Meia lua de frente | |
---|---|
Name | Meia lua de frente |
Meaning | front crescent |
AKA | meia lua |
Type | kick |
Parent style | capoeira Angola |
Parent technique | engolo okupayeka kick |
Child technique(s) | armada, queixada |
Escapes | esquiva, negativa |
Counters | rabo de arraia, rasteira |
Meia lua [1] (crescent) or Meia lua de frente (front crescent) is one of the few principal kicks in capoeira. [2] The kicking leg moves in the form of an arc before returning to its original position. [3]
Meia lua is considered one of the first capoeira kicks to learn. It is the foundation for others crescent kicks in capoeira, such as armada or meia-lua de costas (back crescent) or queixada, which is like the inverse of a meia lua de frente. [4]
Front crescent (or outside crescent) kick is seen in various martial arts. Meia lua is widely used in African martial art engolo, the forerunner of capoeira.
The meia lua (crescent) gets its name from the semicircle motion the leg performs when the player executes it. [1]
Front crescent kick (okupayeka [5] ) is one of the basic kicks in engolo, an Angolan martial art considered the ancestor of capoeira. There are numerous variations of the crescent kick in engolo: [6]
In engolo, the kicking leg can be extended fully or partially bent (which is considered incorrect in capoeira). [6]
According to Desch-Obi, some engolo kicks was likely developed by Bantu shamans in Angola. [7] Among the Pende shamans, the most important movement was the front crescent kick, the same as in engolo. [5] During the ritual, masked shaman kicked over sacred medicine to activate it and over the kneeling people to heal them. [5]
When doing crescent kick in capoeira, the kicking leg is straight and the hips are pushed forward. [8] This kick uses the hips to generate force and to propel the leg forward. [8] The technique is similar to extending the leg over a chair. [3]
Meia lua usually aims to bring the foot of the kicking leg across the opponent's face. Depending on the opponent's position, this kick can be delivered to various regions of the body, often to the opponent's face height. [1] The kick should be finished when it reaches a point directly in front of the kicker. [8]
While it can be used as an attack itself, it is also used as a poke or trap for another attack. Meia lua is a good kick to feel out the opponent’s style. Because it is usually low and frontal it doesn’t open the player to sweeps or counterattacks. [8]
Other uses for meia lua can be as a combination with cartwheels and other acrobatic moves, working as an escape.
Defense can be applied in various ways, usually by moving away and quickly lowering the body. From that position it is possible to deliver a rabo de arraia to the attacker by swiftly rotating the body, or even use chapa de costas . [1]
The defender could also move away and, quickly descending, tried to take down the attacker with a sweep ( rasteira ). [1]
Capoeira is an Afro-Brazilian martial art and game that includes elements of dance, acrobatics, music and spirituality.
Capoeira de Angola or simply angola is the traditional style of capoeira, the Afro-Brazilian martial art. A newer style, based on the reform of capoeira Angola, is called regional.
Aú batido is a traditional capoeira cartwheel kick, known under various names in breakdancing, MMA and other disciplines.
Cabeçada is a headbutt in capoeira. It is a commonly used strike and one of the fundamental techniques in traditional capoeira.
The ginga is the fundamental footwork of capoeira. It is a sidestep that can be a prance or a shuffle and it sets the rhythm of the game. The ginga embodies the extraordinary cunning of capoeira, which is its fundamental characteristic.
N'golo is a traditional Bantu martial art and game from Angola, that combines elements of combat and dance, performed in a circle accompanied by music and singing. It is known as the forerunner of capoeira.
Rabo de arraia or meia-lua de compasso is a distinct technique found in the martial arts of engolo and capoeira, that combines an evasive maneuver with a reverse kick.
The history of capoeira explores the origins and development of capoeira, the Brazilian martial art, that combines elements of dance, acrobatics, and music.
Rabo de arraia is a parent technique in capoeira for inverted kicks over the head, resembling the stingray's strike. This parent term includes following major techniques:
In capoeira, escorpião (scorpion), originally known as rabo de arraia, is a distinct inverted kick over the head, resembling the stingray's or scorpion strike.
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The Danmyé or Ladja is a martial art from Martinique that is similar to Brazilian capoeira and to other arts in various Caribbean islands.
Chapa de frente or bênção (blessing) is a front push kick with the sole of the foot. In some variants, bênção can be done with the heel in the chest.
Rasteira is a foot sweep technique in capoeira, which usually counters high kicks. It is one of the fundamental techniques in traditional capoeira.
Chapa de costas is a back push kick in capoeira, and one of the few principal capoeira's kicks. It is also basic kick in African martial art engolo, the forerunner of capoeira.
Jogo de dentro or jogo de baixo is style of playing capoeira on the ground, involving low movements, with capoeiristas supporting themselves with their feet and hands only. The body should not touch the ground in this modality.
Aú is the capoeira term for a cartwheel. The purpose of the "aú" in capoeira includes mobility, offense and evasion. The aú has similarity to handstand in capoeira (bananeira), but it differs because the body rotates laterally with an energetic impulse.
Armada (armed) or meia lua de costas is a back crescent kick in capoeira. It is a very quick 360° spin kick delivered with the outside edge of the kicking foot.
Queixada is a crescent kick in capoeira, like the inverse of a meia lua de frente.