Bruised Music, Volume 1 | ||||
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Compilation album by | ||||
Released | 2015 | |||
Recorded | September 2006 to March 2009 | |||
Genre | Punk/Pop | |||
Length | 30:00 | |||
Label | Grave Mistake, Toxic Pop | |||
Producer | Tyler Ditter, Justin Perkins | |||
Tenement chronology | ||||
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Review scores | |
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Source | Rating |
Punknews | [1] |
Salad Days | [ citation needed ] |
Big Bombo | [ citation needed ] |
Bruised Music, Volume 1 is a compilation album by Appleton, Wisconsin rock group Tenement, released by Grave Mistake Records and Toxic Pop Records. It is composed of singles and rarities from the band's first four years. [2] The album was ranked #1170 by The Village Voice on their 2015 Pazz & Jop critics poll. [3]
Punknews: "Sounding like a darker, more depressed Midwestern version of the Descendents, Tenement’s brand of pop punk is heavier, harder and better than most of their ilk."
Rock Freaks: "...Given the compilation nature of the album, the quality of song varies quite significantly from the more anonymous tracks to the quality songs that make Tenement worth following and checking out especially live. Those on the second half of the record are arguably catchier than on the first half, but it's still mostly a fan release and probably not suitable as the starting point to the band."
Ahead of Bruised Music, Volume 1 's release, Stereogum wrote, "Though the album cover's stark binary palette and vampire-like outstretched claws might bring to mind a Bauhaus coldness, the music owes more to Black Flag than anything remotely post-punk," calling the song Spaghetti Midwestern "a riotous portrait of suburban disillusionment, the American Dream gone awry" and Morning Mouth "a spiraling two and a half minutes of theatrical frustration". [4] [5] [6]
All compositions by Amos Pitsch except where noted.
Robert Thomas Christgau is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for The Village Voice, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music, and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen."
The Beatles at the Hollywood Bowl is a live album by the Beatles, released in May 1977, featuring songs compiled from three performances recorded at the Hollywood Bowl in August 1964 and August 1965. The album was released by Capitol Records in the United States and Canada and on the Parlophone label in the United Kingdom. It was the band's first official live recording. A remixed, remastered, and expanded version of the album, retitled Live at the Hollywood Bowl, was released on 9 September 2016, on CD for the first time, to coincide with the release of the documentary film The Beatles: Eight Days a Week, directed by Ron Howard.
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Tenement is an American three piece rock band from Appleton, Wisconsin, United States, formed in 2006. They are often associated with the American hardcore punk scene. Their recorded output has been described as everything from "noise pop" to "fuzz punk", while in a live setting they are often known for experimentation, improvisation, and high-energy performance. The visual art of singer/guitarist Amos Pitsch is associated with most of their records, as well as several records by other notable punk and hardcore bands. In January 2013, NME included Tenement in their "rising stars of 2013". CMJ called Tenement a "breakout artist to watch" in 2014. In 2015, Tenement was included in Spin 's "The 50 Best Rock Bands Right Now". In 2016, they were included in Rolling Stone 's "10 Great Modern Punk Bands".
Punk Goes Pop Volume 5 is the thirteenth compilation album in the Punk Goes... series created by Fearless Records and the fifth installment in the Punk Goes Pop series to contain bands covering mainstream pop music. It was released on November 6, 2012 through Fearless Records. The album debuted at number sixteen on the Billboard 200, selling more than 21,000 copies within its first week. The album spawned three singles to date. The first single off the album was Memphis May Fire's cover of Grenade by Bruno Mars, which was released on October 2, 2012. The album's second single off the album was Mayday Parade's cover of Somebody That I Used to Know by Gotye featuring New Zealand artist Kimbra, which also featured guest vocals by Vic Fuentes of the band Pierce The Veil, it sold more than 15,000 copies within the album's first week of release, debuting at numbers eighteen and nineteen on the Billboard Rock Songs and Heatseekers Songs charts, respectively., it was released on October 16, 2012. The third single off the album was SECRETS cover of Ass Back Home by Gym Class Heroes featuring English artist Neon Hitch, which was released on December 12, 2012.
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