The Cello Concerto is a composition for solo cello and orchestra by the Scottish composer James MacMillan. It is the second of three interrelated compositions in MacMillan's Easter triptych Triduum commissioned by the London Symphony Orchestra. The piece was first performed at the Barbican Centre on October 3, 1996 by the cellist Mstislav Rostropovich and the London Symphony Orchestra under the conductor Colin Davis. The work is dedicated to Mstislav Rostropovich. [1]
The cello ( CHEL-oh; plural cellos or celli) or violoncello ( VY-ə-lən-CHEL-oh; Italian pronunciation: [vjolonˈtʃɛllo]) is a string instrument. It is played by bowing or plucking its four strings, which are usually tuned in perfect fifths an octave lower than the viola: from low to high, C2, G2, D3 and A3. It is the bass member of the violin family, which also includes the violin, viola and the double bass, which doubles the bass line an octave lower than the cello in much of the orchestral repertoire. After the double bass, it is the second-largest and second lowest (in pitch) bowed string instrument in the modern symphony orchestra. The cello is used as a solo instrument, as well as in chamber music ensembles (e.g., string quartet), string orchestras, as a member of the string section of symphony orchestras, most modern Chinese orchestras, and some types of rock bands.
An orchestra is a large instrumental ensemble typical of classical music, which mixes instruments from different families, including bowed string instruments such as violin, viola, cello, and double bass, as well as brass, woodwinds, and percussion instruments, each grouped in sections. Other instruments such as the piano and celesta may sometimes appear in a fifth keyboard section or may stand alone, as may the concert harp and, for performances of some modern compositions, electronic instruments.
Sir James Loy MacMillan, CBE is a Scottish classical composer and conductor.
The Cello Concerto has a duration of roughly 41 minutes and is composed in three movements: [1]
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena".
A unit of a larger work that may stand by itself as a complete composition. Such divisions are usually self-contained. Most often the sequence of movements is arranged fast-slow-fast or in some other order that provides contrast.
The work is composed for solo cello and an orchestra comprising two flutes (2nd doubling piccolo), two oboes, two clarinets, (2nd doubling E-flat clarinet and bass clarinet), bassoon, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, three percussionists, piano (doubling celesta), harp, and strings. [1]
The Western concert flute is a transverse (side-blown) woodwind instrument made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist, flutist, flute player, or (rarely) fluter.
The piccolo is a half-size flute, and a member of the woodwind family of musical instruments. The modern piccolo has most of the same fingerings as its larger sibling, the standard transverse flute, but the sound it produces is an octave higher than written. This gave rise to the name ottavino, which the instrument is called in the scores of Italian composers. It is also called flauto piccolo or flautino.
Oboes belong to the classification of double reed woodwind instruments. Oboes are usually made of wood, but there are also oboes made of synthetic materials. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly 65 cm long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word oboe is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais, or oboe d'amore
Robert Cowan of The Independent wrote, "MacMillan's Concerto extends the 'dialogue of extremes' that has proved a pivotal aspect of his earlier work. It opens with a bang, and keeps the soloist busily employed virtually for the duration. It is, in a word, a 'real' Cello Concerto - lyrical, combative, rich in dialogue and scored with a skill that suggests innovative imagination and a marked respect for tradition." [2] BBC Music Magazine also praised the concerto, writing, "One may feel that some of the effects MacMillan uses – the overlaid screaming brass fanfares, the extensive use of percussion – are excessive, but they are contained within a tautly argued, tightly structured whole, and possessed of a thrillingly direct – and profoundly affecting – musicality. I defy anyone not to be moved by this music, whether for its considerable emotional impact or purely the artistry of its musical structures." [3] Arnold Whittall of Gramophone further opined:
The Independent is a British online newspaper. Established in 1986 as a politically independent national morning newspaper published in London, it was controlled by Tony O'Reilly's Independent News & Media from 1997 until it was sold to Russian oligarch Alexander Lebedev in 2010. The last printed edition of The Independent was published on Saturday 26 March 2016, leaving only its digital editions.
BBC Music Magazine is a monthly magazine. The first issue appeared in June 1992. BBC Worldwide, the commercial subsidiary of the BBC was the original owner and publisher together with the Warner Music Enterprises during its initial phase. Immediate Media Company has been the publisher since 2012.
Arnold Whittall is a British musicologist and writer. He is Professor Emeritus at King's College London. Between 1975 and 1996 he was Professor at King's. Previously he lectured at Cambridge, Nottingham (1964–1969) and Cardiff (1969–1975).
In the Cello Concerto, which continues the drama of conflict between a suffering individual and an oppressive society on a much larger scale, Raphael Wallfisch has a harder time in asserting a suitably charismatic presence, and might have benefited from a slightly more forward placement. As it is, MacMillian’s imaginative orchestral writing threatens to get the best of the purely musical argument: yet it is still difficult not to be moved by the sense of a struggling protagonist, condemned and tortured. The point might be more effectively conveyed in music of greater formal economy (as in MacMillan's much admired Ustvolskaya) but the composer's very direct and uninhibited expressionism shows his determination not to downplay either the portentousness or the horror of what the music contemplates. [4]
A concerto is a musical composition generally composed of three movements, in which, usually, one solo instrument is accompanied by an orchestra or concert band. It is accepted that its characteristics and definition have changed over time. In the 17th century, sacred works for voices and orchestra were typically called concertos, as reflected by J. S. Bach's usage of the title "concerto" for many of the works that we know as cantatas.
The Cello Concerto No. 2, Opus 126, was written by Dmitri Shostakovich in the spring of 1966 in the Crimea. Like the first concerto, it was written for Mstislav Rostropovich, who gave the premiere in Moscow under Yevgeny Svetlanov on 25 September 1966 at the composer's 60th birthday concert. Sometimes the concerto is listed as being in the key of G, but the score gives no such indication.
Rodion Konstantinovich Shchedrin is a Soviet and Russian composer and pianist, winner of the Lenin Prize (1984), USSR State Prize (1972), and the State Prize of the Russian Federation (1992), and is a former member of the Interregional Deputy Group (1989–1991). He is also a citizen of Lithuania and Spain.
Augusta Read Thomas is an American composer.
Timbres, espace, mouvement is a work for orchestra composed by Henri Dutilleux in 1978. Dutilleux subtitled the work La nuit etoilée, in reference to the painting by Vincent Van Gogh. The composer wanted to translate in his composition the "almost cosmic whirling effect which produces". Dutilleux dedicated the work to the memory of Charles Münch and to Mstislav Rostropovich, the conductor of its premiere.
Nyx is a symphonic poem by the Finnish composer Esa-Pekka Salonen. The work was jointly commissioned by Radio France, the Barbican Centre, the Atlanta Symphony Orchestra, Carnegie Hall, and the Finnish Broadcasting Company. It was premiered February 19, 2011 in the Théâtre du Châtelet, Paris, with Salonen conducting the Orchestre Philharmonique de Radio France. The piece is titled after the Goddess Nyx from Greek mythology.
Foreign Bodies is an orchestral composition in three movements by the Finnish composer Esa-Pekka Salonen. The work was commissioned by the Finnish Broadcasting Company and was first performed at the Schleswig-Holstein Musik Festival on August 12, 2001 by the Finnish Radio Symphony Orchestra under the conductor Jukka-Pekka Saraste.
The Symphony No. 1 or Symphony: 'Vigil' is an orchestral symphony by the Scottish composer James MacMillan. It is the last of three interrelated compositions in MacMillan's Easter triptych Triduum commissioned by the London Symphony Orchestra. The piece was first performed at the Barbican Centre on 28 September 1997 by the London Symphony Orchestra under the conductor Mstislav Rostropovich.
The Boston Concerto is a concerto for orchestra by the American composer Elliott Carter. The work was commissioned by the Boston Symphony Orchestra, for which the piece is titled. It was first performed in Symphony Hall, Boston, on April 3, 2003 by the Boston Symphony Orchestra under the conductor Ingo Metzmacher. Carter dedicated the concerto to his wife Helen Jones Carter, who died on May 17, 2003.
The Cello Concerto is a composition for solo cello and orchestra by the American composer Elliott Carter. The work was commissioned by the Chicago Symphony Orchestra for the cellist Yo-Yo Ma. It was first performed in Chicago, Illinois, on September 27, 2001 by Yo-Yo Ma and the Chicago Symphony Orchestra under the conductor Daniel Barenboim.
The Asko Concerto is a concerto for chamber orchestra by the American composer Elliott Carter. The work was commissioned by the Dutch chamber group Asko Ensemble, for which the piece is titled. It was composed in January 2000 and was first performed in Concertgebouw, Amsterdam on April 26, 2000, by the Asko ensemble under the conductor Oliver Knussen. The piece is dedicated to Asko/Schönberg.
The Symphony No. 1 is a symphony for orchestra by the American composer Elliott Carter. The work was originally completed in Santa Fe, New Mexico on December 18, 1942, though Carter later revised the work in 1954. It was first performed on April 27, 1944 by the Eastman-Rochester Symphony under the direction of Howard Hanson at the fourteenth annual Festival of American Music. The piece is dedicated to Carter's wife.
The Concerto for Cello and Orchestra is a cello concerto by the Polish composer Witold Lutosławski. The work was commissioned by the Royal Philharmonic Society with support from the Calouste Gulbenkian Foundation. It received its world premiere at the Royal Festival Hall on October 14, 1970 by the cellist Mstislav Rostropovich and the Bournemouth Symphony Orchestra under the direction of Edward Downes.
The Cello Concerto No. 1 is a composition for solo cello and orchestra by the Finnish composer Magnus Lindberg. It was first performed in the Cité de la Musique, Paris on May 6, 1999 by the cellist Anssi Karttunen and the Orchestre de Paris under the direction of Esa-Pekka Salonen.
Kraft is a composition for solo ensemble, electronics, and orchestra by the Finnish composer Magnus Lindberg. The work was commissioned by the Helsinki Festival and was first performed on September 4, 1985 by the Toimii ensemble and the Finnish Radio Symphony Orchestra under the direction of Esa-Pekka Salonen. The piece was awarded the International Rostrum of Composers in 1986 and won the Nordic Council Music Prize in 1988.
The Concerto for Piano and Orchestra is the first piano concerto by the Finnish composer Magnus Lindberg. The work was commissioned by the Helsinki Festival on September 4, 1991 and completed in 1994. It is dedicated to the pianist Paul Crossley.
The Piano Concerto No. 1 is a composition for solo piano and orchestra by the American composer Peter Lieberson. The work was commissioned by the Boston Symphony Orchestra for its centennial. Lieberson started composing the piece in 1980 and completed it on March 2, 1983. It was written for the pianist Peter Serkin, who first performed the concerto with the Boston Symphony Orchestra under the direction of Seiji Ozawa on April 21, 1983. The piece is dedicated to Peter Serkin and Seiji Ozawa. It was a finalist for the 1984 Pulitzer Prize for Music.
The Viola Concerto is a composition for viola and orchestra by the Scottish composer James MacMillan. The work was jointly commissioned by the London Philharmonic Orchestra, the Lucerne Symphony Orchestra, the Bergen Philharmonic Orchestra, and the Adelaide Symphony Orchestra. Its world premiere was given by the violist Lawrence Power and the London Philharmonic Orchestra under the direction of Vladimir Jurowski in the Royal Festival Hall, London, on 15 January 2014. The piece is dedicated to Lawrence Power.
The World's Ransoming is a concerto for cor anglais and orchestra by the Scottish composer James MacMillan. It was the first of three interrelated compositions in MacMillan's Easter triptych Triduum commissioned by the London Symphony Orchestra. Its world premiere was given by the soloist Christine Pendrill and the London Symphony Orchestra under the direction of Kent Nagano at the Barbican Centre on 11 July 1996.