Bronson | |
---|---|
Directed by | Nicolas Winding Refn |
Written by |
|
Produced by |
|
Starring | Tom Hardy |
Cinematography | Larry Smith |
Edited by | Matthew Newman |
Music by | Johnny Jewel |
Production companies | Aramid Entertainment Str8jacket Creations EM Media 4DH Films Perfume Films |
Distributed by | Vertigo Films [1] |
Release dates |
|
Running time | 92 minutes [2] |
Country | United Kingdom |
Language | English |
Budget | $230,000[ citation needed ] |
Box office | $2,703,762 |
Bronson is a 2008 British biographical [3] prison drama film directed by Nicolas Winding Refn, based on a script written by Refn and Brock Norman Brock. The film stars Tom Hardy as Michael Peterson, known from 1987 as Charles Bronson. The film follows the life of this prisoner, considered Britain's most violent criminal, who has been responsible for a dozen or so cases of hostage taking while incarcerated. [4] The film received positive reviews from critics.
The film begins with scenes from Peterson's delinquent early life which he narrates with self-deprecating humor. Initially he addresses the camera dressed in prison garb. Other times, he tells his tale in a vaudeville-style theatre with a live audience. The film's story unfolds as a surreal narrative of connected vignettes punctuated by vaudeville interludes.
He recounts episodes of crime and violence leading to his first prison sentence of seven years. At sentencing, his mother hopes he will be out in four but his violence in prison extends his sentence beyond seven years. He is sent to a psychiatric hospital, where he continues to rebel and is administered drugs which he claims make him physically weak. His first escape attempt is to walk sluggishly toward the exit, where he is waved back to a chair by a staffer. He decides to escape by earning a transfer back to prison and attempts to strangle a detainee that revealed himself to be a paedophile, but is apprehended before he can kill the man. He comments to the audience that despite all his prison time and solitary confinement, he has never killed anyone.
In the vaudeville theatre, he shows film footage of a rooftop protest during which he claims to have caused "tens of millions of pounds' damage". He credits this destruction with the government's decision to declare him "sane" and have him released. After a brief reunion with his parents, he sets off to see his predatory Uncle Jack. He is welcomed and reintroduced to an old prison mate who promises to set him up as a bare-knuckle boxer, and gives him the name Charles Bronson, after the American actor.
Bronson enjoys the violence and showmanship of bare-knuckle boxing. Not content with his meagre winnings, he ups the stakes by fighting two opponents at once and even fights a dog. He proposes to a woman and steals a thousand-pound ring in the hope that she will marry him. She declines. After sixty-nine days of freedom, Bronson is sent back to jail.
He takes the prison librarian hostage and waits for reinforcements to arrive, alternately screaming at his hostage and peaceably enquiring after his family. When other guards arrive, he strips naked and forces the librarian to assist in applying his "body armor" of petroleum jelly, to make him harder to grab in the imminent brawl. After being restrained, he is warned by the prison governor that he will die inside if his behavior does not improve. Encouraged by a prison art teacher, who notices something special in his drawings, he becomes a model prisoner for a while, channeling his confusion and pain into vivid imagery of birds and grotesque creatures. When told that the art studio will be closing, Bronson attacks the teacher and holds him hostage.
While prison officials wait outside, he demands music be played. He paints his naked body black and ties the teacher to a post. He paints a moustache onto the teacher's face, forces an apple into his mouth and removes his hat and glasses to put on the teacher's head in an imitation of the René Magritte painting The Son of Man . After this human still-life has been arranged to his satisfaction, he accepts his fate, calling for the prison guards to burst in for yet another brawl, for which he will be sent back to solitary confinement.
For the role, Hardy had telephone conversations with Charles Bronson, before meeting him. Bronson was so impressed by how Hardy had managed to build up his physique for the role and how good he was at imitating him, that he shaved off his trademark moustache for it to be used as a prop for Hardy to wear in the film. [5] "I honestly believe nobody on the planet could play me as Tom did. He is more like me than I am", Bronson told The Times . [4] Filming was done in and around the St. Ann's and Sherwood districts of Nottingham, and Worksop and Welbeck Abbey in north Nottinghamshire. [6]
In a late 2009 interview with Michael Slenske of Interview magazine, Tom Hardy discussed the fitness routine he had developed to get in shape to play Bronson,
SLENSKE: But you were doing some crazy training for that too, like 2,500 push-ups a day? HARDY: No, Charlie does 2,500 push-ups a day, I didn't do that. I had to put on a lot of weight as quick as possible and I only had five weeks to do it, and a lot of that was fat. I ate everything. To be honest, I lost about 14 pounds of fat on this last film [ Warrior ] and gained 28 pounds of muscle. I was heavier than I was on Bronson. [7]
Bronson grossed $2,260,712 at the box office. [1]
Upon release, Bronson received positive reviews, with many praising Hardy's performance, the film's writing and direction, as well as the humour and the action sequences, though it was criticised for its violence. Rotten Tomatoes, a review aggregator, gives the film an approval rating of 75% based on reviews from 79 critics, with an average rating of 6.5 out of 10 with the consensus "Undeniably gripping, Bronson forces the viewer to make some hard decisions about where the line between art and exploitation lies." [8] Metacritic gives the film a "generally favourable" average score of 71 out of 100 based on 22 reviews. [9]
Roger Ebert gave the film three stars out of four and praised the decision not to attempt to rationalise and explain Bronson's behaviour, stating in his review:
"I suppose, after all, Nicolas Winding Refn, the director and co-writer of Bronson, was wise to leave out any sort of an explanation. Can you imagine how you'd cringe if the film ended in a flashback of little Mickey undergoing childhood trauma? There is some human behavior beyond our ability to comprehend. I was reading a theory the other day that a few people just happen to be pure evil. I'm afraid I believe it. They lack any conscience, any sense of pity or empathy for their victims. But Bronson is his own victim. How do you figure that?" [10]
Bronson was not initially allowed to view the film, but had said that if his mother liked it, he was sure he would as well. According to Refn's DVD audio commentary, his mother said she loved it. On 15 November 2011, he was granted permission to view it. Describing it as "theatrical, creative, and brilliant", Bronson heaped praise upon Hardy, but disagreed on the implied distance between himself and his father, and the portrayal of Paul Edmunds, a former prisoner and nightclub owner (portrayed in the film by Matt King as Paul Daniels) as "a bit of a ponce". [11]
Bronson challenged his own family's reaction to the portrayal of his Uncle Jack, stating that he "loved" it, as would Jack himself. Bronson's trust in Hardy's acting grew such that once he had seen the film, he said, "If I were to die in jail then at least I live on through Britain's No 1 actor". [11] Bronson was originally displeased with the choice of Hardy as the star, but during their first meeting in person, Hardy assured him that he would "fix it". [12]
Charles Bronson was an American actor. He was known for his roles in action films and his "granite features and brawny physique". Bronson was born into extreme poverty in Ehrenfeld, Pennsylvania, a coal mining town in the Allegheny Mountains. Bronson's father, a miner, died when Bronson was young. Bronson himself worked in the mines as well until joining the United States Army Air Forces in 1943 to fight in World War II. After his service, he joined a theatrical troupe and studied acting. During the 1950s, he played various supporting roles in motion pictures and television, including anthology drama TV series in which he would appear as the main character. Near the end of the decade, he had his first cinematic leading role in Machine-Gun Kelly (1958).
Charles Arthur Salvador better known by his professional name of Charles Bronson, is a British criminal, with a violent and notorious life as a prisoner. He has spent periods detained in the Rampton, Broadmoor, and Ashworth high-security psychiatric hospitals.
Scorpio Rising is a 1963 American experimental short film shot, edited, co-written and directed by Kenneth Anger, and starring Bruce Byron as Scorpio. Loosely structured around a prominent soundtrack of 1960s pop music, it follows a group of bikers preparing for a night out.
Edward Thomas Hardy is an English actor. After studying acting at the Drama Centre London, Hardy made his film debut in Ridley Scott's Black Hawk Down in 2001. He had supporting roles in the films Star Trek: Nemesis (2002) and RocknRolla (2008), and went on to star in Bronson (2008), Warrior (2011), Tinker Tailor Soldier Spy (2011), Lawless (2012), This Means War (2012), and Locke (2013). In 2015, he starred as "Mad" Max Rockatansky in Mad Max: Fury Road and both Kray twins in Legend, and was nominated for the Academy Award for Best Supporting Actor for his role in The Revenant. Hardy appeared in three Christopher Nolan films: Inception (2010), The Dark Knight Rises (2012), and Dunkirk (2017). He has since starred as the title character in the film Venom (2018) and its two sequels.
Pusher is a 1996 Danish crime thriller film co-written and directed by Nicolas Winding Refn, in his film debut. A commercial success considered to be influential in Danish film history, it marked Mads Mikkelsen's film debut.
The Delta Force is a 1986 American action film starring Chuck Norris and Lee Marvin as leaders of an elite group of Special Operations Forces personnel based on the real life U.S. Army Delta Force unit. Directed, co-written and co-produced by Menahem Golan, the film features Martin Balsam, Joey Bishop, Robert Vaughn, Steve James, Robert Forster, Shelley Winters and George Kennedy. It is the first installment in The Delta Force film series. Two sequels were produced, entitled Delta Force 2: The Colombian Connection and the direct-to-video Delta Force 3: The Killing Game. The Delta Force was "inspired" by the hijacking of TWA Flight 847.
If I Had a Million is a 1932 American pre-Code Paramount Studios anthology film starring Gary Cooper, George Raft, Charles Laughton, W. C. Fields, Jack Oakie, Frances Dee and Charlie Ruggles, among others. There were seven directors: Ernst Lubitsch, Norman Taurog, Stephen Roberts, Norman Z. McLeod, James Cruze, William A. Seiter, and H. Bruce Humberstone. Lubitsch, Cruze, Seiter, and Humberstone were each responsible for a single vignette, Roberts and McLeod directed two each, and Taurog was in charge of the prologue and epilogue. The screenplays were scripted by many different writers, with Joseph L. Mankiewicz making a large contribution. The film is based on the 1931 novel Windfall by Robert Hardy Andrews.
Fear X is a 2003 psychological thriller film directed by Nicolas Winding Refn. The first film to be produced from one of Hubert Selby Jr.'s original screenplays, its eventual box-office failure would force Refn's film company Jang Go Star into bankruptcy. Refn's financial recovery was documented in the 2006 documentary The Gambler.
Nicolas Winding Refn is a Danish film director, screenwriter, and producer.
The Valachi Papers is a 1972 neo noir crime film directed by Terence Young. It is an adaptation of the 1968 non-fiction book of the same name by Peter Maas, with a screenplay by Stephen Geller. It tells the story of Joseph Valachi, a Mafia informant in the early 1960s who was the first ever government witness coming from the American Mafia itself. The film stars Charles Bronson as Valachi and Lino Ventura as crime boss Vito Genovese, with Jill Ireland, Walter Chiari, Joseph Wiseman, Gerald S. O'Loughlin, Guido Leontini, Amedeo Nazzari, Fausto Tozzi, Pupella Maggio, and Angelo Infanti.
Polly Stenham is an English playwright known for her play That Face, which she wrote when she was 19 years old.
Violent City is a 1970 crime thriller film directed by Sergio Sollima from a screenplay co-written with Lina Wertmüller, starring Charles Bronson, Jill Ireland, and Telly Savalas. Bronson plays a former hitman framed by a former boss and left for dead. He seeks revenge, but realizes his real enemy may be closer than he thinks. The Italian-French co-production was filmed in New Orleans, the U.S Virgin Islands, and Cinecittà Studios in Rome.
St. Ives is a 1976 American crime thriller film directed by J. Lee Thompson and starring Charles Bronson, John Houseman, Jacqueline Bisset, and Maximilian Schell.
Valhalla Rising is a 2009 English-language Danish period adventure film directed by Nicolas Winding Refn, co-written by Refn and Roy Jacobsen, and starring Mads Mikkelsen. The film takes place "most certainly during the twelfth century of our era" and follows a Norse warrior named One-Eye and a boy as they travel with a band of Christian Crusaders by ship in the hopes of finding the Holy Land. Instead, they find themselves in North America where they are assailed by Natives and dark visions.
Drive is a 2011 American action drama film directed by Nicolas Winding Refn. The screenplay, written by Hossein Amini, is based on James Sallis's 2005 novel. The film stars Ryan Gosling as an unnamed Hollywood stunt driver who moonlights as a getaway driver. He quickly grows fond of his neighbor, Irene, and her young son, Benicio. When her debt-ridden husband, Standard, is released from prison, the two men take part in what turns out to be a botched million-dollar heist that endangers the lives of everyone involved. The film co-stars Bryan Cranston, Christina Hendricks, Ron Perlman, and Albert Brooks.
Pusher is a 2012 British crime thriller film directed by Luis Prieto. It is an English-language remake of Nicolas Winding Refn's 1996 film of the same name, the second remake following a 2010 Hindi remake. The film stars Richard Coyle, Agyness Deyn, Bronson Webb, and Paul Kaye.
Only God Forgives is a 2013 action film written and directed by Nicolas Winding Refn and stars Ryan Gosling, Kristin Scott Thomas and Vithaya Pansringarm. It was shot on location in Bangkok, Thailand, and as with the director's earlier film Drive it was also dedicated to Chilean director Alejandro Jodorowsky. The film competed for the Palme d'Or at the 2013 Cannes Film Festival.
Legend is a 2015 biographical drama film written and directed by Brian Helgeland, adapted from John Pearson's book The Profession of Violence: The Rise and Fall of the Kray Twins. The film follows the Kray twins' career and relationship together through their convictions for murder and sentencing to life imprisonment in 1969.
The Neon Demon is a 2016 psychological horror film directed by Nicolas Winding Refn, co-written by Mary Laws, Polly Stenham, and Refn, and starring Elle Fanning. The plot follows an aspiring model in Los Angeles whose beauty and youth generate intense fascination and envy within the fashion industry. Supporting roles are played by Karl Glusman, Jena Malone, Bella Heathcote, Abbey Lee, Desmond Harrington, Christina Hendricks, and Keanu Reeves.
Copenhagen Cowboy is a supernatural noir-thriller television series created by Nicolas Winding Refn for Netflix. The first Danish-language work by Refn since Pusher 3 (2005), it follows Miu, a renegade with various psychic abilities who goes on an unknown quest on Copenhagen's criminal underworld.