This article contains weasel words: vague phrasing that often accompanies biased or unverifiable information.(March 2009) |
Canon's series of L lenses (Luxury lenses) are a professional line of photography lenses made by Canon. Canon has sold zoom and prime L-series lenses for the discontinued FD lens mount, for the current EF lens mount used on all Canon EOS SLR cameras and for the RF mount used on mirrorless interchangeable-lens cameras.
Canon L series lenses have a distinctive red ring around the lens barrel and the letter "L" after the lens name. [1] Some models of L lenses utilize an infrared reflective heat shield coating. [2] Most L series lenses share a number of common characteristics not found in Canon's line of lower-end lenses: L lenses tend to be more durable, incorporating dust and water-resistant rubber seals on some models, as well as featuring optics of higher quality, with many lenses containing aspherically ground, fluorite or ultra-low dispersion glass elements. Their front elements do not rotate for the proper operation of some filters, such as circular polarizers. L lenses are often "fast", with maximum apertures commonly f/2.8 or f/4, and, with the exception of the RF 100–500 mm f/4.5–7.1L IS USM lens and the RF 1200 mm f/8L IS USM lens, never exceeding f/5.6. Prime L lenses have a much larger maximum aperture, such as Canon's current 50mm and 85mm L lenses with maximum apertures of f/1.2. All current L-series lenses have ultrasonic autofocus motors (USM) and extra communication pins, except for the specialist tilt-shift lenses which do not provide auto focus.
Larger sized L-lenses, such as the 70–200 mm, 100–400 mm zooms, and longer focal length primes (300 mm+), usually have an off-white barrel to reduce heat absorption under the sun that may otherwise affect the performance of the lens. [3]
Wide angle L-lenses typically have a gelatin filter holder on the mounting collar of the lens, which allows a gelatin to be installed behind the lens. Some telephoto L-lenses, such as the EF 70-200mm zoom lenses, or the EF 300mm f/4L IS USM do not have rear gelatin filter holders. Super-telephoto lenses such as the EF 500mm f/4L IS USM, or the EF 200mm f/2L IS USM have a rear 52mm drop-in filter holder which can be used to hold gelatin type filters.
According to Canon, its L series lenses:
Incorporating specialized optical materials such as synthetic fluorite, Super UD and UD glass, and large-aperture high-precision aspherical lenses, only lenses that perform to the highest photographic standards are allowed to bear the designation ‘L’. [1]
Name | Category | Min focal length mm | Max focal length mm | Max aperture at min focal length f/ | Max aperture at max focal length f/ | Weight g | USM | IS | Current product |
---|---|---|---|---|---|---|---|---|---|
8-15mm f/4L USM fisheye | Wide-angle | 8 | 15 | 4 | 4 | 540 | |||
11-24mm f/4L USM | Wide-angle | 11 | 24 | 4 | 4 | 1180 | |||
16-35mm f/2.8L USM | Wide-angle | 16 | 35 | 2.8 | 2.8 | 600 | |||
16-35mm f/2.8L II USM | Wide-angle | 16 | 35 | 2.8 | 2.8 | 640 | |||
16-35mm f/2.8L III USM | Wide-angle | 16 | 35 | 2.8 | 2.8 | 790 | |||
16-35mm f/4L IS USM | Wide-angle | 16 | 35 | 4 | 4 | 615 | |||
17-35mm f/2.8L USM | Wide-angle | 17 | 35 | 2.8 | 2.8 | 545 | |||
17-40mm f/4.0L USM | Wide-angle | 17 | 40 | 4 | 4 | 500 | |||
20-35mm f/2.8L | Wide-angle | 20 | 35 | 2.8 | 2.8 | 570 | |||
24-70mm f/2.8L USM | Standard | 24 | 70 | 2.8 | 2.8 | 950 | |||
24-70mm f/2.8L II USM | Standard | 24 | 70 | 2.8 | 2.8 | 805 | |||
24-70mm f/4L IS USM | Standard | 24 | 70 | 4 | 4 | 600 | |||
24-105mm f/4L IS USM | Standard | 24 | 105 | 4 | 4 | 670 | |||
24-105mm f/4L IS II USM | Standard | 24 | 105 | 4 | 4 | 795 | |||
28-70mm f/2.8L USM | Standard | 28 | 70 | 2.8 | 2.8 | 880 | |||
28-80mm f/2.8-4.0L USM | Standard | 28 | 80 | 2.8 | 4 | 945 | |||
28-300mm f/3.5-5.6L IS USM | Telephoto | 28 | 300 | 3.5 | 5.6 | 1670 | |||
35-350mm f/3.5-5.6L USM | Telephoto | 35 | 350 | 3.5 | 5.6 | 1385 | |||
50-200mm f/3.5-4.5L | Telephoto | 50 | 200 | 3.5 | 4.5 | 690 | |||
70-200mm f/4.0L USM | Telephoto | 70 | 200 | 4 | 4 | 705 | |||
70-200mm f/4.0L IS USM | Telephoto | 70 | 200 | 4 | 4 | 760 | |||
70-200mm f/4.0L IS II USM [4] | Telephoto | 70 | 200 | 4 | 4 | 780 | |||
70-200mm f/2.8L USM | Telephoto | 70 | 200 | 2.8 | 2.8 | 1310 | |||
70-200mm f/2.8L IS USM | Telephoto | 70 | 200 | 2.8 | 2.8 | 1470 | |||
70-200mm f/2.8L IS II USM | Telephoto | 70 | 200 | 2.8 | 2.8 | 1490 | |||
70-200mm f/2.8L IS III USM [5] | Telephoto | 70 | 200 | 2.8 | 2.8 | 1480 | |||
70-300mm f/4-5.6L IS USM | Telephoto | 70 | 300 | 4 | 5.6 | 1050 | |||
80-200mm f/2.8L | Telephoto | 80 | 200 | 2.8 | 2.8 | 1330 | |||
100-300mm f/5.6L | Telephoto | 100 | 300 | 5.6 | 5.6 | 695 | |||
100-400mm f/4.5-5.6L IS USM | Telephoto | 100 | 400 | 4.5 | 5.6 | 1590 | |||
100-400mm f/4.5-5.6L IS II USM | Telephoto | 100 | 400 | 4.5 | 5.6 | 1640 | |||
200-400mm f/4L IS USM 1.4x Extender | Telephoto | 200 | 400 | 4 | 4 | 3620 |
Name | Category | Focal length mm | Max aperture f/ | USM | IS | Current product |
---|---|---|---|---|---|---|
14mm f/2.8L USM | Wide-angle | 14 | 2.8 | |||
14mm f/2.8L II USM | Wide-angle | 14 | 2.8 | |||
24mm f/1.4L USM | Wide-angle | 24 | 1.4 | |||
24mm f/1.4L II USM | Wide-angle | 24 | 1.4 | |||
35mm f/1.4L USM | Wide-angle | 35 | 1.4 | |||
35mm f/1.4L II USM | Wide-angle | 35 | 1.4 | |||
50mm f/1.0L USM | Standard | 50 | 1 | |||
50mm f/1.2L USM | Standard | 50 | 1.2 | |||
85mm f/1.2L USM | Medium telephoto | 85 | 1.2 | |||
85mm f/1.2L II USM | Medium telephoto | 85 | 1.2 | |||
85mm f/1.4L IS USM | Medium telephoto | 85 | 1.4 | |||
135mm f/2.0L USM | Telephoto | 135 | 2 | |||
200mm f/1.8L USM | Telephoto | 200 | 1.8 | |||
200mm f/2.0L IS USM | Telephoto | 200 | 2 | |||
200mm f/2.8L USM | Telephoto | 200 | 2.8 | |||
200mm f/2.8L II USM | Telephoto | 200 | 2.8 | |||
300mm f/2.8L USM | Telephoto | 300 | 2.8 | |||
300mm f/2.8L IS USM | Telephoto | 300 | 2.8 | |||
300mm f/2.8L IS II USM | Telephoto | 300 | 2.8 | |||
300mm f/4.0L USM | Telephoto | 300 | 4 | |||
300mm f/4.0L IS USM | Telephoto | 300 | 4 | |||
400mm f/2.8L USM | Super-telephoto | 400 | 2.8 | |||
400mm f/2.8L II USM | Super-telephoto | 400 | 2.8 | |||
400mm f/2.8L IS USM | Super-telephoto | 400 | 2.8 | |||
400mm f/2.8L IS II USM | Super-telephoto | 400 | 2.8 | |||
400mm f/2.8L IS III USM | Super-telephoto | 400 | 2.8 | |||
400mm f/5.6L USM | Super-telephoto | 400 | 5.6 | |||
500mm f/4.5L USM | Super-telephoto | 500 | 4.5 | |||
500mm f/4.0L IS USM | Super-telephoto | 500 | 4 | |||
500mm f/4.0L IS II USM | Super-telephoto | 500 | 4 | |||
600mm f/4.0L USM | Super-telephoto | 600 | 4 | |||
600mm f/4.0L IS USM | Super-telephoto | 600 | 4 | |||
600mm f/4.0L IS II USM | Super-telephoto | 600 | 4 | |||
600mm f/4.0L IS III USM | Super-telephoto | 600 | 4 | |||
800mm f/5.6L IS USM | Super-telephoto | 800 | 5.6 | |||
1200mm f/5.6L USM | Super-telephoto | 1200 | 5.6 | |||
100mm f/2.8L Macro IS USM | Macro | 100 | 2.8 | |||
180mm f/3.5L Macro USM | Macro | 180 | 3.5 | |||
17mm f/4.0L Tilt-Shift | Tilt-shift | 17 | 4 | |||
24mm f/3.5L Tilt-Shift | Tilt-shift | 24 | 3.5 | |||
24mm f/3.5L II Tilt-Shift | Tilt-shift | 24 | 3.5 | |||
50mm f/2.8L MACRO Tilt-Shift | Tilt-shift | 50 | 2.8 | |||
90mm f/2.8L MACRO Tilt-Shift | Tilt-shift | 90 | 2.8 | |||
135mm f/4L MACRO Tilt-Shift | Tilt-shift | 135 | 4 |
Name | Category | Min focal length mm | Max focal length mm | Max aperture at min focal length f/ | Max aperture at max focal length f/ | USM | IS | Current product |
---|---|---|---|---|---|---|---|---|
10–20mm f/4 L IS STM | Wide-angle | 10 | 20 | 4 | 4 | |||
14–35 mm f/4L IS USM | Wide-angle | 14 | 35 | 4 | 4 | |||
15–35 mm f/2.8L IS USM | Wide-angle | 15 | 35 | 2.8 | 2.8 | |||
24–70 mm f/2.8L IS USM | Standard | 24 | 70 | 2.8 | 2.8 | |||
24–105 mm f/4L IS USM | Standard | 24 | 105 | 4 | 4 | |||
24–105mm f/2.8 L IS USM Z | Standard | 24 | 105 | 2.8 | 2.8 | |||
28–70 mm f/2L USM | Standard | 28 | 70 | 2 | 2 | |||
70–200 mm f/2.8L IS USM | Telephoto | 70 | 200 | 2.8 | 2.8 | |||
100-300 mm f/2.8L IS USM | Telephoto | 100 | 300 | 2.8 | 2.8 | |||
100–500 mm f/4.5–7.1L IS USM | Telephoto | 100 | 500 | 4.5 | 7.1 |
Name | Category | Focal length mm | Max aperture f/ | USM | IS | Current product |
---|---|---|---|---|---|---|
5.2 mm f/2.8L Dual Fisheye 3D VR | Wide-angle | 5.2 | 2.8 | |||
50 mm f/1.2L USM | Standard | 50 | 1.2 | |||
85 mm f/1.2L USM | Medium telephoto | 85 | 1.2 | |||
85 mm f/1.2L USM DS | Medium telephoto | 85 | 1.2 | |||
100 mm f/2.8L Macro IS USM | Macro | 100 | 2.8 | |||
400 mm f/2.8L IS USM | Super-telephoto | 400 | 2.8 | |||
600 mm f/4L IS USM | Super-telephoto | 600 | 4 | |||
800 mm f/5.6L IS USM | Super-telephoto | 800 | 5.6 | |||
1200 mm f/8L IS USM | Super-telephoto | 1200 | 8 |
The Canon PowerShot Pro1 is the first in the Canon PowerShot family of point-and-shoot cameras to have an L-designated zoom lens ranging from 7.2 to 50.8 mm, equal to 28 to 200 mm in 35mm equivalent focal length. Its maximum aperture changes from f/2.4 to f/3.5, with focus driven by an ultrasonic motor.
On the back of Canon lenses is a six-digit code, which indicates where the lens was manufactured and when.
Example of a code "UV1212"
The first letter, 'U', represents the factory that made the lens. Three possible first letters are:
U | = | Utsunomiya |
F | = | Fukushima |
O | = | Ōita |
The second letter, 'V', represents the year of manufacture
A | = | 1960, | 1986, | 2012 |
B | = | 1961, | 1987, | 2013 |
C | = | 1962, | 1988, | 2014 |
D | = | 1963, | 1989, | 2015 |
E | = | 1964, | 1990, | 2016 |
F | = | 1965, | 1991, | 2017 |
G | = | 1966, | 1992, | 2018 |
H | = | 1967, | 1993, | 2019 |
I | = | 1968, | 1994, | 2020 |
J | = | 1969, | 1995 | |
K | = | 1970, | 1996 | |
L | = | 1971, | 1997 | |
M | = | 1972, | 1998 | |
N | = | 1973, | 1999 | |
O | = | 1974, | 2000 | |
P | = | 1975, | 2001 | |
Q | = | 1976, | 2002 | |
R | = | 1977, | 2003 | |
S | = | 1978, | 2004 | |
T | = | 1979, | 2005 | |
U | = | 1980, | 2006 | |
V | = | 1981, | 2007 | |
W | = | 1982, | 2008 | |
X | = | 1983, | 2009 | |
Y | = | 1984, | 2010 | |
Z | = | 1985, | 2011 | |
The next two digits represent the month the lens was manufactured.
The last two digits are for internal Canon use.
Therefore, the example ( pictured ) of UV0512 means the lens was made in the Utsunomiya, Japan factory in May 2007.
The EF lens mount is the standard lens mount on the Canon EOS family of SLR film and digital cameras. EF stands for "Electro-Focus": automatic focusing on EF lenses is handled by a dedicated electric motor built into the lens. Mechanically, it is a bayonet-style mount, and all communication between camera and lens takes place through electrical contacts; there are no mechanical levers or plungers. The mount was first introduced in 1987.
The Canon FD lens mount is a physical standard for connecting a photographic lens to a 35mm single-lens reflex camera body. The standard was developed by Canon of Japan and was introduced in March 1971 with the Canon F-1 camera. It served as the Canon SLR interchangeable lens mounting system until the 1987 introduction of the Canon EOS series cameras, which use the newer EF lens mount. The FD mount lingered through the release of the 1990 Canon T60, the last camera introduced in the FD system, and the end of the Canon New F-1 product cycle in 1992.
The EF 70–200mm lenses are a group of telephoto zoom full-frame lenses made by Canon. The lenses have an EF mount to work with the EOS line of cameras.
The Canon EF 24–70mm lens is a family of professional EF mount wide-to-normal zoom lenses manufactured and sold by Canon. The first of the family, the EF 24–70mm f/2.8L, was introduced in 2002 to replace the well-regarded 28–70mm f/2.8L. Two later versions were announced in 2012. The first of these, the EF 24–70mm f/2.8L II, was announced by Canon in February, but would not ship to customers until September of that year. This lens replaced the Mk I, and had an MSRP of US$2299 when introduced. The latest member of the family is the EF 24–70mm f/4L IS USM, which became available in January 2013. The f/4 version, which is the first of the family to include image stabilization, was initially reported to be the standard kit lens for the Canon EOS 6D, but did not appear in 6D kits in most markets until late 2014, and 5D Mark IV kit in 2016.
The EF 16–35 mm lens is a family of professional wide-angle lenses made by Canon Inc. The original version, the EF 16-35mm f/2.8L USM, replaced the EF 17-35mm f/2.8L USM lens, which had itself replaced the EF 20-35mm f/2.8L lens.
The EF 17–40mm f/4L USM lens is a wide-angle lens made by Canon Inc. The lens has an EF mount to work with the EOS line of cameras. Other than the front element, it is sealed against dust and water, and features a diaphragm which remains nearly circular from f/4 to f/8. It is one of the few Canon photo lenses that are parfocal.
The EF 1200 mm f/5.6 L USM is a super-telephoto prime lens that was made by Canon Inc. It uses an EF mount, and is compatible with the Canon EOS camera range. It has a focal length of 1200 mm and so on a digital body with a sensor size of 22.5 mm × 15 mm, such as a Canon EOS 40D or 450D, it provides a 35 mm field of view equivalent to that of a 1920 mm lens. With a body with a sensor size of 28.8 mm × 19.2 mm, such as a Canon EOS-1D Mark IV, the field of view is equivalent to that of a 1560 mm lens.
The Canon EF 35mm lenses are a family of wide angle prime lenses with EF mount made by Canon Inc. The family also includes one EF-S lens that only mounts on Canon bodies with APS-C sensors.
The EF 80–200mm lens is a discontinued telephoto zoom lens made by Canon. The lens has an EF lens mount that fits the EOS line of cameras.
The Canon EF-S 10–22mm f/3.5–4.5 USM lens is a wide to ultra-wide angle zoom lens for Canon digital single-lens reflex cameras with a Canon EF-S lens mount. The field of view has a 35 mm equivalent focal length of 16–35mm, which is analogous to the EF 16–35mm f/2.8L on a full-frame camera. The 10–22mm is an internal focusing lens. Of the 13 elements, one is of Canon's Super Ultra-Low Dispersion glass and three are aspherical elements.
The EF 85mm lenses are a group of medium telephoto prime lenses made by Canon Inc. that share the same focal length. These lenses have an EF type mount that fits the Canon EOS line of cameras.
The EF 24–105mm f/4L IS USM is an EF mount wide-to-telephoto zoom lens. It was introduced by Canon in 2005 to complement the well-regarded 17–40mm f/4L USM and 70–200mm f/4L USM.
The EF 100–400 mm f/4.5–5.6L IS USM is a professional EF mount telephoto zoom lens manufactured by Canon Inc. The first version of this lens was announced in September 1998, and an updated version was announced in November 2014. It is a high performance telephoto lens most often used for sports and wildlife photography.
The Canon EF-S 17–55mm f/2.8 IS USM is a standard zoom lens for Canon digital single-lens reflex cameras with an EF-S lens mount. The field of view has a 35 mm equivalent focal length of 27–88mm.
The EF 500mm lenses are a group of super-telephoto prime lenses made by Canon that share the same focal length.
The EF 28–80mm f/3.5–5.6 is a zoom lens produced by Canon Inc. for their series of EOS single-lens reflex cameras. Canon produced eight iterations of the lens from 1989 to 1999.
The EF 200mm USM lens is an L-series prime telephoto lens made by Canon Inc. for the EOS line of cameras. Four 200 mm primes were made: f/1.8, two f/2.8, and the most recent f/2.0.
The EF 70–300mm lenses are a series of telephoto zoom lenses made by Canon Inc. They have a Canon EF lens mount to work with the EOS line of cameras.
The EF 200–400 mm f/4L IS USM Extender 1.4× is an EF mount super telephoto zoom lens produced by Canon. It is part of the professional L-series and functions with the Canon EOS line of cameras. The EF 200–400 mm lens features an ultrasonic motor, image stabilization and weather sealing. It is the first and only EF lens with a built-in extender.
The Canon RF lens mount is an interchangeable-lens mount developed by Canon for its full-frame mirrorless interchangeable-lens cameras, and featured first by the EOS R, followed by the EOS RP. The RF mount was announced in September 2018. In May 2022, Canon announced APS-C EOS R cameras and RF-S lenses designed for these cameras.
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