Shaft is a 1971 American blaxploitation crime action thriller film directed by Gordon Parks and written by Ernest Tidyman and John D. F. Black. It is an adaptation of Tidyman's novel of the same name and is the first entry in the Shaft film series. The plot revolves around a private detective named John Shaft who is hired by a Harlem mobster to rescue his daughter from the Italian mobsters who kidnapped her. The film stars Richard Roundtree as Shaft, alongside Moses Gunn, Charles Cioffi, Christopher St. John and Lawrence Pressman.
Diamonds is a 1975 Israeli-American heist film. Robert Shaw stars in a dual role as twin brothers. Richard Roundtree, Barbara Hershey and Shelley Winters are co-stars. The film was also released as Diamond Shaft, although it has no relation to the Shaft films other than having Roundtree in the cast.
Roy Thinnes is an American former television and film actor best known for his portrayal of lonely hero David Vincent in the ABC 1967–68 television series The Invaders.
Richard Arnold Roundtree was an American actor. He was best known for his portrayal of private detective John Shaft in the 1971 film Shaft and four of its sequels, Shaft's Big Score! (1972), Shaft in Africa (1973), its 2000 sequel and its 2019 sequel, as well as the eponymous television series (1973–1974). He was also known for featuring in several TV series, including Roots, Generations, and Desperate Housewives.
Shaft in Africa is a 1973 American blaxploitation film directed by John Guillermin, and the third film of the Shaft series, starring Richard Roundtree as John Shaft. Stirling Silliphant wrote the screenplay. The film's budget was $1.5 million, but the film was a box office flop, grossing just $1 million. Metro-Goldwyn-Mayer quickly sold the property to television, but the television series was cancelled after just seven episodes.
Endre Antal Miksa de Toth, known as Andre de Toth, was a Hungarian-American film director, born and raised in Makó, Austria-Hungary.
Garden of Evil is a 1954 American CinemaScope Western film directed by Henry Hathaway, about three somewhat disreputable 19th-century soldiers of fortune, played by Gary Cooper as an ex-lawman, Richard Widmark as a gambler, and Cameron Mitchell as a bounty hunter, who, along with Vicente, played by Víctor Manuel Mendoza, are randomly hired by a woman portrayed by Susan Hayward, to rescue her husband. Rita Moreno appears at the beginning of the film as a Mexican cantina singer/dancer. It was the first outdoor picture photographed in the new CinemaScope anamorphic widescreen process and director Hathaway took special pains to use the stunning vistas of the Mexican locations to show off the new screen dimensions to best effect.
"Talitha Cumi" is the twenty-fourth episode and the season finale of the third season of the science fiction television series The X-Files. It premiered on the Fox network on May 17, 1996, in the United States. The teleplay was written by series creator Chris Carter, based on a story he developed with lead actor David Duchovny and was directed by R. W. Goodwin. The episode is one of several that explored the series' overarching mythology. "Talitha Cumi" achieved a Nielsen household rating of 11.2, being watched by 17.86 million people in its initial broadcast. The episode received mostly positive reviews from critics.
"Herrenvolk" is the fourth season premiere of the American science fiction television series The X-Files. It premiered on the Fox network on October 4, 1996. It was directed by R.W. Goodwin, and written by series creator Chris Carter. "Herrenvolk" featured guest appearances by Roy Thinnes and Brian Thompson, and introduced Laurie Holden as recurring character Marita Covarrubias. The episode helped to explore the overarching mythology, or fictional history of The X-Files. "Herrenvolk" earned a Nielsen household rating of 13.2, being watched by 21.11 million people in its initial broadcast.
The Legend of Nigger Charley is a 1972 blaxploitation Western film directed by Martin Goldman and starring Fred Williamson in the title role. The story of a trio of escaped slaves, it was released during the heyday of blaxploitation. Shot in Charles City, Virginia, Eve's Ranch, Santa Fe, New Mexico, Jamaica, and Arizona, it received backlash for its controversial title.
The Soul of Nigger Charley is a 1973 American blaxploitation Western film directed by Larry Spangler and starring Fred Williamson. It is the sequel to 1972's The Legend of Nigger Charley. It is followed by Boss Nigger. It is rated R in the United States.
Stormy Weathers is a 1992 American action adventure television film directed by Will Mackenzie and starring Cybill Shepherd. The film premiered on May 4, 1992 on ABC.
The Blue Iguana is a 1988 American crime comedy film directed by John Lafia and starring Dylan McDermott, Jessica Harper, Pamela Gidley and James Russo. The plot is about a bounty hunter who is blackmailed into stopping the transfer of twenty million dollars from a Mexican tax paradise into the United States. The film was screened out of competition at the 1988 Cannes Film Festival.
An Eye for an Eye is a 1966 American Pathécolor Western film directed by Michael D. Moore. The film was co-scripted by Bing Russell, father of actor Kurt Russell.
Donald Chaffey was a British film director, writer, producer, and art director.
Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s, when the combined momentum of the civil rights movement, the black power movement, and the Black Panthers spurred African-American artists to reclaim the power of depiction of their ethnicity, and institutions like UCLA to provide financial assistance for African-American students to study filmmaking. This combined with Hollywood adopting a less restrictive rating system in 1968. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, the president of the Beverly Hills–Hollywood NAACP branch. He claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypes often involved in crime. After the race films of the 1940s and 1960s, the genre emerged as one of the first in which black characters and communities were protagonists, rather than sidekicks, supportive characters, or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s.
Black Noon is a 1971 American Horror Western television film. It was written and produced by Andrew J. Fenady and directed by Bernard L. Kowalski. The film originally aired on November 5, 1971, as part of CBS's The CBS Friday Night Movies, and was shown repeatedly in 1982.
Into the Badlands is a 1991 American Western horror television film directed by Sam Pillsbury, and written by Dick Beebe, Marjorie David and Gordon Dawson. It stars Bruce Dern, Mariel Hemingway and Helen Hunt. The film was nominated for a 1992 Primetime Emmy in Cinematography for a Miniseries or a Special.
The Bounty Killer is a 1965 American Technicolor and Techniscope Western film directed by Spencer Gordon Bennet, written by Ruth Alexander and Leo Gordon, and starring Dan Duryea and Rod Cameron. The supporting cast features Audrey Dalton, Richard Arlen, Buster Crabbe, Fuzzy Knight, Johnny Mack Brown and Tom Kennedy. Broncho Billy Anderson, the cinema's first Western film star, makes his final appearance in the film. The film was released on July 31, 1965, by Embassy Pictures.
The Bounty Man is a 1972 American made-for-television Western film directed by John Llewellyn Moxey and starring Clint Walker, Richard Basehart, John Ericson and Margot Kidder.
