Here Comes My Baby | ||||
---|---|---|---|---|
Studio album by | ||||
Released | June 1965 | |||
Recorded | 1963–1965 | |||
Studio | RCA Studio B (Nashville, Tennessee) | |||
Genre | ||||
Label | RCA Victor | |||
Producer | Chet Atkins | |||
Dottie West chronology | ||||
| ||||
Singles from Here Comes My Baby | ||||
|
Here Comes My Baby is a studio album by American country music artist Dottie West. It was released in June 1965 on RCA Victor Records and was produced by Chet Atkins. It was West's debut studio album as a recording artist and was issued following the success of the title track in 1964. The latter song won a Grammy Award in early 1965 which prompted the issue of the album. Here Comes My Baby would start a series of studio recordings West would release for RCA.
Here Comes My Baby was recorded in several studio sessions between 1963 and 1965. They were held at the RCA Victor Studio located in Nashville, Tennessee. [2] Chet Atkins served as the album's producer and would remain in collaboration with West throughout the 1960s. Atkins had recently signed her to RCA following Jim Reeves' recommendation. [3] Reeves had recorded a song by West that became a hit in 1963. Atkins was impressed by West's own singing, signing her to the roster and first recorded her voice in February 1963. In those first sessions, West recorded a cover of Willie Nelson's "Touch Me", which appears on "side two" of the record. Another album track from the early sessions is the song "Didn't I". The original version went unreleased until it was re-recorded several months later. [2]
Here Comes My Baby consisted of 12 tracks. Five of the album's tracks were written or co-written by West. Her husband, Bill West, co-wrote tracks with her and also played steel guitar on the recording sessions. [2] The album also included cover versions of songs previously recorded by other artists. Among these songs is another Willie Nelson tune entitled "Night Life". The song would later be cut by Ray Price before West's version appeared as the album's second track on "side one" of the LP. The sixth track on side A was a cover of Hank Williams' "No One Will Ever Know". Also included is a song written by Roy Acuff called "All the World Is Lonely Now". [2]
Although signed to the RCA Victor label in 1963, the label did not release Here Comes My Baby until 1965. West's first RCA single to become a hit was a duet with Jim Reeves. However, the song did not appear on this album. [2] The first single released for the album's preparation was "Touch Me" in April 1963. The song did not chart any major recording publications, delaying the album's release date. [4] The title track was the song that prompted the LP's release. [2] Issued as a single in June 1964, [4] the song spent 15 weeks on the Billboard Hot Country Singles chart before peaking at number ten in September. [5] The title track became West's first major hit as a solo artist and won her the first Grammy Award to be given to a female country recording artist. [3] Following its success, a second single was issued. The self-penned, "Didn't I" was released in November 1964 and charted through 1965. [4] Spending eight weeks charting, the single reached number 32 on the Billboard country survey, becoming a minor hit. [6]
Here Comes My Baby was eventually released in June 1965 on the RCA Victor label, becoming her debut LP as a recording artist. [2] The album was issued first as a vinyl LP with six songs included on side one and side two. [2] In 2010, the album was released to digital retailers and the track listing remained the same as the 1965 original. [7] It was later released in 2016 as part of a compilation. This compilation combined Here Comes My Baby and Dottie West Sings (her second LP) together in one track listing. [8] In its initial release, Here Comes My Baby peaked at number 12 on the Billboard Top Country Albums chart in July 1965, spending 12 weeks on the list overall. [9] Here Comes My Baby received a positive response upon its initial release in 1965. Writers for Billboard gave it a positive reception in their 1965 issue. "This is a beautifully produced package, with the enchantress' voice showcased tasteful instrumental and choral arrangements," staff writers commented. [10]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Here Comes My Baby" |
| 2:31 |
2. | "Night Life" |
| 2:18 |
3. | "That's Where Our Love Must Be" | D. West | 2:38 |
4. | "In Its Own Little Way" |
| 2:19 |
5. | "Take Me as I Am (Or Let Me Go)" | Boudleaux Bryant | 2:51 |
6. | "No One Will Ever Know" |
| 2:44 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Didn't I" | D. West | 2:42 |
2. | "Mama, Kiss the Hurt Away" |
| 2:50 |
3. | "Touch Me" | Nelson | 2:29 |
4. | "Mama, You'd Have Been Proud of Me" | Hank Cochran | 2:47 |
5. | "I Dreamed of an Old Affair" |
| 2:39 |
6. | "All the World Is Lonely Now" |
| 2:22 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Here Comes My Baby" |
| 2:31 |
2. | "Night Life" |
| 2:18 |
3. | "That's Where Our Love Must Be" | D. West | 2:38 |
4. | "In Its Own Little Way" |
| 2:19 |
5. | "Take Me as I Am (Or Let Me Go)" | Bryant | 2:51 |
6. | "No One Will Ever Know" |
| 2:44 |
7. | "Didn't I" | D. West | 2:42 |
8. | "Mama, Kiss the Hurt Away" |
| 2:50 |
9. | "Touch Me" | Nelson | 2:29 |
10. | "Mama, You'd Have Been Proud of Me" | Cochran | 2:47 |
11. | "I Dreamed of an Old Affair" |
| 2:39 |
12. | "All the World Is Lonely Now" |
| 2:22 |
All credits are adapted from the liner notes of Here Comes My Baby. [2]
Musical personnel
Technical personnel
Chart (1965) | Peak position |
---|---|
US Top Country Albums (Billboard) [11] | 12 |
Region | Date | Format | Label | Ref. |
---|---|---|---|---|
United States | July 1965 | Vinyl | RCA Victor | [2] |
2010 | Music download | LMG | [7] | |
"Here Comes My Baby" is a song co-written and recorded by American country music artist Dottie West. It was released in June 1964 as the first single and title track from the album Here Comes My Baby. West wrote the song with her then-husband Bill.
Suffer Time is a studio album by American country music artist Dottie West. It was released in July 1966 on RCA Victor Records and was produced by Chet Atkins. It was West's third studio album as a music artist and was her first concept album in her career. The record's concept focused on themes related to heartbreak and lost love. It included new compositions and cover versions of other recordings. These recordings included four singles, including the top ten hit "Would You Hold It Against Me". Suffer Time would become one of West's most successful and highest-selling albums in her career.
With All My Heart and Soul is a studio album by American country music artist Dottie West. It was released in January 1967 on RCA Victor Records and was produced by Chet Atkins. It was West's fourth studio album as a recording artist after having her first major hit in 1964. The album included 12 tracks, including the single "Paper Mansions". The song became a top ten hit on the Billboard country chart following its release. The album itself would also chart on a similar Billboard country albums survey.
Dottie West Sings Sacred Ballads is a studio album by American country music artist Dottie West. It was released in July 1967 on RCA Victor Records and was produced by Chet Atkins. The album was West's sixth studio effort and only gospel music collection to be released during her career. The album did not spawn any singles nor did it reach positions on any national publication charts.
Country Sunshine is a studio album by American country music artist Dottie West. It was released in November 1973 on RCA Victor Records. The album's ten tracks were produced by Billy Davis. Her 21st studio recording, Country Sunshine was released following the success of the title track. The song became a major hit after first being part of a Coca-Cola commercial. The album itself would reach major positions on national publication charts following its release.
When It's Just You and Me is a studio album by American country artist Dottie West. It was released in July 1977 via United Artists Records and contained 11 tracks. It was the 24th studio album in West's career and her first for the United Artists label. Of its 11 songs, four of them were spawned as singles: the title track, "Every Word I Write", "Tonight You Belong to Me" and "That's All I Wanted to Know". The title track reached the top 20 on the US and Canadian country singles charts. The album was reviewed positively by Billboard magazine following its original release.
Dottie West Sings is a studio album by American country music artist Dottie West. It was released in December 1965 on RCA Victor Records and was produced by Chet Atkins. The album was West's second studio album to be released as a recording artist. The record included several songs composed by West and other writers. It also included two singles that became top 40 hits on the Billboard country chart in 1965.
I'll Help You Forget Her is a studio album by American country music artist Dottie West. It was released in November 1967 on RCA Victor and was produced by Chet Atkins. West's seventh studio effort, I'll Help You Forget Her was also her fourth studio offering in 1967. It included the single "Like a Fool", which became a major hit. The album itself would reach peak positions on national publication charts.
What I'm Cut Out to Be is a studio album by American country music artist Dottie West featuring the title song written by Red Lane. It was released in March 1968 on RCA Victor Records and was produced by Chet Atkins. It was West's eighth studio recording issued during her career. The album was a collection of new recordings and cover versions. The album did however reach peak positions on national publication charts at the time of its release.
Country Girl is a studio album by American country music artist Dottie West. It was released in August 1968 on RCA Victor Records and was produced by Chet Atkins. The project was West's ninth studio album and second to be released in 1968. The album consisted of 12 tracks, which contained new recordings and cover versions. The album's title track became a major hit in 1968 and would later be a signature song for West.
Feminine Fancy is a studio album by American country music artist Dottie West. It was released in December 1968 and was produced by Chet Atkins. The album was West's tenth studio recording and third to be released in 1968. It was the third album of West's career to not include any singles. Most of the album's 12 tracks were cover versions of country and pop hits of the era.
Dottie and Don is a studio album by American country music artists Don Gibson and Dottie West. It was released in March 1969 on RCA Victor Records and was produced by Chet Atkins and Danny Davis. The album was a collection of duet recordings between Gibson and West. It was both artists first album of duets to be recorded. Among the songs from the project, "Rings of Gold" became a major hit in 1969.
Makin' Memories is a studio album by American country music artist Dottie West. It was released in December 1969 on RCA Victor Records and was produced by Danny Davis. Her thirteenth studio album, Makin' Memories was also her third to be released in 1969. The album included three singles that became minor hits on the national music publication charts.
Forever Yours is a studio album by American country music artist Dottie West. It was released in October 1970 on RCA Victor Records and was produced by Jerry Bradley. The album was West's fifteenth studio recording issued in her music career. It was also her second studio record released in 1970. The album contained ten tracks, notably the title track, which became a top forty hit single in 1970. The album would also reach peak positions on national music charts.
The Sound of Country Music is a studio album by American country music artist Dottie West and her band, "The Heartaches". It was released in February 1967 on RCA Camden Records. The sessions were co-produced by Chet Atkins and Ethel Gabriel. The project was West's fifth studio effort and first for the RCA Camden label. The album did not produce any singles nor reach peak positions on national charts. It was instead a collection of cover songs previously recorded by others.
The albums discography of American country artist Dottie West contains 28 studio albums as a solo artist, five studio albums as a collaborative artist, 18 compilation albums and additional album appearance. Among West's studio releases were five collaborative albums with various artists, including Kenny Rogers. After signing with RCA Victor Records in 1963, West released her debut studio album Here Comes My Baby (1965). The album peaked at number 12 on the Billboard Top Country Albums chart in July 1965. West's third studio album Suffer Time (1966) spawned four singles, including "Would You Hold It Against Me", a top 5 hit on the Billboard Hot Country Songs chart. Suffer Time would reach number 3 on the country albums chart, West's highest-charting solo album. Between 1967 and 1968, West released 5 more studio albums. With All My Heart and Soul (1967) featured the top 10 hit "Paper Mansions" and the album itself peaked at number 8 on the Top Country Albums list. In 1969, she paired with Don Gibson for her first collaborative project Dottie and Don. The album featured the pair's number 2 Billboard country hit "Rings of Gold". In 1970, she collaborated with Jimmy Dean on the studio release Country Boy and Country Girl. In 1973, West had her biggest hit with the single "Country Sunshine". Its corresponding album of the same name peaked at number 17 on the country album chart in February 1974.
Dottie Sings Eddy is a studio album by American country music artist Dottie West. It was released in March 1969 on RCA Victor Records. The album was co-produced by Chet Atkins and Danny Davis. The project was a tribute to country artist, Eddy Arnold, whom West considered an inspiration in her career. West covered 11 tracks that were originally recorded by Arnold throughout his career.
"Gettin' Married Has Made Us Strangers" is a song written by Gary Geld and Pete Udell, and recorded by American country music artist Dottie West. It was released in March 1965 as the first single from the album Dottie West Sings. The song became a top 30 chart single on the US country music chart.
"Before the Ring on Your Finger Turns Green" is a song written by Felice and Boudleaux Bryant, and recorded by American country music artist Dottie West. It was released in November 1965 as the first single from the album Suffer Time. The song became a top 40 chart single on the US country music chart.
"Mommy, Can I Still Call Him Daddy" is a song by American country music artist Dottie West. It was released as in July 1966 as the third single from the album Suffer Time The song, written by West and her then-husband Bill West, became a top 40 chart single on the US country music chart and featured West's son Dale singing on the chorus.