| Cassette Store Day | |
|---|---|
 | |
| Observed by | Record shops Audiophiles Musicians Record labels |
| Type | Cultural, commercial |
| Celebrations | Live performances, special music releases |
| Frequency | annual |
Cassette Store Day is an international, annual observance intended to recognise the value of Compact Cassettes as a music format. Cassette Store Day was first held in 2013. The celebration was inspired by Record Store Day, which acknowledges the importance of record stores and the vinyl music format.
Cassette Store Day was conceived by a group of record labels based in the UK. In a blog post for NME , BBC Radio 1 DJ Jen Long explained that she collaborated with Steven Rose of Sexbeat Records and Matt Flag of Suplex Cassettes to establish the observance. According to Long, although Cassette Store Day was inspired by Record Store Day, the intention of Cassette Store Day is focused on celebrating cassettes rather than supporting shops—whereas the latter is the main goal of RSD. [1] The first Cassette Store Day was observed on 7 September 2013. More than twenty-eight shops, including Rough Trade in London, participated by stocking special limited-edition cassettes. [2] Some stores also hosted live performances. [3]
Cassette Store Day 2013 releases were led by the labels Sexbeat, Kissability, and Suplex Cassettes. New releases for Cassette Store Day 2013 included albums by Fucked Up and Fair Ohs, as well as cassettes reissues of material by artists including The Flaming Lips, At the Drive-In, and Haim. [2] Despite a major decline in popularity after the introduction of compact discs, cassette sales are slowly increasing along with sales of other analogue formats. [4] [5]
In June 2014, Cassette Store Day confirmed that the observance would continue into a second year. Despite continually unsteady cassette sales in recent years, founder Steve Rose expressed confidence in the cassette tape's "currentness" in the "DIY and underground scenes due to its affordability and ease". [6] By 2016, shops in the US and UK were joined by participants in Australia, New Zealand, Germany, France, and Japan. [7] [8] Entering its seventh year in 2019, International Cassette Store Day is now managed in collaboration by Blak Hand Records (UK), Burger Records (USA) and Side-B Creations (Japan). [9]
Founder Steve Rose did not anticipate resounding success for Cassette Store Day. However, he has predicted that the inexpensive and easy manufacturing of cassettes will help to steadily encourage their reintroduction. [10] On the other hand, Bobby Owsinski wrote in Forbes that cassettes were too dilapidated to see the same resurgence as vinyl records. [11]
Writing for Washington City Paper , Sean Gray expressed reservations about Cassette Store Day and Record Store Day. Gray observes that as cassettes and records become more popular, prices may rise to exorbitant rates, making it difficult for collectors to enjoy the formats. [12] Emma Garland of The Four Oh Five stated that while Record Store Day may overshadow small labels and artists, Cassette Store Day gives small labels better access to the celebration of analogue formats. [13]
In 2013, more than 50 cassette editions of releases were issued for Cassette Store Day. The three founding labels, Sexbeat, Kissability, and Suplex, were supplemented by 4AD, Transgressive Records, Bella Union, and other small independent labels. Exclusive releases and reissues included: [14]
Over 300 cassette releases were coordinated for the second Cassette Store Day. Notable releases included: [15] [16]
In 2015, over 100 titles were released exclusively for Cassette Store Day. Shops in the US, UK, Australia, New Zealand, and Germany participated. Exclusive releases included: [7]
Cassette Store Day 2016 took place on 8 October 2016. In addition to the original founding labels, CSD was to be led in the US by Burger Records, in Germany by Späti Palace and Mansions and Millions, in France by Balades Sonores, and in Japan by VSI. [8]
Cassette Store Day 2017 took place on 14 October 2017. Management for International Cassette Store Day was assumed by Brit Williams (Blak Hand Records), Sean Bohrman (Burger Records) and Takamasa Endo (VSI). Events took place in the US, Japan, UK, China, Australia, Indonesia, and Europe.
Having taken over UK duties from Cassette Store Day's founders, Brit Williams stated "For the past few years, Cassette Store Day has been the most anticipated release we do at Blak Hand. It gives us a chance to showcase some of our best bands by throwing out a mixtape so people can hear the distinct sound of what we do. I know for many, CSD is the perfect chance to get music heard to broader audience and bring people together through the art of the tape. We’re thrilled to once again celebrate all things analogue and help bring attention to some up and coming artists and labels in the country." Sean Bohrman of Burger Records also commented on the success that CSD has had at increasing the relevancy of cassettes. [18]
Over 300 bands and labels worldwide participated in the event. Notable releases included The White Stripes reissues of their first three albums, The White Stripes , De Stijl and White Blood Cells which were printed onto white tape exclusively for Cassette Store Day through Third Man Records. [19]
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The 2019 edition featured Oil Wars by Philiac, Jay Reatard's Blood Visions , Old LP by that dog., and Midi Swamp from Dr. Dog but print runs were curtailed by a shortage of ferric oxide. [20]
The cassette culture refers to the practices associated with amateur production and distribution of music and sound art on compact cassette that emerged in the mid-1970s. The cassette was used by fine artists and poets for the independent distribution of new work. This article focuses on the independent music scene associated with the cassette that burgeoned internationally in the second half of the 1970s.
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