Dottie West was an American country singer and songwriter. She also had several credits as an actress. A distinguished figure in the country genre, West was among several people who helped to elevate the platform of female country artists. She was also known for mentoring up-and-coming artists and being the first woman to win a country music accolade from the Grammy Awards.
"Country Sunshine" is a song co-written and recorded by American country music artist Dottie West. It was both a Coca-Cola ad jingle and a single. The song was co-written by West, along with Billy Davis and Dianne Whiles. Its popularity as a commercial jingle led to its single release by RCA Victor in 1973. The single became among West's commercially-successful releases, reaching the top ten of the US and Canadian country charts. It also made positions on other genre charts in both countries. "Country Sunshine" has since been considered among West's most well-known recordings.
Suffer Time is a studio album by American country music artist Dottie West. It was released in July 1966 on RCA Victor Records and was produced by Chet Atkins. It was West's third studio album as a music artist and was her first concept album in her career. The record's concept focused on themes related to heartbreak and lost love. It included new compositions and cover versions of other recordings. These recordings included four singles, including the top ten hit "Would You Hold It Against Me". Suffer Time would become one of West's most successful and highest-selling albums in her career.
With All My Heart and Soul is a studio album by American country music artist Dottie West. It was released in January 1967 on RCA Victor Records and was produced by Chet Atkins. It was West's fourth studio album as a recording artist after having her first major hit in 1964. The album included 12 tracks, including the single "Paper Mansions". The song became a top ten hit on the Billboard country chart following its release. The album itself would also chart on a similar Billboard country albums survey.
Dottie West Sings Sacred Ballads is a studio album by American country music artist Dottie West. It was released in July 1967 on RCA Victor Records and was produced by Chet Atkins. The album was West's sixth studio effort and only gospel music collection to be released during her career. The album did not spawn any singles nor did it reach positions on any national publication charts.
Country Sunshine is a studio album by American country music artist Dottie West. It was released in November 1973 on RCA Victor Records. The album's ten tracks were produced by Billy Davis. Her 21st studio recording, Country Sunshine was released following the success of the title track. The song became a major hit after first being part of a Coca-Cola commercial. The album itself would reach major positions on national publication charts following its release.
I'll Help You Forget Her is a studio album by American country music artist Dottie West. It was released in November 1967 on RCA Victor and was produced by Chet Atkins. West's seventh studio effort, I'll Help You Forget Her was also her fourth studio offering in 1967. It included the single "Like a Fool", which became a major hit. The album itself would reach peak positions on national publication charts.
What I'm Cut Out to Be is a studio album by American country music artist Dottie West featuring the title song written by Red Lane. It was released in March 1968 on RCA Victor Records and was produced by Chet Atkins. It was West's eighth studio recording issued during her career. The album was a collection of new recordings and cover versions. The album did however reach peak positions on national publication charts at the time of its release.
Country Girl is a studio album by American country music artist Dottie West. It was released in August 1968 on RCA Victor Records and was produced by Chet Atkins. The project was West's ninth studio album and second to be released in 1968. The album consisted of 12 tracks, which contained new recordings and cover versions. The album's title track became a major hit in 1968 and would later be a signature song for West.
Feminine Fancy is a studio album by American country music artist Dottie West. It was released in December 1968 and was produced by Chet Atkins. The album was West's tenth studio recording and third to be released in 1968. It was the third album of West's career to not include any singles. Most of the album's 12 tracks were cover versions of country and pop hits of the era.
Dottie and Don is a studio album by American country music artists Don Gibson and Dottie West. It was released in March 1969 on RCA Victor Records and was produced by Chet Atkins and Danny Davis. The album was a collection of duet recordings between Gibson and West. It was both artists first album of duets to be recorded. Among the songs from the project, "Rings of Gold" became a major hit in 1969.
Makin' Memories is a studio album by American country music artist Dottie West. It was released in December 1969 on RCA Victor Records and was produced by Danny Davis. Her thirteenth studio album, Makin' Memories was also her third to be released in 1969. The album included three singles that became minor hits on the national music publication charts.
Country and West is a studio album by American country music artist Dottie West. It was released in May 1970 on RCA Victor Records and was produced by Danny Davis. Her fourteenth studio album, Country and West spawned one single that became a minor hit on the national publication charts in 1970. It was also one of three studio albums West would release in 1970.
Forever Yours is a studio album by American country music artist Dottie West. It was released in October 1970 on RCA Victor Records and was produced by Jerry Bradley. The album was West's fifteenth studio recording issued in her music career. It was also her second studio record released in 1970. The album contained ten tracks, notably the title track, which became a top forty hit single in 1970. The album would also reach peak positions on national music charts.
I'm Only a Woman is a studio album by American country music artist Dottie West. It was released in May 1972 on RCA Victor Records and was produced by Jerry Bradley. The project was West's nineteenth studio album. Among the album's ten tracks were two charting singles issued between 1971 and 1972. It was West's only studio release issued in 1972 and third studio album not receive a Billboard chart placement.
House of Love is a studio album by American country music artist Dottie West. It was released in May 1974 on RCA Victor Records and was produced by Billy Davis. It was West's 22nd studio recording in her music career and contained ten tracks. Among its singles was the song "Last Time I Saw", which became a top ten hit in 1974.
If It's All Right with You/Just What I've Been Looking For is a studio album by American country music artist Dottie West. It was released in May 1973 on RCA Victor Records and was produced by Jerry Bradley. The project was West's 20th studio recording in her music career. It consisted of ten tracks, two of which became minor hits on the country charts in 1973. The album's contemporary sound helped modernize West's music, bringing the album to chart on the Billboard country albums survey in 1973.
Dottie Sings Eddy is a studio album by American country music artist Dottie West. It was released in March 1969 on RCA Victor Records. The album was co-produced by Chet Atkins and Danny Davis. The project was a tribute to country artist, Eddy Arnold, whom West considered an inspiration in her career. West covered 11 tracks that were originally recorded by Arnold throughout his career.
Careless Hands is a studio album by American country music artist Dottie West. It was released in March 1971 on RCA Victor Records and was produced by Jerry Bradley. It was West's seventeenth studio recording issued during her career and contained a collection of ten tracks. The album's only single spawned was the title track.
"House of Love" is a song written by Kenny O'Dell, and recorded by American country music artist Dottie West. It was released in June 1974 as the second single and title track from the album House of Love. The song reached the top 40 of the US country chart. It was given positive reviews following its release.
