Whitehouse were an English noise music band formed in 1980. The group is largely credited for the founding of the power electronics genre.
Steve Albini is an American musician, audio engineer and music journalist, whose many recording projects have exerted an important influence on independent music since the 1980s. Most of his projects from 1997 onwards were recorded at the Electrical Audio studios in Chicago. Albini is occasionally credited as a record producer, though he dislikes the term to describe his work, preferring the term "recording engineer" when credited, and refuses to take royalties from bands recording in his studio, as he feels it would be unethical to do so.
Peter Sotos is an American writer and musician. In his books, Sotos examines sadistic sexual criminals and sexually violent pornography, particularly involving children. His writings are interpreted by some as commenting on media hypocrisy around these issues. His books are often first person narratives, taking on the point of view of the sexual predator in order to explore sadistic and pedophilic sexual impulses.
The Adolescents are an American punk rock band formed in Fullerton, California in 1980. Part of the hardcore punk movement in southern California in the early 1980s, they were one of the main punk acts to emerge from Orange County, along with their peers in Agent Orange and Social Distortion. Founding bassist Steve Soto was the sole constant member of the band since its inception until his 2018 death, with singer Tony Reflex being in the group for all but one album.
Big Black was an American punk rock band from Evanston, Illinois, active from 1981 to 1987. Founded by singer and guitarist Steve Albini, the band's initial lineup also included guitarist Santiago Durango and bassist Jeff Pezzati, both of Naked Raygun. In 1985, Pezzati was replaced by Dave Riley, who played on Big Black's two full-length studio albums, Atomizer (1986) and Songs About Fucking (1987).
Steve Albini is an American musician, record producer, audio engineer and music journalist. He was a member of Big Black, Rapeman and Flour, and is a member of Shellac. He is the founder, owner and principal engineer of Electrical Audio, a recording studio complex in Chicago. In 2018, Albini estimated that he had worked on several thousand albums over his career. He has worked with acts such as Nirvana, Pixies, the Breeders, PJ Harvey, and former Led Zeppelin members Jimmy Page and Robert Plant.
Dedicated to Peter Kürten is the fourth album by Whitehouse released in 1981 by Come Organisation. The album is also known by its full title, Dedicated to Peter Kürten Sadist and Mass Slayer.
Bird Seed is the seventeenth album by power electronics group Whitehouse released in 2003 by their own record label, Susan Lawly. It was given an "honourable mention" in the digital musics category of Austria's annual Prix Ars Electronica awards. It was reissued on double vinyl through Very Friendly in July 2009. The title track was recorded by Steve Albini and written by Peter Sotos.
Birthdeath Experience is the debut studio album by power electronics band Whitehouse. It was originally released in 1980 through Come Organization. It was released on CD in May 1993 through Susan Lawly, then reissued in 2007 on vinyl through Very Friendly. The original edition was limited to 1,250 copies on vinyl format; 850 with pink/white labels, 400 with Spanish text on the labels.
Total Sex is the second full-length studio album by power electronics band Whitehouse, which was released in November 1980 through Come Organisation, only a few months after the band's debut, Birthdeath Experience. The album was reissued twice, first on CD in 1994 through Susan Lawly, and again in 2008 on double vinyl format through Very Friendly. The original release was limited to 1,200 copies on vinyl, the first pressing consisted of 800 copies, the second consisted of 400 copies on translucent green vinyl.
Cruise is the sixteenth studio album by power electronics band Whitehouse, released in 2001 through the band's Susan Lawly label. The album was reissued on double vinyl format through Very Friendly in 2007, and was the first of a series of limited edition vinyl reissues of the band's catalog.
Great White Death is the ninth studio album by power electronics band Whitehouse, released in February 1985. It was the last Whitehouse record to be released through Come Organization, a label which dissolved after the band went on hiatus after the record's release. The album was reissued on CD format in 1991 through the band's new label, Susan Lawly. A special edition was issued in 1997 which came with a bonus track, an extended version of the song "My Cock Is On Fire". In 2010, a vinyl reissue of the album was released through Very Friendly.
Thank Your Lucky Stars is the tenth studio album by power electronics band Whitehouse, released in 1990 through the newly formed Susan Lawly label. Recorded in September 1988, it was the group's first studio album after a period of inactivity during the later half of the 1980s and the first to feature contributions from writer and musician Peter Sotos and production work from Steve Albini. A special edition was issued in 1997 on CD format that contained bonus tracks previously released on other Whitehouse albums and singles.
Twice Is Not Enough is the eleventh studio album by power electronics band Whitehouse, released in 1991 through Susan Lawly. The album cover, depicting a dog sitting on a bed, was drawn by Trevor Brown, and references multiple different murders performed by serial killers. In 1999, the album was reissued as a special edition CD with bonus tracks, all of which originated from the band's 1992 album Never Forget Death, which was out-of-print by that point in time.
Halogen CD is the thirteenth studio album by power electronics band Whitehouse, released in April 1994 through their Susan Lawly label. The album's cover was made by artist Trevor Brown, who previously collaborated with the band on their 1991 album Twice Is Not Enough.
Quality Time is the fourteenth studio album by power electronics band Whitehouse, released in 1995 through their Susan Lawly label. The cover art was illustrated by Trevor Brown, who made artwork for the band's previous album, Halogen, and their 1991 album, Twice Is Not Enough. The album was reissued on vinyl format in 2009 through Very Friendly.
Racket is the nineteenth and final studio album by power electronics band Whitehouse, released on 31 May 2007 through the Susan Lawly label. The album was originally supposed to come out on 13 March of that year, but due to issues with recording, the album's release date was set back by a couple of weeks. Instruments used in the album were synthesizers, the djembe, doundouns, and ksings.
Right to Kill is the eighth studio album by the British power electronics band Whitehouse, released in 1983 through Come Organisation. It was released as a special limited edition album, with only approximately 300 copies made on vinyl formats. Because of this, the recording has never been reissued since, for the band feels that it would be of great importance to "preserve its original intent", although numerous bootleg copies of the album have been made.
Fires Within Fires is the eleventh studio album by American post-metal band Neurosis. The album was released on September 23, 2016, via the band's own record label, Neurot Recordings. Recording began on December 27, 2015, at Electrical Audio Studio; the album was produced by Steve Albini and the cover art created by Thomas Hooper. Like Neurosis' previous albums, Fires Within Fires combines "elements from the post-metal genre they co-created [with] elements of industrial, doom, punk and folk". This is the band's final album with founding member Scott Kelly who was fired in 2019 due to domestic abuse allegations, which he officially confirmed to be true and announced his withdrawal from the public eye in August 2022.
The End of Radio is a 2019 album by Shellac. The album contains two previously unreleased recordings made for the BBC Radio One's John Peel Show in 1994 and 2004. Steve Albini has spoken about his admiration for John Peel, stating that "he listened religiously to every single record he received in the mail, devoting hours of every day to the task".
[1] 
[2] 