| Chapter Four: Alive in New York | ||||
|---|---|---|---|---|
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| Live album by | ||||
| Released | 1975 | |||
| Recorded | February 20–23, 1975 | |||
| Genre | Jazz | |||
| Length | 43:01 | |||
| Label | Impulse! | |||
| Producer | Ed Michel | |||
| Gato Barbieri chronology | ||||
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Chapter Four: Alive in New York is a live album by Argentinian saxophonist and composer Gato Barbieri featuring released on the Impulse! label. [1]
The Allmusic review by Thom Jurek awarded the album 4 stars stating "Chapter 4: Alive in New York is one of Barbieri's finest moments on record". [2] The Penguin Guide to Jazz Recordings gives the album a “crown” in addition to a maximum four-star rating, calling it “a classic, iconic album of the ‘70s”. [3]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| Penguin Guide to Jazz | 👑 [4] |
| The Rolling Stone Jazz Record Guide | [5] |
Leandro "Gato" Barbieri was an Argentine jazz tenor saxophonist who rose to fame during the free jazz movement in the 1960s and is known for his Latin jazz recordings of the 1970s. His nickname, Gato, is Spanish for "cat".
Paul Bley/NHØP is a jazz duet album by Paul Bley and Niels-Henning Ørsted Pedersen, released on SteepleChase Records in 1973. The album was recorded in Copenhagen, Denmark in June and July 1973, and primarily features Bley's compositions. Bley's performance here is more extroverted than on some of his other recordings.
Out of the Cool is a jazz album by The Gil Evans Orchestra, recorded in 1960 and released on the Impulse! label the following year. The album was one of Impulse!'s first four albums, released together, and featured a gatefold design and high production values.
Liberation Music Orchestra is a band and jazz album by Charlie Haden released in 1970, Haden's first as a band leader.
The Jazz Composer's Orchestra is a 1968 album by the Jazz Composer's Orchestra recorded over a period of six months with Michael Mantler as composer, leader and producer. Many of the key figures in avant-garde jazz from the time contributed on the album including Don Cherry, Pharoah Sanders, Gato Barbieri, Larry Coryell, Roswell Rudd, and Carla Bley. The album's finale features a two-part concerto for Cecil Taylor and orchestra.
Albert Ayler in Greenwich Village is a 1967 live album by American saxophonist Albert Ayler. It was his first album for Impulse! Records, and is generally regarded as being his best for the label. Originally released on LP, the album has since been reissued on CD.
Art Ensemble of Chicago with Fontella Bass is a 1970 album by the Art Ensemble of Chicago recorded in Paris and released on the America label in 1971 then reissued in the US on Prestige Records the following year. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut, Fontella Bass, and Don Moye.
Sonny Rollins on Impulse! is an album by jazz saxophonist Sonny Rollins, his first to be released on the Impulse! label, featuring performances by Rollins with Ray Bryant, Walter Booker and Mickey Roker.
Silver's Serenade is an album by jazz pianist Horace Silver released on the Blue Note label in 1963 featuring performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor, and Roy Brooks.
Air Song is the debut album by the improvisational collective Air featuring Henry Threadgill, Steve McCall, and Fred Hopkins performing four of Threadgill's compositions. The album was originally released on the Japanese Why Not label in 1975 and later released in the U.S. on India Navigation in 1982.
Chapter One: Latin America is a 1973 album by Gato Barbieri. It was recorded and issued in 1973 on Impulse! Records as AS-9248. The album was re-released in 1997 as part of Latino America, a double CD that also included the album Chapter Two: Hasta Siempre along with unreleased tracks.
Bluesnik is an album by American saxophonist Jackie McLean recorded in 1961 and released on the Blue Note label. It features McLean in a quintet with trumpeter Freddie Hubbard, pianist Kenny Drew, bassist Doug Watkins and drummer Pete La Roca.
A Genuine Tong Funeral is an album by vibraphonist Gary Burton featuring compositions by Carla Bley recorded in 1967 and released on the RCA label in 1968. It features Burton with Bley herself on keyboards and conducting an expanded ensemble consisting of trumpeter Michael Mantler, trombonist Jimmy Knepper, tenor saxophonist Gato Barbieri, soprano saxophonist Steve Lacy, baritone saxophonist Howard Johnson, guitarist Larry Coryell, bassist Steve Swallow and drummer Bob Moses.
Chapter Two: Hasta Siempre is a studio album by Argentine tenor saxophonist and composer Gato Barbieri. It was released in 1974 by Impulse! Records. The album was re-released in 1997 as part of Latino America, a double CD that also included the album Chapter One: Latin America along with unreleased tracks.
Chapter Three: Viva Emiliano Zapata is an album by Argentinian saxophonist and composer Gato Barbieri released on the Impulse! label.
Spirits is an album by American free jazz saxophonist Albert Ayler recorded in New York City in 1964 and first released on the Danish Debut label then later released on the Freedom label as Witches & Devils.
El Pampero is a live album by Argentinian jazz composer and saxophonist Gato Barbieri featuring performances recorded at the Montreux Jazz Festival in 1971 and first released on the Flying Dutchman label.
Bolivia is a live album by Argentinian jazz composer and saxophonist Gato Barbieri featuring performances recorded in New York in 1973 and first released on the Flying Dutchman label.
The Third World is an album by Argentinian jazz composer and saxophonist Gato Barbieri featuring performances recorded in 1969 and first released on the Flying Dutchman label.
Under Fire is an album by Argentinian jazz composer and saxophonist Gato Barbieri featuring performances recorded in New York in 1971 and first released on the Flying Dutchman label in 1973.