Charlie Chalmers | |
---|---|
Occupation(s) | Producer, songwriter, musician |
Instrument | Saxophonist |
Website | charliechalmers |
Charles Chalmers is an American saxophonist, backup vocalist, songwriter and producer. He has written several hit songs for many recording artists, and has also arranged and performed on many Grammy winning recordings. Seven of those recordings are in the Grammy Hall of Fame: Al Green's "Let's Stay Together"; Aretha Franklin's "Respect," "Chain of Fools" and "Natural Woman"; Dusty Springfield's "Son of a Preacher Man"; and Wilson Pickett's "Mustang Sally" and "Land of a Thousand Dances." He also holds an Album of the Century award for his work on Aretha Franklin's, I Never Loved a Man the Way I Love You .
Chalmers attended South Side High School in Memphis, Tennessee, where he learned to read music. [1] His mother bought him a used tenor saxophone as a graduation gift. [1] He took classes at Memphis State University, but quit after six months so he could start touring with Jerry Lee Lewis. [1]
By age 19, he had toured with Jerry Lee Lewis and worked extensively with Charlie Rich. [2]
Chalmers came to the attention of Bill Black, who called Chalmers for a session. Not long after working with Black, Willie Mitchell asked Chalmers to play on some of his recordings. Chalmers played lead sax on Mitchell's instrumental, "Soul Serenade". Mitchell then called Chalmers to work regularly on his productions, not only as a saxophone player, but also as an arranger and back up singer. [2]
Chalmers helped arrange and sang backup on "Let's Stay Together" by Al Green with Sandy and Donna Rhodes in a group that came to be called Rhodes, Chalmers & Rhodes. [3] [2] They also sang on Green's album, I Can't Stop , produced by Mitchell, for Blue Note Records (2003). [3]
Before recording with Al Green, Chalmers was asked to go to Muscle Shoals, Alabama, to play on a Wilson Pickett recording date for Atlantic Records. "Land of a Thousand Dances" and "Mustang Sally" were two of the songs he recorded with Pickett that week, and it was then that Chalmers met Jerry Wexler and Tom Dowd. [2]
Wexler brought 25-year-old Aretha Franklin to the Fame Studio at Muscle Shoals, introducing her to Chalmers, Chips Moman, and Dewey "Spooner" Oldham, resulting in Chalmers's first track with Franklin, "I Never Loved a Man the Way I Love You". [4] Chalmers wend on to arrange the horns and played sax on many other Aretha Franklin songs, including "I Ain't Never Loved A Man", "Respect", "Do Right Woman", "Chain of Fools", and "Dr. Feel Good". [2]
In 1969, Chalmers announced a partnership with Sandy Rhodes, and a contract with Chess Records. [1] Rick Hall produced Charlie Chalmers' Sax and the Single Girl for Chess Records. [2] [5]
After Rhodes, Chalmers & Rhodes sang on Paul Anka's hit "(You're) Having My Baby", they performed live dates with Anka in Las Vegas for three years at Caesar's Palace. Chalmers located a studio in Las Vegas, where they sang back up on a Frank Sinatra session. [2]
After working for several years in Vegas, Chalmers and his group were called to Miami to do some sessions at Criteria Studios. For the next few years, they recorded with artists including Andy Gibb, The Bee Gees, Fire Fall, Harry Chapin, John Mellencamp and K. C. and the Sunshine Band. [2]
In 1989, Mel Tillis asked Chalmers to work with him at his new theatre in Branson, Missouri. Two years later, Chalmers built his own recording studio in Branson, where he now resides. [2]
As a songwriter and music publisher, Charlie Chalmers had a #1 hit record by Conway Twitty – "The Clown" – which he co-wrote with Wayne Carson Thompson and Sandy Rhodes. [6] Also among Chalmers' songs are "One Woman", on the Isaac Hayes album Hot Buttered Soul , and "One Big Unhappy Family", on the album The Isaac Hayes Movement . Both albums are double Platinum sellers. "Alice Is In Wonderland" is on The Oak Ridge Boys' Deliver . Al Green also recorded "One Woman" on his Green Is Blues album. The Staple Singers recorded "City In The Sky" for their City In The Sky album, Boz Scaggs recorded "Look What I Got" on his self-titled Atlantic album Boz Scaggs , and Etta James recorded the popular "It Hurts Me So Much" on the album Tell Mama for Chess Records.
Chalmers also wrote "Tell Him Tonight" recorded by Rudolph Taylor, ranked as one of the 60 greatest Memphis soul songs of all time by the Commercial Appeal in 2017. [7]
Chalmers was married to Sandy Rhodes. [3] He later married Josie and in 2008 they had a son of the same name. [8]
Curtis Ousley, known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as "Respect" by Aretha Franklin (1967), and "Yakety Yak" by The Coasters (1958) and his own "Soul Twist" (1962), "Soul Serenade" (1964), and "Memphis Soul Stew" (1967).
Checker Records is a defunct record label that was started in 1952 as a subsidiary of Chess Records in Chicago, Illinois. The label was founded by the Chess brothers, Leonard and Phil, who ran the label until they sold it to General Recorded Tape (GRT) in 1969, shortly before Leonard's death.
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Albert J. Jackson Jr. was an American drummer, producer, and songwriter. He was a founding member of Booker T. & the M.G.'s, a group of session musicians who worked for Stax Records and produced their own instrumentals. Jackson was affectionately dubbed "The Human Timekeeper" for his drumming ability. He was posthumously inducted into the Memphis Music Hall of Fame in 2015, and the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.'s in 1992.
Lincoln Wayne "Chips" Moman was an American record producer, guitarist, and songwriter. He is known for working in R&B, pop music and country music, operating American Sound Studios and producing hit albums like Elvis Presley's 1969 From Elvis in Memphis and the 1985 debut album for The Highwaymen. Moman won a Grammy Award for co-writing "(Hey Won't You Play) Another Somebody Done Somebody Wrong Song", a 1975 hit for B.J. Thomas.
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"Land of a Thousand Dances" is a song written and first recorded by American rhythm and blues singer Chris Kenner in 1962. It later became a bigger hit in versions by Cannibal & the Headhunters and Wilson Pickett. A version by Thee Midniters reached number 27 in Canada on March 22, 1965.
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"I Never Loved a Man (The Way I Love You)" is a 1967 single released by American soul singer Aretha Franklin. Released on Atlantic Records as the first big hit of her career and the lead single from her tenth studio album of the same name, it became a defining song for Franklin, peaking at number one on the rhythm and blues charts and number nine on the pop charts. The B-side was "Do Right Woman, Do Right Man". Before this Franklin had placed only two Top 40 singles on the pop chart during her modest tenure with Columbia Records.
Dewey "Spooner" Lindon Oldham Jr. is an American songwriter and session musician. An organist, he recorded in Muscle Shoals, Alabama, at FAME Studios as part of the Muscle Shoals Rhythm Section on such hit R&B songs as Percy Sledge's "When a Man Loves a Woman", Wilson Pickett's "Mustang Sally", and Aretha Franklin's "I Never Loved a Man ". As a songwriter, Oldham teamed with Dan Penn to write such hits as "Cry Like a Baby", "I'm Your Puppet", and "A Woman Left Lonely" and "It Tears Me Up".
The Muscle Shoals Rhythm Section is a group of American session musicians based in the northern Alabama town of Muscle Shoals. One of the most prominent American studio house bands from the 1960s to the 1980s, these musicians, individually or as a group, have been associated with more than 500 recordings, including 75 gold and platinum hits. They were masters at creating a southern combination of R&B, soul and country music known as the "Muscle Shoals sound" to back up black artists, who were often in disbelief to learn that the studio musicians were white. Over the years from 1962 to 1969, there have been two successive groups under the name "Muscle Shoals Rhythm Section" and the common factor in the two was an association with Rick Hall at FAME Studios in Muscle Shoals.
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