Bruce Ambler Boucher FSA (b. November 1948) is an American art historian and curator. He is Deborah Loeb Brice Director of Sir John Soane's Museum, London and Emeritus Professor of the History of Art at University College London (UCL). [1] [2] [3]
Bruce Boucher was born in 1948 in Birmingham, Alabama, United States to John Walter and Louise Ambler Boucher.
From 1966 to 1970 Boucher read for a bachelor's degree in Classics (Latin) and English at Harvard University graduating magna cum laude. He was awarded a Rhodes Scholarship to Oxford University in 1970 [4] where he studied for a BA and MA in English Language and Literature at Magdalen College. Having developed an interest in the art and architecture of Italy, Boucher changed direction and attended The Courtauld Institute of Art, London, from 1972 to 1987. He gained an M.A. with distinction before being awarded a PhD with a doctoral thesis on the Venetian sculptor and architect Jacopo Sansovino that led to the publication of his first book The Sculpture of Jacopo Sansovino in 1991. [5]
While at the Courtauld, Boucher contributed photographs to the Conway Library whose archive, of primarily architectural images, is in the process of being digitised under the wider Courtauld Connects project. [6]
Boucher was a lecturer at UCL from 1976 to 1992 when he became Reader in art history. He was appointed Professor of the History of Art in 1998. [7] During the 1970s and 1980s Boucher served on the steering committee for various exhibitions; "Andrea Palladio" (Hayward Gallery, 1975), "The Genius of Venice" (Royal Academy of Arts1983), and "Donatello e i suoi" (Florence, 1986). [8]
In 2000 he became a Research Fellow at the Victoria and Albert Museum, London for two years and served as guest curator on the exhibition "Earth and Fire: Italian Terracotta Sculpture from Donatello to Canova", [5] editing and contributing to the catalogue. [9] The exhibition opened at the Museum of Fine Arts, Houston in November 2001 before being shown at the Victoria and Albert Museum from March 2002. [10]
Boucher returned to America in 2002 as curator of European sculpture at the Art Institute of Chicago [11] and also lectured at the University of Chicago. [5] In March 2009 Boucher was appointed director of the Fralin Museum of Art at the University of Virginia. [12] At the Fralin, Boucher oversaw major renovation works [13] and curated a number of exhibitions; "From Classic to Romantic: British Art in an Age of Transition" (2010), [14] "The Adoration of the Magi by Bartolo di Fredi: A Masterpiece Reconstructed" (2012), [15] and "Cavaliers Collect" (2015). [16]
In May 2016 Dr Bruce Boucher was welcomed as Director of Sir John Soane's Museum. [13] [17] He oversaw the museum during the COVID-19 pandemic and lockdown [18] and remains in post [2] although he has announced that he will retire at the end of 2023. [19]
Alessandro Algardi was an Italian high-Baroque sculptor active almost exclusively in Rome. In the latter decades of his life, he was, along with Francesco Borromini and Pietro da Cortona, one of the major rivals of Gian Lorenzo Bernini, in Rome. He is now most admired for his portrait busts that have great vivacity and dignity.
The Victoria and Albert Museum in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert.
Thomas Banks was an important 18th-century English sculptor.
Sir John Soane's Museum is a house museum, located next to Lincoln's Inn Fields in Holborn, London, which was formerly the home of neo-classical architect John Soane. It holds many drawings and architectural models of Soane's projects and a large collection of paintings, sculptures, drawings, and antiquities that he acquired over many years. The museum was established during Soane's own lifetime by a private Act of Parliament in 1833, which took effect on his death in 1837. Soane engaged in this lengthy parliamentary campaign in order to disinherit his son, whom he disliked intensely. The act stipulated that on Soane's death, his house and collections would pass into the care of a board of trustees acting on behalf of the nation, and that they would be preserved as nearly as possible exactly in the state they were at his death. The museum's trustees remained completely independent, relying only on Soane's original endowment, until 1947. Since then, the museum has received an annual Grant-in-Aid from the British Government via the Department for Digital, Culture, Media and Sport.
Jacopo d'Antonio Sansovino was an Italian Renaissance sculptor and architect, best known for his works around the Piazza San Marco in Venice. These are crucial works in the history of Venetian Renaissance architecture. Andrea Palladio, in the Preface to his Quattro Libri was of the opinion that Sansovino's Biblioteca Marciana was the best building erected since Antiquity. Giorgio Vasari uniquely printed his Vita of Sansovino separately.
The Courtauld Institute of Art, commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is among the most prestigious specialist colleges for the study of the history of art in the world and is known for the disproportionate number of directors of major museums drawn from its small body of alumni.
Sir William Reid Dick, was a Scottish sculptor known for his innovative stylisation of form in his monument sculptures and simplicity in his portraits. He became an Associate of the Royal Academy in 1921, and a Royal Academician in 1928. Dick served as president of the Royal Society of British Sculptors from 1933 to 1938. He was knighted by King George V in 1935. He was Sculptor in Ordinary for Scotland to King George VI from 1938 to 1952 then held the post under Queen Elizabeth until his death in 1961.
Sir John Newenham Summerson, was one of the leading British architectural historians of the 20th century.
Sir Richard Westmacott was a British sculptor.
Sir Nicholas Beaver Penny is a British art historian. From 2008 to 2015 he was director of the National Gallery in London.
John Frederick Harris OBE was an English curator, historian of architecture, gardens and architectural drawings, and the author of more than 25 books and catalogues, and 200 articles. He was a Fellow and Curator Emeritus of the Drawings Collection of the Royal Institute of British Architects, founding Trustee of Save Britain's Heritage and Save Europe's Heritage, and founding member and Honorary Life President of the International Confederation of Architectural Museums.
Edward Alfred Briscoe Drury was a British architectural sculptor and artist active in the New Sculpture movement. During a long career Drury created a great number of decorative figures such as busts and statuettes plus larger monuments, war memorials, statues of royalty and architectural pieces. During the opening years of the 20th-century he was among the foremost architectural sculptors active in Britain and in that period created the series of works in central London for which he is perhaps now best known. These include the figures on the Old War Office building in Whitehall, elements of the facade of the Victoria and Albert Museum and four of the colossal statues on Vauxhall Bridge.
The Fralin Museum of Art is an art museum at the University of Virginia. Before 2012, it was known as the University of Virginia Art Museum. It occupies the historic Thomas H. Bayly Building on Rugby Road in Charlottesville, Virginia, a short distance from the Rotunda. The museum's permanent collection consists of nearly 14,000 works; African art, American Indian art, and European and American painting, photography, and works on paper are particularly well represented. The Fralin serves as a teaching museum for academic departments in the university, and serves the community at large with several outreach programs. Admission is free of charge and open to the public.
Margaret Dickens Whinney was a British art historian who taught at the Courtauld Institute of Art. Her published works included books on British sculpture and architecture.
Bridget Cherry is a British architectural historian who was series editor of the Pevsner Architectural Guides from 1971 until 2002, and is the author or co-author of several volumes in the series.
Timothy Aidan John Knox, is a British art historian and museum director. Since March 2018, he has been Director of the Royal Collection, the private art collection of the British Royal Family. The Royal Collection, held in trust by The King for his successors and the nation, comprises almost all aspects of the fine and decorative arts, runs to more than a million objects and is spread among some 15 royal residences and former residences across the UK. From 2013 to 2018, he was the Director of the Fitzwilliam Museum at the University of Cambridge.
Matthew McLendon is an American museum director, art historian, and curator of modern and contemporary art. McLendon serves as Director and CEO of the McNay Art Museum in San Antonio, Texas.
Holly Trusted is a historian of European sculpture. Previously Senior Curator of Sculpture at the Victoria and Albert Museum she is known in particular for her work on British and Spanish sculpture and was the lead curator for the Victoria and Albert Museum Cast Courts. Since January 2019, she has been an Honorary Senior Research Fellow at the Victoria and Albert Museum. She was Honorary Vice-President of the Society of Antiquaries of London in 2018–19.