The Terror | ||||
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Studio album by | ||||
Released | April 1, 2013 | |||
Recorded | February–April 2012 | |||
Studio | Tarbox Road Studios in Cassadaga, New York and Pink Floor Studios in Oklahoma City, Oklahoma | |||
Genre | ||||
Length | 54:53 | |||
Label |
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Producer |
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The Flaming Lips chronology | ||||
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Singles from The Terror | ||||
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The Terror is the thirteenth studio album by experimental rock band the Flaming Lips, released on April 1, 2013 worldwide and April 16 in the U.S., on Warner Bros in the United States and Bella Union in the United Kingdom. [1] [2] It is the first album for band member Derek Brown and last with drummer Kliph Scurlock.
Experimental composer Dan Deacon remixed the album in its entirety.
Lead vocalist Wayne Coyne described the album's general idea in a press release, "We want, or wanted, to believe that without love we would disappear, that love, somehow, would save us that, yeah, if we have love, give love and know love, we are truly alive and if there is no love, there would be no life. The Terror is, we know now, that even without love, life goes on... we just go on… there is no mercy killing."
Much of the album was shaped by multi-instrumentalist Steven Drozd's relapse, with Coyne saying of his relapse: "During the Heady Fwends collaborations, we knew he was struggling. I just knew it. But this time, he went and just said, 'I’m going to make this music and hope I get through it.' It was not to make a record. I’m doing so much stuff in Studio A [at Dave Fridmann’s Tarbox Studios]. And Steven would hole up in Studio B: 'Well, I’m going to do music over here because I’m going insane.'" Later in that same interview, he says "The lesson that we learned — and we learned this and then forgot it at least 20 fucking times since 1983 when we started making records — anytime that you veer away from the thing that you love, the thing that’s like masturbating, the thing that’s like sitting in the corner drooling on yourself, anytime you drift away from that, it really becomes a different kind of art. It becomes about fixing things, arranging things, trying to manipulate things for effect. We like to do that and I think oftentimes we’re good at that, but it’s not nearly as satisfying as the other type of art." [3]
When asked about the optimism of the album and the band's work in general, Coyne says "I don’t really believe anyone who walks home and says, “Everything’s okay.” The reason we’re optimistic is that a lot of things aren’t great and we have to find a way to get through it… I don’t want someone to listen and only hear that I’m just some scared old man. Well… I am, but I don’t always sing about that. It is focusing on a particular dimension in our minds that this music on The Terror goes towards, which is darker. But at the end, it makes that optimism even more believable. We were in Australia in January and I swam in the ocean for only the second time in my life. You know you’re going to get in there and it’s going to be kind of cold and these waves are big. There’s a time where you’ve got to go from being very dry and very warm to being very wet and very cold. But if you get through that, it’s a fucking blast and you really feel this braveness. You’re in the waves and fighting against the waves. So I think now we’re kind of like that: “Fuck you, bring it on, motherfuckers.” It’s huge and immense, but we’re not so vulnerable. It’s better to be scared and do it than to be scared and not do it. [4]
Aggregate scores | |
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Source | Rating |
AnyDecentMusic? | 7.8/10 [5] |
Metacritic | 77/100 [6] |
Review scores | |
Source | Rating |
AllMusic | [7] |
The A.V. Club | A− [8] |
Chicago Tribune | [9] |
Entertainment Weekly | C [10] |
The Guardian | [11] |
The Independent | [12] |
NME | 8/10 [13] |
Pitchfork | 7.8/10 [14] |
Rolling Stone | [15] |
Spin | 9/10 [16] |
The Terror received mostly positive reviews from critics, with a score of 77 on metacritic, citing "Generally favorable feviews"
The review from The A.V. Club, states "The Terror is the sound of The Flaming Lips going from a group experience to an internal monologue, the perfect record for any fan who has ever felt like the band could use two “Feeling Yourself Disintegrate”s for every “Race For The Prize.” [6]
Stuart Berman of Pitchfork Magazine states "with The Terror, the Lips take the bold step of bursting their own bubble. The band’s unrelentlingly bleak new album relates to its predecessor much as Yoshimi Battles the Pink Robots did to The Soft Bulletin, retaining its antecedent’s weighty mood but deconstructing the instrumental bombast into more skeletal, mechanical forms", but states later in the review "it still feels underdeveloped in spots. At 13 minutes, centerpiece track “You Lust” is the longest song to appear on a proper Lips record since the 1980s, and a companion piece to Embryonic’s “Powerless”, using a coolly repetitive organ refrain as the foundation for an agitated, free-form synth freakout. But its imposing grandeur is diffused by an intrusive, creepily whispered chorus incantation and a drifting, protracted denouement that lingers for far too long. And in the wake of the absorbing, slow-roiling intensity of the penultimate “Turning Violent”, the closing “Always There... In Our Heart” (a bookend echo of “Look… The Sun Is Rising”) doesn’t quite deliver the blown-out grand finale its repeated 1-2-3-4 build-ups suggest, instead simmering down before reaching full blast." [17]
The bonus song from the album "Sun Blows Up Today", was featured in a 2013 Hyundai Superbowl commercial
All tracks are written by The Flaming Lips
No. | Title | Length |
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1. | "Look... The Sun is Rising" | 5:11 |
2. | "Be Free, a Way" | 5:13 |
3. | "Try to Explain" | 5:00 |
4. | "You Lust" (featuring Phantogram) | 13:02 |
5. | "The Terror" | 6:21 |
6. | "You Are Alone" | 3:46 |
7. | "Butterfly, How Long It Takes to Die" | 7:30 |
8. | "Turning Violent" | 4:16 |
9. | "Always There...In Our Hearts" | 4:34 |
Total length: | 54:53 |
No. | Title | Length |
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10. | "Sun Blows Up Today" | 3:08 |
11. | "We Don't Control the Controls" (Mashed-the-F-Up Remix) | 14:36 |
No. | Title | Length |
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10. | "Sun Blows Up Today" | 3:10 |
11. | "All You Need Is Love" (written by Lennon–McCartney, featuring Alex and Jade of Edward Sharpe and the Magnetic Zeros) | 5:06 |
The Flaming Lips
Guest performers
Production
Packaging
Chart (2013) | Peak position |
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Australian Albums (ARIA) [18] | 100 |
Belgian Albums (Ultratop Flanders) [19] | 39 |
Belgian Albums (Ultratop Wallonia) [20] | 199 |
Japanese Albums (Oricon) [21] | 50 |
UK Albums (OCC) [22] | 42 |
US Billboard 200 [23] | 21 |
US Top Alternative Albums (Billboard) [24] | 6 |
US Top Rock Albums (Billboard) [25] | 6 |
The Flaming Lips are an American psychedelic rock band formed in 1983 in Oklahoma City, Oklahoma. The band currently consists of Wayne Coyne, Steven Drozd, Derek Brown, Matt Duckworth Kirksey and Tommy McKenzie (bass). Coyne and Drozd have remained the band's only consistent members since 1991, with Coyne being the only remaining founding member following the departure of bassist and keyboardist Michael Ivins in 2021.
Mercury Rev is an American rock band formed in 1989 in Buffalo, New York, with singer/guitarist Jonathan Donahue and guitarist/clarinetist/sound generator operator Sean "Grasshopper" Mackowiak as the only constant members. The band's music has incorporated indie rock, psychedelic rock and American roots, amongst other forms. Mercury Rev have been closely associated with The Flaming Lips, and the two bands have shared historical ties.
Fight Test is an extended play (EP) released by the Flaming Lips released on Warner Bros. Records in 2003. The single version of "Fight Test" was released on June 23, 2003, peaking at number 28 on the UK Singles Chart. It is the third single to be picked from the album Yoshimi Battles the Pink Robots.
Yoshimi Battles the Pink Robots is the tenth studio album by American rock band the Flaming Lips, released on July 16, 2002, by Warner Bros. Records. The album saw the band pursue a more electronic direction than previous efforts, incorporating acoustic guitars and rhythms influenced by hip hop and top 40 music. The album was well-received critically and commercially, helping the band break into popularity, and was adapted into a musical in 2012. In 2022, the band announced a 20th anniversary box set version of the album and that they would perform the album in full twice in early 2023.
Wayne Michael Coyne is an American musician. He is the founder, lead vocalist, main songwriter, and only constant member of the psychedelic rock band the Flaming Lips.
Embryonic is the twelfth studio album by experimental rock band the Flaming Lips released on October 13, 2009, on Warner Bros. The band's first double album, it was released to generally positive reviews and became their most successful album in the US, peaking at number 8 on the Billboard 200.
At War with the Mystics is the eleventh studio album by American rock band the Flaming Lips, released on April 3, 2006, by Warner Bros. Records. The album is more guitar-driven and features more politically themed lyrics than the band's previous two albums The Soft Bulletin (1999) and Yoshimi Battles the Pink Robots (2002). It is the groups' first album featuring contributions from drummer Kliph Scurlock.
"The Golden Path" is a song recorded by English electronic music duo the Chemical Brothers, taken from their first greatest hits album, Singles 93–03. Featuring the Flaming Lips, the lead vocals were performed by Wayne Coyne with Steven Drozd performing backing vocals. The song reached number 10 in Spain, number 17 in the United Kingdom, number 20 in Ireland, and number 32 in Italy.
"Do You Realize??" is a song by the Flaming Lips, and was released as the first single from their 2002 album Yoshimi Battles the Pink Robots. It is one of the group's most accessible and popular songs, having reached No. 32 in the UK Singles Chart. It was adopted as the Official Rock Song of Oklahoma from 2009 to April 2013 and was ranked No. 31 on Rolling Stone's 100 Best Songs of the 2000s. It is also the band's most popular live song, and has rarely been excluded from setlists since its inception into their live shows in 2002.
Clifton Thomas "Kliph" Scurlock is an American musician. He was the drummer and percussionist for alternative rock band The Flaming Lips from 2002 to 2014.
The discography of the Flaming Lips, an American rock band formed in 1983, consists of 16 studio albums, 18 extended plays, 15 singles, 10 compilation albums, four video albums and an array of various other appearances.
U.F.O.s at the Zoo is a DVD by The Flaming Lips. The film was co-directed by Wayne Coyne, Bradley Beesley and George Salisbury. It was recorded September 15, 2006 at the Zoo Amphitheater in Oklahoma City, OK.
The Flaming Lips and Stardeath and White Dwarfs with Henry Rollins and Peaches Doing The Dark Side of the Moon is a collaborative studio album by the psychedelic rock group the Flaming Lips. The album is a complete track-for-track reimagining of Pink Floyd's seminal 1973 album The Dark Side of the Moon.
Warrior is the second studio album by American singer and songwriter Kesha, released on November 30, 2012, by Kemosabe and RCA Records. Its music incorporates a wide range of genres, including pop, EDM, rock, punk, rap, country, and folk. Kesha described the album as more personal than her previous material in addition to mentioning it was her attempt at reviving the rock genre, calling it a "cock pop" record. Its theme is said to be magic.
The Flaming Lips with Neon Indian is an extended play by American rock band the Flaming Lips and American electronic music band Neon Indian. It was released on March 23, 2011 as part of The Flaming Lips 2011 series of monthly music releases. The 12-inch EP was a limited release pressed on special colored vinyl and distributed to select record stores in the United States. The song "Is David Bowie Dying?" was later included on the 2012 album The Flaming Lips and Heady Fwends.
The Flaming Lips and Heady Fwends is the first album in the "Fwends" series by the American rock band the Flaming Lips in collaboration with a variety of guests.
The Flaming Lips with Prefuse 73 is a four-track collaboration EP between the Flaming Lips and Guillermo Scott Herren. The EP was limited to between 1000 and 2000 copies, pressed on randomly colored 12" vinyls so that no two look alike.
Strobo Trip - Light & Audio Phase Illusions Toy is a toy box containing a stroboscope light and a memory stick with three tracks of music composed by the band The Flaming Lips.
Oczy Mlody is the fourteenth studio album by experimental rock band the Flaming Lips, released on January 13, 2017, on Warner Bros in the US and Bella Union in the UK. It is the first album to feature band members Jake Ingalls, Nicholas Ley and Matt Duckworth.
American Head is the sixteenth studio album by experimental rock band the Flaming Lips, released on September 11, 2020, on Warner Records in the US and Bella Union in the UK. Produced by Dave Fridmann and Scott Booker, alongside the band itself, the album represents a return to the band's American roots. It is the final studio album to feature founding bass guitarist Michael Ivins and keyboardist Jake Ingalls, who both departed from the band in 2021, as well as drummer Nicholas Ley who departed in 2023. It is subsequently the final album featuring the expanded seven person line-up of the group that began with 2017's Oczy Mlody.