Café Zimmermann (ensemble)

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Café Zimmermann is a French classical music ensemble founded in 1998 by the violinist Pablo Valetti and the harpsichordist Céline Frisch. It is named after the original Zimmermannsches Caffeehaus in Leipzig, of Gottfried Zimmermann. [1] The ensemble has recorded several chamber works by Bach for the Alpha record label. [2] The ensemble is resident at the Grand Théâtre de Provence  (fr ) in Aix-en-Provence.

Aix-en-Provence Subprefecture and commune in Provence-Alpes-Côte dAzur, France

Aix-en-Provence, or simply Aix, is a city-commune in the south of France, about 30 km (19 mi) north of Marseille. A former capital of Provence, it is in the region of Provence-Alpes-Côte d'Azur, in the department of Bouches-du-Rhône, of which it is a subprefecture. The population of Aix numbers approximately 143,000. Its inhabitants are called Aixois or, less commonly, Aquisextains.

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Discography

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Related Research Articles

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Concerto for two harpsichords in C minor, BWV 1060 composition by Johann Sebastian Bach

The concerto for two harpsichords in C minor, BWV 1060, is a concerto for two harpsichords and string orchestra by Johann Sebastian Bach. It is likely to have originated in the second half of the 1730s as an arrangement of an earlier concerto, also in C minor, for oboe and violin. That conjectural original version of the concerto, which may have been composed in Bach's Köthen years (1717–1723), is lost, but has been reconstructed in several versions known as BWV 1060R.

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The Triple Concerto, BWV 1044, is a concerto in A minor for traverso, violin, harpsichord, and string orchestra by Johann Sebastian Bach. He based the composition on his Prelude and Fugue BWV 894 for harpsichord and on the middle movement of his Organ Sonata BWV 527, or on earlier lost models for these compositions.

Weimar concerto transcriptions (Bach) Wikimedia list article

The concerto transcriptions of Johann Sebastian Bach date from his second period at the court in Weimar (1708–1717). Bach transcribed for organ and harpsichord a number of Italian and Italianate concertos, mainly by Antonio Vivaldi, but with others by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and the musically talented Prince Johann Ernst of Saxe-Weimar. It is thought that most of the transcriptions were probably made in 1713–1714. Their publication by C.F. Peters in the 1850s and by Breitkopf & Härtel in the 1890s played a decisive role in the Vivaldi revival of the twentieth century.

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References

  1. Biography
  2. Goldberg: early music magazine – Numéros 26–29 – Page 27 2004 The Cafe Zimmermann has a long-term project to record all the ensemble music Bach conceived in a chamber music ...