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Like many other Hassidic movements, Chabad-Lubavitch has its own unique niggunim, or traditional melodies. Chabad niggunim were either composed or taught by the Rebbe of Chabad or their Hassidim. [1] Niggunim are used to aid for meditation during Chasidic prayer or Torah study, as well as during farbrengens. [2] some of these ancient Chabad melodies have recently made their way into mainstream music. [3]
Chabad niggunim are admired across Hasidism for their intellectual content, expressing the aim in Chabad to investigate Hasidic philosophy using the mind as the route to the heart. The second Rebbe, Dovber Schneuri, distinguished between mainstream Hasidic emotional "enthusiasm" in worship, that is fostered outwards, and the Chabad ideal of inwardly created "ecstasy". His "Tract on Ecstasy", an unusually personal mystical account in Judaism, guides the follower in the meditative stages of the Chabad approach to Dveikus (fervour). In this ideal, ecstasy is an inner emotional expression, and can remain concealed in the warmth of the heart. In Chabad terminology, the aim of this is to reach "Pnimius" (inward Ohr) over "Hitzonius" (outward light). The fundamental Chabad text, the Tanya, articulates this method in Jewish meditation of "hisbonenus" (contemplative understanding). In classic Chabad thought, externally inspired emotional worship is considered a distracting path from deeper content, though this idealistic aim requires time to contemplate that may not always be available. In the present generation, more emphasis has been given in Chabad to outreach, though the classic ideal is venerated in legendary accounts of Hasidim, told in Farbrengen gatherings.
Chabad Rebbes told of two characteristic categories of follower, the "Oveid" who seeks practical Divine "service" from their mystical inspiration, and the "Maskil" whose first aim is deeper understanding of Hasidic thought. The average person can combine both archetypes in their daily life. Some Chabad niggunim are more suited to moments of inward contemplation, and others celebrate and inspire outward fulfillment. One renowned story both cautions against mixing the two necessary aspects, and also playfully recommends not to be overly concerned by their overlap:
A well known Hasid was filling out the company accounts at work. In the final tally, he answered the question of total outcome with the Hasidic aphorism that "Ein Od Milvado"! This means, "There is nothing outside of God", as in Chabad Divine Unity means only God truly exists. His fellow Hasid reprimanded his mixing of Hasidic and secular life. He replied that in prayer, people are not usually upset by their minds being diverted in secular thoughts. So, he concluded, it isn't so bad for holy thoughts to intrude in Worldly matters!
In Hasidic terminology, meditative dveikus niggunim correspond to "Lower Teshuvah" (Lower Return to God), and celebratory joyful niggunim to "Higher Teshuvah" (Higher Return). In Hasidic philosophy, such as explained in the third section of the Tanya, Teshuvah does not only involve repentance and rectification of previous spiritual faults. Rather, as the Baal Shem Tov taught, even perfectly righteous Tzadikim should return to God, in the higher Teshuvah of continual ascent in holiness. According to Kabbalistic exegesis of the Hebrew word "Teshuvah" (תשובה), it means "Returning the letter hei" (תשוב-ה). The Tetragrammaton Divine name has two letters "hei", the second one corresponding to the lower revealed levels of the Four Worlds, and the first one corresponding to the higher concealed realms. Lower teshuvah returns the second hei in rectification, higher teshuvah redeems the higher hei in holy ascent. The seventh Rebbe of Chabad taught that the main focus of our generation is in the "Higher Teshuvah". Accordingly, while the main niggunim of the previous Chabad Rebbes were meditative, many of the niggunim of the seventh Rebbe are joyful outward expressions.
On auspicious days in the Jewish calendar, the main niggun of each Rebbe is sung in Hasidic gatherings in successive order. This can take place on 19 Kislev, the last day of Passover or at the close of Shavuot.
The first two generations of the general Hasidic movement, under the Baal Shem Tov and his successor the Maggid of Mezeritch.
First generation of Chabad.
Second generation of Chabad. Rabbi Dovber (also known as the Mitteler Rebbe) did not compose melodies of his own. Rather, his followers formed a choir called "The Mitteler Rebbe's Kapelya" would compose melodies.
Third generation of Chabad.
Fourth generation of Chabad.
Fifth generation of Chabad.
Sixth generation of Chabad.
Seventh generation of Chabad. The Rebbe taught a new niggun on every Simchas Torah from 1954 until 1964, the year that his mother, Rebbetzin Chana Schneerson died. They were composed by a variety of composers; some say they were taught to him by his mother. In addition, he adopted the French anthem La Marseilles on Simchas Torah 1974. He also taught Tzamah Lecha Nafshi and Asader Lesuedasa on Shabbos during the years 1953 and 1954, and Vehi She'amda on Pesach in 1954.
A Rebbe or Admor is the spiritual leader in the Hasidic movement, and the personalities of its dynasties. The titles of Rebbe and Admor, which used to be a general honor title even before the beginning of the movement, became, over time, almost exclusively identified with its Tzaddikim.
Shneur Zalman of Liadi was a rabbi and the founder and first Rebbe of Chabad, a branch of Hasidic Judaism. He wrote many works, and is best known for Shulchan Aruch HaRav, Tanya, and his Siddur Torah Or compiled according to the Nusach Ari.
The Tanya is an early work of Hasidic philosophy, by Rabbi Shneur Zalman of Liadi, the founder of Chabad Hasidism, first published in 1796. Its formal title is Likkutei Amarim, but is more commonly known by its first Hebrew word tanya, which means "it has been taught", where he refers to a baraita section in "Niddah", at the end of chapter 3, 30b. Tanya is composed of five sections that define Hasidic mystical psychology and theology as a handbook for daily spiritual life in Jewish observance.
Elimelech Weisblum of Lizhensk was a rabbi and one of the founding Rebbes of the Hasidic movement. His hometown was Leżajsk near Rzeszów in Poland. He was part of the inner "Chevraya Kadisha" school of Dov Ber of Mezeritch, who became the decentralised, third generation leadership after the passing of Dov Ber in 1772.
A nigun or niggun is a form of Jewish religious song or tune sung by groups. It is vocal music, often with repetitive sounds such as "Bim-Bim-Bam", "Lai-Lai-Lai", "Yai-Yai-Yai" or "Ai-Ai-Ai" instead of formal lyrics. Sometimes, Bible verses or quotes from other classical Jewish texts are sung repetitively to form a nigun. Some nigunim are sung as prayers of lament, while others may be joyous or victorious.
Devekut, debekuth, deveikuth or deveikus is a Jewish concept referring to closeness to God. It may refer to a deep, trance-like meditative state attained during Jewish prayer, Torah study, or when performing the 613 commandments. It is particularly associated with the Jewish mystical tradition.
Dovber Schneuri was the second Rebbe of the Chabad Lubavitch Chasidic movement. Rabbi Dovber was the first Chabad rebbe to live in the town of Lyubavichi, the town for which this Hasidic dynasty is named. He is also known as the Mitteler Rebbe, being the second of the first three generations of Chabad leaders.
A Tish, also tische is a Shabbat or holiday gathering for Hasidic Jews around their Rabbi or "Rebbe". In Chabad, a tische is called hitva'adut (התועדות). It may consist of speeches on Torah subjects, singing of melodies known as niggunim and zemirot ("hymns"), with refreshments being served. Hasidim see it as a moment of great holiness.
The 19 Kislev refers to the 19th day of the Jewish month of Kislev.
Strashelye was a branch of the Chabad school of Hasidic Judaism, named after the town Strashelye (Starasel'lye) in the Mohilev Province of present-day Belarus, where its leader lived. Like all Hasidism it is based on the teachings and customs of Chasidut as taught by the Baal Shem Tov, in turn based on the Kabbalistic works of Rabbi Isaac Luria.
Mezhbizh is the name of the town of Medzhybizh in the present Ukraine which is significant as both the source of a Hasidic dynasty that bears its name and as a symbolic name for the roots of Hasidism.
Rabbi Boruch of Medzhybizh (1753–1811), was a grandson of the Baal Shem Tov. Reb Boruch was the first major "rebbe" of the Hasidic movement to hold court in Mezhbizh in his grandfather's hometown and Beis Medrash, which he inherited.
A farbrengen is a Hasidic gathering. This term is only used by Chabad-Lubavitch Hasidim, as other Hasidim have a tish or a botteh. It may consist of explanations of general Torah subjects, with an emphasis on Hasidic philosophy, relating of Hasidic stories, and lively Hasidic melodies, with refreshments being served. It is regarded as a time of great holiness. Farbrengens are public events open to non-Hasidim as well.
Maamarim/Ma'amorim in Chabad Hasidism are the central format texts of in-depth mystical investigation in Hasidic thought. In Chabad philosophy, the textual format of the Maamar is used in a great number of published works.
The Niggun of Four Stanzas or the Niggun of Daled Bavos, is a wordless tune of the Chabad-Lubavitch Hasidim, composed by the first Rebbe of Chabad-Lubavitch, Rabbi Schneur Zalman of Liadi.
Chabad philosophy comprises the teachings of the leaders of Chabad-Lubavitch, a Hasidic movement. Chabad Hasidic philosophy focuses on religious concepts such as God, the soul, and the meaning of the Jewish commandments.
Chabad customs and holidays are the practices, rituals and holidays performed and celebrated by adherents of the Chabad-Lubavitch Hasidic movement. The customs, or minhagim and prayer services are based on Lurianic kabbalah. The holidays are celebrations of events in Chabad history. General Chabad customs, called minhagim, distinguish the movement from other Hasidic groups.
Keter Shem Tov was the first published work of the teachings of Rabbi Israel Baal Shem Tov, the founder of Hasidism. The book was published in Zalkevo, 1794, more than thirty years after Rabbi Israel's passing. The book contains numerous, but brief, Hasidic interpretations of the Torah.
Derech Chaim is a work on the subject of repentance by the second Rebbe of the Chabad Hasidic movement, Rabbi Dovber Schneuri.
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