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Buchenwald | ||||
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Studio album by | ||||
Released | September 1981 | |||
Recorded | August 1981 | |||
Genre | Power electronics, industrial | |||
Length | 24:49 | |||
Label | Come Organisation | |||
Producer | William Bennett, Peter McKay | |||
Whitehouse chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic |
Buchenwald is the fifth album by Whitehouse released in 1981 by Come Organisation (later reissued by Susan Lawly).
Whitehouse were an English power electronics band formed in 1980, largely credited for the founding of the power electronics subgenre of industrial music.
Come Organisation was a record label started by William Bennett in 1979 as a way to release albums by his own band, Come, when he was unable to find a label willing to release them. It is best known for releasing the work of Bennett's subsequent band, Whitehouse.
Though very common in much early Whitehouse, Buchenwald has a high pitched sound of feedback throughout the entire album, except for a brief pause in the title track "Buchenwald". It also uses a distinct horn-like sound, though it is electronic. The track "Dedicated to Albert de Salvo - Sadist and Mass Slayer" refers to the Boston Strangler, which like the song "Dedicated to Peter Kürten" from their previous album, is an instrumental track.
The French horn is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B♭ is the horn most often used by players in professional orchestras and bands. A musician who plays a French horn is known as a horn player or hornist.
The Boston Strangler is the name given to the murderer or murderers of 13 women in the Boston, Massachusetts area during the early 1960s. The crimes were attributed to Albert DeSalvo based on his confession, details revealed in court during a separate case, and DNA evidence linking him to the last victim. Since then, parties investigating the crimes have suggested that the murders were committed by more than one person.
Peter Kürten was a German serial killer known as both The Vampire of Düsseldorf and the Düsseldorf Monster, who committed a series of murders and sexual assaults between February and November 1929 in the city of Düsseldorf. In the years before these assaults and murders, Kürten had amassed a lengthy criminal record for offenses including arson and attempted murder. He also confessed to the 1913 murders of a nine-year-old girl in Mülheim am Rhein and a 17-year-old girl in Loscheckes.
Buchenwald was originally limited to 500 copies on vinyl on the group owned record label Come Organisation. It was later reissued by the group's second record label Susan Lawly on compact disc in 1996.
Compact disc (CD) is a digital optical disc data storage format that was co-developed by Philips and Sony and released in 1982. The format was originally developed to store and play only sound recordings (CD-DA) but was later adapted for storage of data (CD-ROM). Several other formats were further derived from these, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video Compact Disc (VCD), Super Video Compact Disc (SVCD), Photo CD, PictureCD, CD-i, and Enhanced Music CD. The first commercially available audio CD player, the Sony CDP-101, was released October 1982 in Japan.
George "Porky" Peckham is an English record engineer, widely recognised as among the most accomplished in the business. He has been responsible for producing the master discs from which many vinyl records have been pressed over the last 40 years.
Anthem of the Sun is the second album by rock band the Grateful Dead. Released in 1968, it is the first album to feature second drummer Mickey Hart, who joined the band in September 1967. Currently ranked number 288 on Rolling Stone magazine's list of the 500 greatest albums of all time.
The Grateful Dead is the debut album of the Grateful Dead. It was released by Warner Bros. Records in March 1967. According to the biographies of both bassist Phil Lesh and drummer Bill Kreutzmann, the band released the album as San Francisco's Grateful Dead.
Come was a British noise project which was founded in 1979 by William Bennett. In the short time of its existence it had such prominent members as Daniel Miller and J. G. Thirlwell. Bennett would later end the project in 1980 in favor for his then newly formed power electronics project Whitehouse, however a second studio album under the Come moniker was released in 1981 titled I'm Jack. The independent record label Come Organisation was created as a result of the lack of interest other labels showed in the group's recordings. They never performed live.
Dedicated to Peter Kürten is the fourth album by Whitehouse released in 1981 by Come Organisation. The album is known as by its full title, Dedicated to Peter Kürten Sadist and Mass Slayer.
Psychopathia Sexualis is the seventh album by Whitehouse released in 1982 on the Come Organisation label. It was on the liner notes for the album that principal member William Bennett first used the term "Power electronics" to describe the group's music.
New Britain is the sixth album by Whitehouse released in 1982 by Come Organisation. Much like its title, interior artwork, and lyrical themes suggest, the albums mostly deals with the subject of fascism. The album was initially released on vinyl formats, limited to only 500 copies. It was reissued on compact disc in 1996 through Susan Lawly.
Bird Seed is the seventeenth album by power electronics group Whitehouse released in 2003 by their own record label, Susan Lawly. It was given an "honourable mention" in the digital musics category of Austria's annual Prix Ars Electronica awards. It was reissued on double vinyl through Very Friendly on July 2009. The title track was recorded by Steve Albini and written by Peter Sotos.
Birthdeath Experience is the debut studio album by power electronics band Whitehouse. It was originally released in 1980 through Come Organization. It was released on CD in May 1993 through Susan Lawly, then reissued in 2007 on vinyl through Very Friendly. The original edition was limited to 1,250 copies on vinyl format; 850 with pink/white labels, 400 with Spanish text on the labels.
Total Sex is the second full-length studio album by power electronics band Whitehouse, which was released in November 1980 through Come Organisation, only a few months after the band's debut, Birthdeath Experience. The album was reissued twice, first on CD in 1994 through Susan Lawly, and again in 2008 on double vinyl format through Very Friendly. The original release was limited to 1,200 copies on vinyl, the first pressing consisted of 800 copies, the second consisted of 400 copies on translucent green vinyl.
Erector is the third full-length studio album by power electronics band Whitehouse, released in February 1981 through Come Organization. The record was reissued twice: once in 1995 on CD through Susan Lawly, and again in 2008 on vinyl through Very Friendly.
Cruise is the sixteenth studio album by power electronics band Whitehouse, released in 2001 through the band's Susan Lawly label. The album was reissued on double vinyl format through Very Friendly in 2007, and was the first of a series of limited edition vinyl reissues of the band's catalog.
Great White Death is the ninth studio album by power electronics band Whitehouse, released in February 1985. It was the last Whitehouse record to be released through Come Organization, a label which dissolved after the band went on hiatus after the record's release. The album was reissued on CD format in 1991 through the band's new label, Susan Lawly. A special edition was issued in 1997 which came with a bonus track, an extended version of the song "My Cock Is On Fire". In 2010, a vinyl reissue of the album was released through Very Friendly.
Thank Your Lucky Stars is the tenth studio album by power electronics band Whitehouse, released in 1990 through the newly formed Susan Lawly label. Recorded in September 1988, it was the group's first studio album after a period of inactivity during the later half of the 1980's and the first to feature contributions from writer and musician Peter Sotos and production work from Steve Albini. A special edition was issued in 1997 on CD format that contained bonus tracks previously released on other Whitehouse albums and singles.
Twice Is Not Enough is the eleventh studio album by power electronics band Whitehouse, released in 1991 through Susan Lawly. The album cover, depicting a dog sitting on a bed, was drawn by Trevor Brown, and references multiple different murders performed by serial killers. In 1999, the album was reissued as a special edition CD with bonus tracks, all of which originated from the band's 1992 album Never Forget Death, which was out-of-print by that point in time.
Halogen is the thirteenth studio album by power electronics band Whitehouse, released in April 1994 through their Susan Lawly label. The album's cover was made by artist Trevor Brown, who previously collaborated with the band on their 1991 album Twice Is Not Enough.
Quality Time is the fourteenth studio album by power electronics band Whitehouse, released in 1995 through their Susan Lawly label. The cover art was illustrated by Trevor Brown, who made artwork for the band's previous album, Halogen, and their 1991 album, Twice Is Not Enough. The album was reissued on vinyl format in 2009 through Very Friendly.
Racket is the nineteenth and final studio album by power electronics band Whitehouse, released on May 31, 2007 through the Susan Lawly label. The album was originally supposed to come out on March 13 of that year, but due to issues with recording, the album's release date was set back by a couple of weeks. Instruments used in the album were synthesizers, the djembe, doundouns, and ksings.
Right to Kill is the eighth studio album by the British power electronics band Whitehouse, released in 1983 through Come Organisation. It was released as a special limited edition album, with only approximately 300 copies made on vinyl formats. Because of this, the recording has never be reissued since, for the band feels that it would be of great importance to "preserve its original intent", although numerous bootleg copies of the album have been made.