Burmantofts Pottery was the common trading name of a manufacturer of ceramic pipes and construction materials, named after the Burmantofts district of Leeds, England.
Following the example of Royal Doulton, having grown into a large company known for unglamourous utilitarian wares, the company expanded into decorated art pottery and decorative architectural ceramics such as tiles and glazed bricks. It closed in 1957, after cheaper foreign competition reduced profitability.
At various points the company was called: Wilcock & Co (1863), The Burmantofts Company (1888), Leeds Fireclay Co. Ltd. (1889).
The business began in 1859 when fire clay was discovered in a coal mine owned by William Wilcock and John Lassey. [1] In 1863 Lassey's share was bought by John Holroyd and the company then named Wilcock & Co. [2] [1]
In 1879, after a period of expansion, the firm made decorative bricks and tiles in orange or buff-coloured architectural terracotta, glazed bricks, and glazed terracotta. [2] Architect Alfred Waterhouse used their materials in his Yorkshire College (1883) in Leeds, and his National Liberal Club (1884) in London. [2] From 1880 they also made art pottery such as vases and decorative domestic items.
In 1888 the company was renamed The Burmantofts Company but in 1889 it merged with other Yorkshire companies to found The Leeds Fireclay Co. Ltd., the largest in the country. [2] [1]
The firm closed in 1957, at which time it comprised ninety kilns on 16 acres (65,000 m2) of land. [2] [1]
This was produced between 1880 and 1904 at the instigation of James Holroyd, the works manager, as an addition to industrial glazed ceramic products. Companies such as Mintons, Royal Doulton and William De Morgan had established a market for middle-class home decorative objects. The company was fortunate in having both coal and four sorts of high-purity clay on the same site. The plasticity gave good reproduction of shape and the low iron content meant there was not discoloration by oxidation when fired at high temperature, giving glazes of high clarity and brilliance. [1]
Early examples were individual works of art, notably in barbotine style where a plain base had a design worked in relief with slip and painted, but the company soon developed production lines for decoration of individual shapes, either in a single glaze or painted with flowers and so on (signed by the decorator), for sale at a lower price to a larger market, but still of high quality. Over 2000 different shapes are recorded, including pots, vases, bottles and table items. The base usually had 'Burmantofts Faience' or later 'BF' on the base, along with the shape number. Influences included Art Nouveau, Persian, Chinese and Japanese. French artist Pierre Mallet (who also designed for Minton's) contributed a number of designs. [3] Decorative tiles were also produced. [1]
In 1885 products were on sale in London (at Harrods and Liberty's), [1] Paris and Montreal. [2] However, by 1904 the products were no longer profitable because of a large number of competing products from Britain and nearby Europe of lower price, and production ceased.
James Holroyd realised that a more decorative version of the company's salt-glazed bricks could be useful as an architectural facing material which could be washed from the grime of industrial cities and be more permanent than paint. This combination of artistic and business sense led to considerable success and material which is still in good condition more than a century later. [1] He created a team of experts for the practical side and employed sculptor Edward Caldwell Spruce and architect Maurice Bingham Adams in designs. [1] Simple coloured tiles or bricks were complemented by relief patterns, and a variety of glazes. However, the fashion for highly modelled surfaces passed and from 1904 the company concentrated on plain tiles used as facing, notably an artificial marble called Marmo, as used on Atlas House, King Street, Leeds and Michelin House, London, [2] [1] and Lefco which had a granite appearance and was also used for garden ornaments. [4] These were in production until the company closed in 1957. [1]
Terracotta, also known as terra cotta or terra-cotta, is a term used in some contexts for earthenware. It is a clay-based non-vitreous ceramic, fired at relatively low temperatures.
Alfred Waterhouse was an English architect, particularly associated with the Victorian Gothic Revival architecture, although he designed using other architectural styles as well. He is perhaps best known for his designs for Manchester Town Hall and the Natural History Museum in London, although he also built a wide variety of other buildings throughout the country. Besides his most famous public buildings he designed other town halls, the Manchester Assize buildings—bombed in World War II—and the adjacent Strangeways Prison. He also designed several hospitals, the most architecturally interesting being the Royal Infirmary Liverpool and University College Hospital London. He was particularly active in designing buildings for universities, including both Oxford and Cambridge but also what became Liverpool, Manchester and Leeds universities. He designed many country houses, the most important being Eaton Hall in Cheshire, largely demolished in 1961-63. He designed several bank buildings and offices for insurance companies, most notably the Prudential Assurance Company. Although not a major church designer he produced several notable churches and chapels. He was both a member of The Royal Institute of British Architects, of which he served a term as President, and a Royal Academician, acting as Treasurer for the Royal Academy.
Earthenware is glazed or unglazed nonvitreous pottery that has normally been fired below 1,200 °C (2,190 °F). Basic earthenware, often called terracotta, absorbs liquids such as water. However, earthenware can be made impervious to liquids by coating it with a ceramic glaze, and such a process is used for the great majority of modern domestic earthenware. The main other important types of pottery are porcelain, bone china, and stoneware, all fired at high enough temperatures to vitrify. End applications include tableware and decorative ware such as figurines.
Tiles are usually thin, square or rectangular coverings manufactured from hard-wearing material such as ceramic, stone, metal, baked clay, or even glass. They are generally fixed in place in an array to cover roofs, floors, walls, edges, or other objects such as tabletops. Alternatively, tile can sometimes refer to similar units made from lightweight materials such as perlite, wood, and mineral wool, typically used for wall and ceiling applications. In another sense, a tile is a construction tile or similar object, such as rectangular counters used in playing games. The word is derived from the French word tuile, which is, in turn, from the Latin word tegula, meaning a roof tile composed of fired clay.
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The Midland Hotel is a grand hotel in Manchester, England. Opened in 1903, it was built by the Midland Railway to serve Manchester Central railway station, its northern terminus for its rail services to London St Pancras. It faces onto St Peter's Square. The hotel was designed by Charles Trubshaw in Edwardian Baroque style and is a Grade II* listed building.
Burmantofts is an area of 1960s high-rise housing blocks in inner-city east Leeds, West Yorkshire, England adjacent to the city centre and St. James's Hospital. It is a racially diverse area, with sizable Afro-Caribbean and Irish communities, but suffers the social problems typical of similar areas across the country.
Glazed architectural terra cotta is a ceramic masonry building material used as a decorative skin. It featured widely in the 'terracotta revival' from the 1880s until the 1930s. It was used in the UK, United States, Canada and Australia and is still one of the most common building materials found in U.S. urban environments. It is the glazed version of architectural terracotta; the material in both its glazed and unglazed versions is sturdy and relatively inexpensive, and can be molded into richly ornamented detail. Glazed terra-cotta played a significant role in architectural styles such as the Chicago School and Beaux-Arts architecture.
Sir Henry Doulton was an English businessman, inventor and manufacturer of pottery, instrumental in developing the ceramics company of Royal Doulton.
Royal Doulton is an English ceramic and home accessories manufacturer that was founded in 1815. Operating originally in Vauxhall, London, and later moving to Lambeth, in 1882 it opened a factory in Burslem, Stoke-on-Trent, in the centre of English pottery. From the start, the backbone of the business was a wide range of utilitarian wares, mostly stonewares, including storage jars, tankards and the like, and later extending to drain pipes, lavatories, water filters, electrical porcelain and other technical ceramics. From 1853 to 1901, its wares were marked Doulton & Co., then from 1901, when a royal warrant was given, Royal Doulton.
The American Terracotta Tile and Ceramic Company was founded in 1881; originally as Spring Valley Tile Works; in Terra Cotta, Illinois, between Crystal Lake, Illinois and McHenry, Illinois near Chicago by William Day Gates. It became the country's first manufactury of architectural terracotta in 1889. The production consisted of drain tile, brick, chimney tops, finials, urns, and other economically fireproof building materials. Gates used the facilities to experiment with clays and glazes in an effort to design a line of art pottery which led to the introduction of Teco Pottery. American Terra Cotta's records are housed at the University of Minnesota and include original architectural drawings.
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Art pottery is a term for pottery with artistic aspirations, made in relatively small quantities, mostly between about 1870 and 1930. Typically, sets of the usual tableware items are excluded from the term; instead the objects produced are mostly decorative vessels such as vases, jugs, bowls and the like which are sold singly. The term originated in the later 19th century, and is usually used only for pottery produced from that period onwards. It tends to be used for ceramics produced in factory conditions, but in relatively small quantities, using skilled workers, with at the least close supervision by a designer or some sort of artistic director. Studio pottery is a step up, supposed to be produced in even smaller quantities, with the hands-on participation of an artist-potter, who often performs all or most of the production stages. But the use of both terms can be elastic. Ceramic art is often a much wider term, covering all pottery that comes within the scope of art history, but "ceramic artist" is often used for hands-on artist potters in studio pottery.
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