Bronco Bullfrog | |
---|---|
Directed by | Barney Platts-Mills |
Written by | Barney Platts-Mills |
Produced by | Andrew St. John Michael Syson |
Starring | Del Walker Anne Gooding Sam Shepherd Roy Haywood |
Cinematography | Adam Barker-Mill |
Edited by | Jonathan Gili |
Music by | Tony Connor Keith Gemmell Trevor Williams Howard Werth |
Production company | Maya Films |
Distributed by | Maya Films (Original 1970 UK release) New Yorker Films (1972 US release) British Film Institute (2010 UK blu-ray DVD release) Seventy-Seven (2022 North American re-release) |
Release date |
|
Running time | 86 minutes [1] |
Country | United Kingdom |
Language | English |
Budget | £18,000 |
Box office | $10,434 [2] |
Bronco Bullfrog (also known as Around Angel Lane and Ghost Squad TV 3) is a 1969 British kitchen sink teen drama film directed by Barney Platts-Mills and starring Del Walker, Anne Gooding and Sam Shepherd. [3] [4] Shot in black-and-white, it was Platts-Mills' first full-length feature film. [5]
The film follows the fortunes of 17-year-old Del, and his group of friends. As the film opens, four youths, Del, Roy, Chris and Geoff, are seen breaking into a cafe in Stratford, East London, but they only get away with about ninepence and some cake, and it is clear that they are hardly master criminals. Back at their hut on waste ground they mention Jo, known as 'Bronco Bullfrog' (for reasons which are never explained), who has just got out of Borstal.
Once Del and Roy meet Jo in a cafe, they link up with him to carry out a bigger robbery. Meanwhile, Del meets Irene, a friend of a cousin of Chris's and they start a relationship despite the disapproval of Irene's mother and Del's father. The remainder of the film follows Del and Irene as they attempt to escape their dead-end lives.
The film was shot in East London over a period of six weeks on 35mm. It was largely improvised and used a cast of non-professional actors.[ citation needed ]
The film was turned down by Bryan Forbes at EMI Films. [6]
A 2010 Guardian article noted a story about Princess Anne connected with the film's original release. In November 1970, a group of 200 members of the Beaumont Youth Club in Leyton jeered Princess Anne, with some throwing tomatoes, as she was going to see the London premiere of Three Sisters instead of Bronco Bullfrog. [7] A week later, Princess Anne did go to see the latter at the Mile End ABC. Sam Shepherd claims that he was arrested by police for attempting to kiss her hand. [8] He would later write to her to apologise. [9]
The film became obscure after its cinema run, and was only shown twice on television between 1969 and 2010.[ citation needed ]
In the mid-1980s, the master negative was disposed of in a rubbish skip but was retrieved by an employee of a film laboratory who placed it in an archive. [8]
In 2022 the film was released in independent cinemas across the United States by the New York-based film label seventy-seven. [10]
A new HD version of the film opened the ninth East End Film Festival on 22 April 2010, prior to its re-release in summer 2010. [11]
The Monthly Film Bulletin wrote: "Ingredients that seem perilously unpromising – aimless, episodic narrative, the inarticulacy of the characters, and a cast picked almost literally 'off the street' (though several had worked on Platt's-Mills' previous, and aptly titled, film Everybody's an Actor) – compel attention by an underplayed and miraculously non-committal realism; both less sentimental than Kes [1969] and less insistently sociological than, say, We Are the Lambeth Boys [1959]. ... According to Platts-Mills, most of the scenes were indeed improvised – if only because the cast hadn't actually read the script – and the acting achieves in consequence an air of real spontaneity, even discovery, in which restless glances and glum silences become as illuminating as the 'dialogue' itself. Through these, the actors' personalities emerge strongly. [12]
The Radio Times Guide to Films gave the film 3/5 stars, writing: "This product of the British social realist school was much admired in its day with director Barney Platts-Mills being favourably compared to Ken Loach. ... Although rough around the edges and containing some weak supporting performances, the depiction of the restless, day-to-day existence of ordinary youngsters is authentic." [13]
Ali Carterall and Simon Wells wrote in Your Face Here: British Cult Movies Since the Sixties: "Bronco Bullfrog is as close to pure Mod poetry as you're going to get and it's a crying shame that this masterpiece has only been seen by a handful of those in the know." [14]
The film was released in the BFI Flipside series dual format edition (DVD and Blu-ray), with other films including Seven Green Bottles (1975, director Eric Marquis), and Platts-Mills' film Everybody's an actor, Shakespeare said (1968) as extras. [15]
When submitted for home release, the film was originally given a 12 certificate in 2004 but this was changed to a 15 certificate in 2010. [16] The change is believed to come from the appearance of the taboo word cunt in graffiti in a very brief clip that the censors could have missed originally.[ citation needed ]
John Edward Boulting and Roy Alfred Clarence Boulting, known collectively as the Boulting brothers, were English filmmakers and identical twins who became known for their series of satirical comedies in the 1950s and 1960s. They produced many of their films through their own production company, Charter Film Productions, which they founded in 1937.
Bruce Robinson is an English actor, director, screenwriter and novelist. He wrote and directed Withnail and I (1987), a film with comic and tragic elements set in London in the late 1960s, which drew on his experiences as a struggling actor, living in poverty in Camden Town. He was nominated for the Academy Award for Best Adapted Screenplay for The Killing Fields (1984).
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Culture, Media and Sport, and partially funded under the British Film Institute Act 1949.
Nineteen Eighty-Four is a British television adaptation of the 1949 novel of the same name by George Orwell, originally broadcast on BBC Television in December 1954. The production proved to be hugely controversial, with questions asked in Parliament and many viewer complaints over its supposed subversive nature and horrific content. It starred Peter Cushing, Yvonne Mitchell, Donald Pleasence and André Morell.
Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration. A handful of these plays, including Rumpole of the Bailey, subsequently became television series in their own right.
The Barchester Chronicles is a 1982 British television serial produced by Jonathan Powell for the BBC. It is an adaptation by Alan Plater of Anthony Trollope's first two Chronicles of Barsetshire, The Warden (1855) and Barchester Towers (1857). The series was directed by David Giles. Location work was videotaped in and around Peterborough Cathedral, using locations such as the Deanery and Laurel Court.
The Price of Coal is a two-part television drama written by Barry Hines and directed by Ken Loach first broadcast as part of the Play for Today series in 1977. Set at the fictional Milton Colliery, near Barnsley in South Yorkshire, the episodes contrast "efforts made to cosmetically improve the pit in preparation for a royal visit and the target-conscious safety shortcuts that precipitate a fatal accident ".
Here We Go Round the Mulberry Bush is a 1968 British comedy film produced and directed by Clive Donner and starring Barry Evans, Judy Geeson and Angela Scoular. The screenplay is by Hunter Davies based on his 1965 novel of the same name.
Ysanne Churchman was an English actress. She starred and narrated on British radio, television and film for over 50 years, from 1938 to 1993. Churchman gained prominence as Grace Archer, wife of Phil, in the long-running BBC radio drama series The Archers; the series attracted publicity when Grace died after a fire on the night that ITV launched in 1955.
A Taste of Honey is a 1961 British New Wave drama film directed by Tony Richardson and starring Rita Tushingham, Dora Bryan, Robert Stephens and Murray Melvin. It is an adaptation of the 1958 play of the same name by Shelagh Delaney. Delaney wrote the screenplay with Richardson, who had directed the original Broadway production of the play in 1960. As with the play, the film is an exemplar of a social realist genre of British media known as kitchen sink realism.
The Ipcress File is a 1965 British spy film directed by Sidney J. Furie and starring Michael Caine. The screenplay, by Bill Canaway and James Doran, was based on Len Deighton's novel The IPCRESS File (1962). It received a BAFTA award for the Best British film released in 1965. In 1999, it was included at number 59 on the BFI list of the 100 best British films of the 20th century.
Barney Platts-Mills was a British film director, best known for his award-winning films, Bronco Bullfrog and Private Road.
Millions Like Us is a 1943 British propaganda film, showing life in a wartime aircraft factory in documentary detail. It stars Patricia Roc, Gordon Jackson, Anne Crawford, Basil Radford, Naunton Wayne, Moore Marriott and Eric Portman.
Babylon is a 1980 British drama film directed by Franco Rosso. Written by Franco Rosso and Martin Stellman (Quadrophenia), and shot by two-time Academy Award winner Chris Menges, Babylon is an incendiary portrait of racial tension and police brutality set in Brixton, London. The film, anchored by Dennis Bovell’s propulsive score, is partly based on Bovell’s false imprisonment for running a Jamaican sound system, Sufferer’s Hi Fi, in the mid-70s.
Thorold Barron Dickinson was a British film director, screenwriter, film editor, film producer, and Britain's first university professor of film. Dickinson's work received much praise, with fellow director Martin Scorsese describing him as "a uniquely intelligent, passionate artist... They're not in endless supply."
Bleak Moments is a 1971 British comedy-drama film by Mike Leigh in his directorial debut. Leigh's screenplay is based on a 1970 stage play at the Open Space Theatre, about the dysfunctional life of a young secretary.
BFI Flipside is a series of Dual Format Editions which was launched in May 2009 and is published by the British Film Institute's Video label. The series so far features a total of 65 feature and short films, as well as 10 archive interviews with the likes of Spike Milligan, Peter Cook and Richard Lester.
Private Road is a 1971 British drama film directed by Barney Platts-Mills and starring Susan Penhaligon and Bruce Robinson. It was Platts-Mills second feature, following his debut with Bronco Bullfrog (1970).
Thirty-Minute Theatre was a British anthology drama series of short plays shown on BBC Television between 1965 and 1973, which was used in part at least as a training ground for new writers, on account of its short running length, and which therefore attracted many writers who later became well known. It was produced initially by Harry Moore, later by Graeme MacDonald, George Spenton-Foster, Innes Lloyd and others. Thirty-Minute Theatre began on BBC2 in 1965 with an adaptation of the black comedy Parson's Pleasure. Dennis Potter contributed Emergency – Ward 9 (1966), which he partially recycled in the much later The Singing Detective (1986). In 1967 BBC2 launched the UK's first colour service, with the consequence that Thirty-Minute Theatre became the first drama series in the country to be shown in colour.
James Scott is a British filmmaker, painter, draughtsman and printmaker.