Capoeira is a Afro-Brazilian martial art and game that includes elements of dance, acrobatics, music and spirituality.
The berimbau is a traditional Angolan musical bow that is commonly used in Brazil. It is also known as sekitulege among the Baganda and Busoga.
Manuel dos Reis Machado, commonly called Mestre Bimba, was a Brazilian capoeira mestre and the founder of the capoeira regional style. Bimba was one of the best capoeiristas of his time, undefeated in numerous public challenges against fighters from various martial arts.
Vicente Ferreira Pastinha, known as Mestre Pastinha, was a mestre of the Afro-Brazilian martial art capoeira and a codifier of the traditional capoeira Angola style.
Capoeira music is the traditional musical accompaniment used in Afro-Brazilian art capoeira, featuring instruments like berimbau, pandeiro, atabaque, agogô, and reco-reco. The music plays a crucial role in capoeira roda, setting the style the energy of a game.
Capoeira de Angola or simply angola is the traditional style of capoeira, the Afro-Brazilian martial art. A newer style, based on the reform of capoeira Angola, is called regional.
Roda is the circular formation within which participants perform in any of several African and Afro-Brazilian dance art forms, such as engolo, capoeira, maculelê and samba de roda. By extension, the whole event may be called a roda.
In the game of capoeira, toques are the rhythms played on the berimbau. Many toques are associated with a specific game, although organizations differ on how to play each toque. Capoeira toques have their roots in African rhythmic music, which was modified and further developed among the slaves of Brazil.
Grupo Capoeira Brasil is an organization that practices, teaches, and demonstrates the Afro-Brazilian martial art of Capoeira. Grupo Capoeira Brasil practices a style of Capoeira known as Capoeira Regional Contemporânea. This style is derived from movements and sequences developed and systematized by Mestre Bimba's Luta Regional Baiana, the adapted techniques of Grupo Senzala, as well as influences from the founding Mestres of Grupo Capoeira Brasil, each of whom brought personal contributions specific to their ideology, stylistic methodology and personality.
Cabeçada is a headbutt in capoeira. It is a commonly used strike and one of the fundamental techniques in traditional capoeira.
The ginga is the fundamental footwork of capoeira. It is a sidestep that can be a prance or a shuffle and it sets the rhythm of the game. The ginga embodies the extraordinary cunning of capoeira, which is its fundamental characteristic.
Batuque (drumming) was a general term for various Afro-Brazilian practices in the 19th century, including music, dance, combat game and religion.
N'golo is a traditional Bantu martial art and game from Angola, that combines elements of combat and dance, performed in a circle accompanied by music and singing. It is known as the forerunner of capoeira.
The Associação Brasileira de Apoio e Desenvolvimento da Arte-Capoeira (ABADÁ-Capoeira), in English translated as "The Brazilian Association for the Support and Development of the Art of Capoeira", is a nonprofit organization whose purpose is to spread and support Brazilian culture through the practice of capoeira. Founded in 1988 by Mestre Camisa, José Tadeu Carneiro Cardoso, ABADÁ is based in Rio de Janeiro, Brazil. It is one of the largest capoeira organizations in the world with over 41,000 members representing schools throughout every state of Brazil as well as 30 different countries. ABADÁ is distinguished from other capoeira organizations by its worldwide growth as well as its style, standards, and philosophy.
José Tadeu Carneiro Cardoso, also known as Mestre Camisa, is a Capoeira master, most known for creating the organization ABADÁ-Capoeira. ABADÁ-Capoeira was founded in 1988, and ever since, Camisa has been at the head of many important philanthropy and martial arts movements all over the world.
Agenor Moreira Sampaio, commonly known as Mestre Sinhozinho (1891–1962), was a mestre or master practitioner of the Afro-Brazilian martial art of capoeira. He was the main exponent of the fighting-oriented style known as capoeira carioca.
The history of capoeira explores the origins and development of capoeira, the Brazilian martial art, that combines elements of dance, acrobatics, and music.
Waldemar Rodrigues da Paixão, known as Mestre Waldemar, was a Brazilian capoeira mestre and musician from the state of Bahia. He is considered one of the most artistic and skillful capoeira Angola players of his time.
Capoeira carioca was a street fighting version of capoeira that existed in Rio de Janeiro during the 19th century. In capoeira carioca, all available means were used, including various types of weapons, such as knives, straight razors, clubs and machetes. Capoeira from this period is also known as capoeiragem.
Queixada is a crescent kick in capoeira, like the inverse of a meia lua de frente.
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