Stuyvesant, Brooklyn, later sharing a house in the Flatbush section of Brooklyn with his uncle Howard, wife Dorothy and young cousin Sidney until his parents separated by the time he was five.
Unable to take on the responsibility of sharing mortgage payments alone, Elsie was forced to move to a one-bedroom apartment in Crown Heights, Brooklyn until she remarried in 1968.
Jackson studied music in Fort Greene with his mother's childhood teacher, Hepzibah Ross (fondly called 'Aunt Heppie') with whom he took lessons for seven years. When Elsie was unable to continue payments for lessons, Aunt Heppie granted him a scholarship, simply stating that Jackson showed 'great promise.'
His mother later married Alvin S.Lovell a General Practitioner from Bedford Stuyvesant who often donated his services to uninsured residents of the community. In 1968, their daughter and Brian's sister, Alison Lovell, was born.
From 1965 until 1969, Jackson attended Brooklyn's Erasmus Hall High School, where he met other musicians and began to form bands on the outside while participating in school music programs.
Jackson met Gil Scott-Heron while the two were attending Lincoln University (Pennsylvania). [1] They began a decade-long writing, producing, and recording partnership. Jackson composed most of the music that he and Scott-Heron together performed and recorded. In 1971, the two released their first album together, Pieces of a Man , [2] with Ron Carter on bass. Other notable albums include Free Will (1972) and Winter in America (1974), which was the first to have Jackson receive co-billing, and which was later described by Barney Hoskyns in UNCUT as "a masterwork of ghetto melancholia and stark political gravitas". [3] His biggest hit was with Scott-Heron, 1974's "The Bottle". By 1979, they had recorded ten albums, with other unreleased material surfacing on subsequent Scott-Heron releases following their 1980 split.
Jackson continued to be active in the 1980s and 1990s, working with Earth, Wind & Fire, Stevie Wonder, Will Downing and Gwen Guthrie. [1] Jackson's first solo album, Gotta Play (released October 2000), included guest performances by Roy Ayers and Scott-Heron. Jackson's other credits include work with Roy Ayers, Kool and the Gang, Janis Siegel (of Manhattan Transfer), Will Downing, Gwen Guthrie, Pete Miser of (Radio Free Brooklyn) on his solo album, Camouflage is Relative, Alabama 3 MOR, and Carl Hancock Rux (Homeostasis).
From 1983 to 2017 Jackson was a programmer and Project Manager in the IT Division of the City of New York. [4]
Jackson worked with Ali Shaheed Muhammad and Adrian Younge on a project called Jazz is Dead. It was released in 2021. [4]
In 2022, Brian Jackson released his first solo album in over 20 years, This Is Brian Jackson. It was produced by Phenomenal Handclap Band founder Daniel Collás and released on BBE Music. [5]
Brian Jackson is married and has five children. Brian plans to move with his family to France in the summer of 2024. [4]
Gilbert Scott-Heron was an American jazz poet, singer, musician, and author known for his work as a spoken-word performer in the 1970s and 1980s. His collaborative efforts with musician Brian Jackson fused jazz, blues, and soul with lyrics relative to social and political issues of the time, delivered in both rapping and melismatic vocal styles. He referred to himself as a "bluesologist", his own term for "a scientist who is concerned with the origin of the blues". His poem "The Revolution Will Not Be Televised", delivered over a jazz-soul beat, is considered a major influence on hip hop music.
Strata-East Records is an American record company and label specialising in jazz founded in 1971 by Charles Tolliver and Stanley Cowell with the release of their first recording Music Inc. The label released over 50 albums in the 1970s. Many of the label's releases are now hailed as prime examples of 1970s post-bop, spiritual jazz, and afro-jazz.
Malcolm Cecil was a British jazz bassist, record producer, engineer, electronic musician and teacher. He was a founding member of a leading UK jazz quintet of the late 1950s, the Jazz Couriers, before going on to join a number of British jazz combos led by Dick Morrissey, Tony Crombie and Ronnie Scott in the late 1950s and early 1960s. He later joined Cyril Davies and Alexis Korner to form the original line-up of Blues Incorporated. Cecil subsequently collaborated with Robert Margouleff to form the duo TONTO's Expanding Head Band, a project based on a unique combination of synthesizers which led to them collaborating on and co-producing several of Stevie Wonder's Grammy-winning albums of the early 1970s. The TONTO synthesizer was described by Rolling Stone as "revolutionary".
From South Africa to South Carolina is a studio album by the American vocalist Gil Scott-Heron and the keyboardist Brian Jackson. It was released in November 1975 by Arista Records. Scott-Heron performed "Johannesburg" and "A Lovely Day" on Saturday Night Live in December 1975. The album was reissued in the late 1990s via Scott-Heron's Rumal-Gia label, distributed by TVT Records.
Pieces of a Man is the debut studio album by American poet Gil Scott-Heron. It was recorded in April 1971 at RCA Studios in New York City and released later that year by Flying Dutchman Records. The album followed Scott-Heron's debut live album Small Talk at 125th and Lenox (1970) and departed from that album's spoken word performance, instead featuring compositions in a more conventional popular song structure.
Winter in America is a studio album by American vocalist Gil Scott-Heron and keyboardist Brian Jackson. It was recorded in September to October 1973 at D&B Sound Studio in Silver Spring, Maryland and released in May 1974 by Strata-East Records. Scott-Heron and Jackson produced the album in a stripped-down fashion, relying on traditional African and R&B sounds, while Jackson's piano-based arrangements were rooted in jazz and the blues. The subject matter on Winter in America deals with the African-American community and inner city in the 1970s.
The First Minute of a New Day is an album by American vocalist Gil Scott-Heron, keyboardist Brian Jackson, and the Midnight Band—an eight-piece musical ensemble. It was released in January 1975 on Arista Records. Recording sessions for the album took place in the summer of 1974 at D&B Sound in Silver Spring, Maryland. It was the follow-up to Scott-Heron's and Jackson's critically acclaimed collaboration effort Winter in America. The First Minute of a New Day was the first album to feature "Winter in America", the title track of Scott-Heron's previous album which was not featured on its original LP release. The album was reissued on compact disc by Scott-Heron's label Rumal-Gia Records in 1998.
"The Bottle" is a song by American soul artist Gil Scott-Heron and musician Brian Jackson, released in 1974 on Strata-East Records in the United States. It was later reissued during the mid-1980s on Champagne Records in the United Kingdom. "The Bottle" was written by Scott-Heron and produced by audio engineer Jose Williams, Jackson, and Scott-Heron. The song serves as a social commentary on alcohol abuse, and it features a Caribbean beat and notable flute solo by Jackson, with Scott-Heron playing keyboards.
It's Your World is a studio album by American vocalist Gil Scott-Heron and keyboardist Brian Jackson, released in November 1976 by Arista Records. Recording sessions for the album took place in studio and live in July 1976 at Paul's Mall in Boston, Massachusetts, Electric Lady Studios in New York City, and American Star Studios in Merrifield, Virginia. Scott-Heron and Jackson recorded the album with the former's backing ensemble, The Midnight Band. It's Your World was originally released on vinyl and was later re-released in 2000 on compact disc by Scott-Heron's Rumal-Gia label.
"Rivers of My Fathers" is a song by American vocalist Gil Scott-Heron and keyboardist Brian Jackson. It was written and composed by Scott-Heron and Jackson for their first collaborative album, Winter in America (1974). The song was recorded on October 15, 1973 at D&B Sound Studio in Silver Spring, Maryland and produced by Scott-Heron and Jackson with assistance from engineer Jose Williams.
The Revolution Will Not Be Televised is a compilation album by American poet Gil Scott-Heron. It was released in 1974 by Flying Dutchman Records and titled after Scott-Heron's 1971 song of the same name.
The Mind of Gil Scott-Heron is a 1978 album by spoken word and rap artist Gil Scott-Heron. Like many of Scott-Heron's albums, the album's content primarily addresses political and social issues; however, The Mind of Gil Scott-Heron relies far more on his spoken word delivery than his other albums. Whereas much of the artist's earlier albums contained backup jazz-funk music from Brian Jackson, many of these tracks, which address contemporary issues such as Watergate, the pardon of Richard Nixon and the Attica Prison riot, are either live recordings or studio-recorded songs with little more than sparse drum backing or occasional instrumentation. "Jose Campos Torres" is about Jose Campos Torres, a U.S. Army veteran who was arrested and then murdered and tossed into a bayou by two police officers in Houston in 1978, spurring the Moody Park Riot. Many of the tracks featured were included on previous Gil Scott-Heron albums.
Bridges is an album by Gil Scott-Heron and Brian Jackson, released in the fall of 1977 on Arista Records.
Secrets is a 1978 studio album by American vocalist Gil Scott-Heron and keyboardist Brian Jackson.
Nothing New is a posthumous album of vocal & piano recordings by Gil Scott-Heron released by XL Recordings on April 19, 2014 in conjunction with Record Store Day. The album consists of new, stripped-down versions of a selection of older Scott-Heron songs stretching from 1971's "Pieces of a Man" to 1994's "The Other Side". It was recorded with producer Richard Russell between 2005 and 2009, in the same sessions that led to 2010's I'm New Here.
1980 is a studio album by American singer-songwriter Gil Scott-Heron and keyboardist Brian Jackson. Their ninth album together, it was recorded from August to October 1979 during a period of creative tension between the two musicians and released in February 1980 by Arista Records.
Charenee Wade is an American jazz, soul and R&B singer, composer, arranger, improvisor, and educator.
Real Eyes is an album by the American poet and musician Gil Scott-Heron, released in 1980. It was Scott-Heron's first album since 1970 to be made without input from his musical collaborator Brian Jackson.
"Johannesburg" is a song by Gil Scott-Heron and Brian Jackson, with music provided by the Midnight Band. It is the first track on Scott-Heron and Jackson's collaborative album From South Africa to South Carolina, released in November 1975 through Arista Records. The lyrics to "Johannesburg" discussed opposition to apartheid in South Africa, and likened apartheid to the disenfranchisement of African Americans in the United States. The song became a popular hit, reaching No. 29 on the Billboard R&B chart in 1975. According to Nelson George, "Johannesburg" played a role in spreading the cultural awareness of apartheid.
Reflections is an album by the American poet and musician Gil Scott-Heron, released in 1981. It was his second album without Brian Jackson. Scott-Heron supported the album with a North American tour. The album peaked at No. 106 on the Billboard 200.