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Buchla Electronic Musical Instruments (BEMI) was a manufacturer of synthesizers and unique MIDI controllers. The origins of the company could be found in Buchla & Associates, created in 1963 by synthesizer pioneer Don Buchla of Berkeley, California. In 2012 the original company led by Don Buchla was acquired by a group of Australian investors trading as Audio Supermarket Pty. Ltd. The company was renamed Buchla Electronic Musical Instruments as part of the acquisition. In 2018 the assets of BEMI were acquired by a new entity, Buchla U.S.A., and the company continues under new ownership.
Buchla's first modular electronic music system was the result of a San Francisco Tape Music Center commission by composers Ramon Sender and Morton Subotnick in 1963, who later allotted $500 from a Rockefeller Foundation grant to Buchla in 1964. Subotnick envisioned a voltage-controlled instrument that would allow musicians and composers to create sounds suited to their own specifications. Previously, one had to use either discrete audio generators, such as test oscillators—or musique concrète, manually composed and edited magnetic-tape source recordings of other musical, spoken word, or other audio. Buchla designed the synthesizer in a modular fashion, combining separate components that each generated or modified a music event. Each box served a specific function: envelope generators, oscillators, filters, voltage controlled amplifiers, and analog sequencer modules. Using the different modules, a composer could affect the pitch, timbre, amplitude, and spatial location of the sound. The instrument was controlled and played via an array of touch and pressure-sensitive surfaces. [1]
The instrument was named the "Buchla 100 series Modular Electronic Music System," and was installed at the San Francisco Tape Music Center in 1965 and moved to Mills College in 1966. Subotnick completed his first major electronic work, Silver Apples Of The Moon, with another unit that Buchla had built and shipped to New York. This same unit was also used on Buffy Sainte Marie's influential 1969 album, Illuminations . [2] Along with Robert Moog's Moog synthesizer, it helped revolutionize the way electronic music and sounds are made.
The original Buchla modular synthesizer was commissioned by Morton Subotnick and Ramon Sender and funded by a grant from the Rockefeller Foundation. The earliest modules are labeled "San Francisco Tape Music Center." Later modules were offered through the musical instruments division of CBS.
The Buchla 200 series Electric Music Box [3] replaced the previous model in 1970 and represented a significant advance in technology. Almost every parameter can be controlled from an external control voltage.
Buchla 300, 500, Touché (mid 1970s)
In the mid 1970s, Don Buchla began experimenting with digital designs and computer-controlled systems. The results were the 500 series [4] and the 300 series, [5] both of which paired the new technology with existing 200 series modules to create hybrid analog/digital systems. The Touché [6] was also the result of this research, and was also his final attempt to market a "mainstream" Buchla synth[ citation needed ].
Buchla 400, 700, and MIDAS (1980s)
Also in 1980s, Buchla released the 400 series [7] and the 700 series [8] software controlled instruments operated by MIDAS, a Forth language for musical instruments, and also equipped with MIDI.
Buchla tended to not refer to his instruments as synthesizers, as he felt that name gives the impression of imitating existing sounds/instruments. His intent was to make instruments that create new sounds. This goal is evident in the omission of a standard musical keyboard on his early instruments, which instead used a series of touch plates that were not necessarily tied to equal-tempered tuning.
He also used a naming convention different from most of the industry. One of his modules, for example, is called a "Multiple Arbitrary Function Generator." These differences run deeper than nomenclature. The Multiple Arbitrary Function Generator (or MARF) goes well beyond what a typical sequencer is capable of performing and can act as an envelope generator, LFO, CV selector, voltage quantizer, and tracking generator. The MARF (Buchla model 248) [9] [10] is not to be confused with the modern Dual Arbitrary Function Generator (Model 250e) which features a different design. [11]
Buchla's instruments, such as the Music Easel (pictured), [12] use a method of timbre generation different from Moog synthesizers. Moog units use oscillators with basic function generator-type waveshapes and rely heavily on filtering with 24 dB resonant low-pass filters, while Buchlas are geared toward complex oscillators using frequency modulation, amplitude modulation, and dynamic waveshaping to produce other forms of timbre modulation. Many of Don Buchla's designs, including the Lopass Gates, contain vactrols - photoresistive opto-isolator employed as voltage-controlled potentiometers - which can be used for a more "natural", typical Buchla sound. In December 2017, Arturia released a software/plugin emulation of the Music Easel, called the "Buchla Easel V", [13] as part of the V collection.
Buchla Thunder, Buchla Lightning, Marimba Lumina
By the late 1980s, Don Buchla had stopped creating instruments and shifted his focus to alternate MIDI controllers. His controller designs have included the Thunder, [14] Lightning, [15] and Marimba Lumina. [16]
Finally, in 2004, Don Buchla returned to designing full blown modular electronic instruments with the 200e, a hybrid system using digital microprocessors that uses the same size modules and signals as the 100 and 200 series systems. The 200e modules convert all signals to analog at the panel, appearing to the user like an analog system, with patch cables. Systems can be built using a combination of 100, 200 and 200e modules. The 200e modules connect through a digital communications bus, allowing the system to store the settings of the knobs and switches. [17]
At the January 2012 NAMM Show, Buchla & Associates announced new ownership, retaining Don Buchla as Chief Technology Officer and investment in the design, manufacturing, and marketing of Buchla products and the development of an expanded product line, and the company moving forward under the name Buchla Electronic Musical Instruments (BEMI). [18] One year later, BEMI re-introduced the Music Easel. [19] Since then, BEMI has released a small number of new modules, including the 252e Polyphonic Rhythm Generator. The "200h" series of modules (h = half) were also released to allow Buchla system owners to configure their systems in more granular ways.
In 2015, various websites, including FACT, [20] reported that Don Buchla had taken the owners of BEMI to court, citing health problems due in part to unpaid consulting fees and asserting a claim to his original intellectual property. The lawsuit alleged breach of contract and "bad-faith conduct" on the part of BEMI's owners and sought $500,000 in compensation. [21]
Legal documents [22] filed with the state of California indicate that the court ordered the case to be settled by arbitration in July 2015. In August 2016, the court dismissed the case in light of the fact that the parties had reached an out-of-court settlement.
Don Buchla died shortly afterward, on September 14, 2016. His obituary was reported in the New York Times [23] and elsewhere, noting his significant achievements to the world of electronic music and technology.
BEMI attended NAMM 2017 and released the Easel AUX Expander. BEMI also established a new distribution model, discontinuing direct sales to customers and integrating more closely with a worldwide network of dealers.
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener.
Subtractive synthesis is a method of sound synthesis in which overtones of an audio signal are attenuated by a filter to alter the timbre of the sound.
An analog synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically.
Modular synthesizers are synthesizers composed of separate modules for different functions. The modules can be connected together by the user to create a patch. The outputs from the modules may include audio signals, analog control voltages, or digital signals for logic or timing conditions. Typical modules are voltage-controlled oscillators, voltage-controlled filters, voltage-controlled amplifiers and envelope generators.
CV/gate is an analog method of controlling synthesizers, drum machines, and similar equipment with external sequencers. The control voltage typically controls pitch and the gate signal controls note on-off.
Morton Subotnick is an American composer of electronic music, best known for his 1967 composition Silver Apples of the Moon, the first electronic work commissioned by a record company, Nonesuch. He was one of the founding members of California Institute of the Arts, where he taught for many years.
A voltage-controlled filter (VCF) is an electronic filter whose operating characteristics can be set by an input control voltage. Voltage-controlled filters are widely used in synthesizers.
Moog Music Inc. is an American synthesizer company based in Asheville, North Carolina. It was founded in 1953 as R. A. Moog Co. by Robert Moog and his father and was renamed Moog Music in 1972. Its early instruments included the Moog synthesizer, followed by the Minimoog in 1970, both of which were highly influential electronic instruments.
The Moog synthesizer is a modular synthesizer invented by the American engineer Robert Moog in 1964. Moog's company, R. A. Moog Co., produced numerous models from 1965 to 1981, and again from 2014. It was the first commercial synthesizer and established the analog synthesizer concept.
Arturia is a French electronics company founded in 1999 and based in Grenoble, France. The company designs and manufactures audio interfaces and electronic musical instruments, including software synthesizers, drum machines, analog synthesizers, digital synthesizers, MIDI controllers, sequencers, and mobile apps.
Donald Buchla was an American pioneer in the field of sound synthesis. Buchla popularized the "West Coast" style of synthesis. He was co-inventor of the voltage controlled modular synthesizer along with Robert Moog, the two working independently in the early 1960s.
The Serge synthesizer is an analogue modular synthesizer system originally developed by Serge Tcherepnin, Rich Gold and Randy Cohen at CalArts in late 1972. The first 20 Serge systems were built in 1973 in Tcherepnin's home. Tcherepnin was a professor at CalArts at the time, and desired to create something like the exclusively expensive Buchla modular synthesizers "for the people that would be both inexpensive and powerful." After building prototypes, Tcherepnin went on to develop kits for students to affordably build their own modular synthesizer, production taking place unofficially on a second floor CalArts balcony. This led to Tcherepnin leaving CalArts in order to produce synths commercially, starting in 1974.
A synthesizer is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI.
An analog sequencer is a music sequencer constructed from analog (analogue) electronics, invented in the first half of the 20th century.
The Korg PS-3300 is a polyphonic analog synthesizer released by Korg in 1977. It was released alongside the PS-3100, a more compact variant featuring a complete synthesizer voice board for each of its 48 keyboard notes. The PS-3300 essentially combines three PS-3100 units, triggering all voices simultaneously with each key press and mirroring the PS-3100's overall design, featuring a total of 144 synth voices. The PS-3300 uses the PS-3010, a detachable keyboard equipped with an assignable joystick called the X-Y Manipulator.
The Steiner-Parker Synthacon is a monophonic analog synthesizer that was built between 1975 and 1979 by Steiner-Parker, a Salt Lake City-based synthesizer manufacturer. It was introduced as a competitor to other analog synthesizers, like the Minimoog and ARP Odyssey.
Charles Cohen (1945-2017) was a Philadelphia, Pennsylvania area-based free jazz musician and composer. Creating music since 1971, his music was entirely improvisational and produced solely on a vintage Buchla Music Easel synthesizer, an extremely rare integrated analog performance instrument made by synthesizer pioneer Don Buchla. He has been increasingly recognized for his artistry performing internationally and was one of a handful of musicians who has mastered the Buchla Music Easel. Only twenty-five of the instruments were produced in the early 1970s and only a few have survived. He was also considered a pioneer in synthesizers and performance music. In 2011, Cohen was named a Pew Fellow by the Pew Center for Arts & Heritage for his contributions to improvised and electronic music.
Jill Fraser is an American composer and electronic music pioneer based in Los Angeles, CA. She is particularly known for her longstanding work using analog modular synthesis systems. Fraser has written both electronic and acoustic music for films, television and TV commercials since the 1970s. She has received Clio awards for her work with Lexus and Adidas.
The Volca Modular is an analogue synthesizer manufactured by the Japanese music technology company Korg. It is part of their popular Volca series of affordable electronic synthesizers and drum machines. Like other Volcas, it sports a 16-step sequencer and can be powered by batteries.
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