"Under Pressure" is a song by the British rock band Queen and singer David Bowie. Originally released as a single in October 1981, it was later included on Queen's 1982 album Hot Space. The song reached number one on the UK Singles Chart, becoming Queen's second number-one hit in their home country and Bowie's third, and also charted in the top 10 in more than 10 countries around the world.
"Crazy Little Thing Called Love" is a song by the British rock band Queen. Written by Freddie Mercury in 1979, the track is included on their 1980 album The Game, and also appears on the band's compilation album Greatest Hits in 1981. The song peaked at number two in the UK Singles Chart in 1979 and became the group's first number-one single on the Billboard Hot 100 in the US in 1980, remaining there for four consecutive weeks. It topped the Australian ARIA Charts for seven weeks. It was the band's final single release of the 1970s.
News of the World is the sixth studio album by the British rock band Queen, released on 28 October 1977 by EMI Records in the United Kingdom and by Elektra Records in the United States. News of the World was the band's second album to be recorded at Sarm and Wessex Sound Studios in London, and engineered by Mike Stone, and was co-produced by the band and Stone.
"Tie Your Mother Down" is a song by the British rock band Queen, written by lead guitarist Brian May. It is the opening track and the second single from their 1976 album A Day at the Races. On its original release as a single in 1977 the song peaked at 31 in the UK Singles Chart. More than 20 years later, it was released as a double a-side to "No-One but You " where it reached 13 in UK Singles Chart. On the album the song is preceded by a one-minute instrumental intro featuring a Shepard tone melody, performed by Brian May, which is reprised in the ending of "Teo Torriatte": this was intended to create a "circle" within the album.
Hot Space is the tenth studio album by the British rock band Queen. It was released on 4 May 1982 by EMI Records in the United Kingdom and by Elektra Records in the United States. Marking a notable shift in direction from their earlier work, they employed many elements of disco, funk, R&B, dance, pop and new wave music on the album. This made the album less popular with fans who preferred the traditional rock style they had come to associate with the band. Queen's decision to record a dance-oriented album germinated with the massive success of their 1980 hit "Another One Bites the Dust" in the US.
"Don't Stop Me Now" is a song by the British rock band Queen, featured on their 1978 album Jazz and released as a single on 26 January 1979. Written by lead singer Freddie Mercury, it was recorded in August 1978 at Super Bear Studios in Berre-les-Alpes (Alpes-Maritimes), France, and is the twelfth track on the album.
"Body Language" is a 1982 song by British rock band Queen. It was written by the band's lead singer Freddie Mercury and was a hit in North America, where it received extensive radio play. However, the single only received a lukewarm response in the United Kingdom. The track was the second single released from their 1982 album Hot Space. The music video for the song was the first one to be banned from MTV for its nudity, despite the members of Queen being fully clothed.
"Flash" is a song by British rock band Queen. Written by guitarist Brian May, "Flash" is the theme song of the 1980 film Flash Gordon.
Queen on Fire – Live at the Bowl is a DVD/live album by the British rock band Queen released on 25 October 2004 in Europe and on 9 November 2004 in the US. It was recorded live at the Milton Keynes Bowl, Buckinghamshire, England, on 5 June 1982 during the Hot Space Tour. A DVD was also released with the complete concert and bonus material, such as band interviews and tour highlights.
"Save Me" is a song by the British rock band Queen from their 1980 album The Game. Written by guitarist Brian May, it was recorded in 1979, and released in the UK on 25 January 1980, nearly six months prior to the release of the album. "Save Me" spent six weeks on the UK Singles Chart, peaking at number 11. It was the band's first single release of the 1980s.
"Fat Bottomed Girls" is a song by the British rock band Queen. Written by guitarist Brian May, the song appears on the band's seventh studio album Jazz (1978) and later on their compilation album Greatest Hits. When released as a single with "Bicycle Race", the song reached number 11 in the UK Singles Chart and number 24 in the Billboard Hot 100 in the US.
"Now I'm Here" is a song by English rock band Queen, released on their third studio album, Sheer Heart Attack (1974). Written by guitarist Brian May, the song is noted for its gritty guitar riffs and vocal harmonies. In the UK, the song reached #11 on the charts when released as a single in 1975. The song was a live favourite, performed at virtually every concert from late 1974 to 1986.
"Play the Game" is a song by British rock band Queen, written by Freddie Mercury. It is the first track on the first side of their 1980 album The Game. It also appears on their album Greatest Hits. The single was a hit in the UK, reaching No. 14 in the charts, and in the US, peaking at No. 42.
"Las Palabras de Amor (The Words of Love)" is a rock ballad by the British rock band Queen. It was released as the third single from their 1982 album Hot Space. It is sung mostly in English, but with several Spanish phrases. Written by guitarist Brian May, the song proved more popular in the United Kingdom than their previous single ("Body Language"), reaching No. 17 in the UK Singles Chart.
"Back Chat", written by the bass guitarist John Deacon, is the track most influenced by funk on the 1982 Queen album Hot Space. The song is a prime example of how Deacon was strongly pulling the band into dance orientated genres such as R&B, disco, and funk. It reached #40 on the UK Singles Chart, #18 in South Africa and a #19 entry in Ireland.
"It's a Hard Life" is a song by the British rock band Queen, written by lead singer Freddie Mercury. It was featured on their 1984 album The Works, and it was the third single from that album. In 1991 it was included in the band’s second compilation album Greatest Hits II.
"Staying Power" is the first track on Queen's 1982 album Hot Space. It was written by lead singer Freddie Mercury and is notable as being the only Queen song to have a horn section, which was arranged by Arif Mardin. The song is driven by a funk-styled bass riff beginning in D minor and modulating to E minor throughout the song. John Deacon does not play bass guitar on this song—instead playing rhythm guitar on a Fender Telecaster. Roger Taylor programmed a Linn LM-1 drum machine for the track. Brian May is on his Red Special. In a Stylus review of the album, critic Anthony Miccio described the song's style as "an electro-disco track with frenetic horns."
The Works is the eleventh studio album by the British rock band Queen. It was released on 27 February 1984 by EMI Records just shortly after recording for the album had been completed in the United Kingdom and it is the band's first studio album to be released by Capitol Records in the United States. After the synth-heavy Hot Space (1982), the album saw the re-emergence of Brian May and Roger Taylor's rock sound, while still incorporating the early 80s retro futuristic electronic music and New York funk scenes. Recorded at the Record Plant Studios in Los Angeles, California, and Musicland Studios in Munich, Germany, from August 1983 to January 1984, the album's title comes from a comment Taylor made as recording began – "Let's give them the works!".
The Hot Space Tour was the ninth headlining concert tour by the British rock band Queen in support of their 1982 album Hot Space. The tour started on the 9th of April in Gothenburg, Sweden and ended, after sixty-nine concerts, in Tokorozawa, Japan on the 3rd of November.
"Face It Alone" is a song by British rock band Queen. Written by Brian May, John Deacon, Roger Taylor and Freddie Mercury and produced by David Richards, Kris Fredriksson and Justin Shirley-Smith, recorded over thirty years prior to its eventual release, and originally thought "unsalvageable" by May and Taylor, it was released on 13 October 2022 as a single as part of promotion for The Miracle Collector's Edition box set, which itself was released on 18 November 2022.
