A Jolly Bad Fellow | |
---|---|
Directed by | Don Chaffey |
Screenplay by | Robert Hamer Donald Taylor |
Based on | Don Among the Dead Men 1952 novel by C. E. Vulliamy |
Produced by | Donald Taylor |
Starring | Leo McKern |
Cinematography | Gerald Gibbs |
Edited by | Peter Tanner |
Music by | John Barry |
Production company | Pax Films |
Distributed by | British Lion Films |
Release date |
|
Running time | 94 minutes |
Country | United Kingdom |
Language | English |
A Jolly Bad Fellow (U.S. title: They All Died Laughing; also known as Don Among the Dead Men) is a 1964 British black comedy film directed by Don Chaffey and starring Leo McKern and Janet Munro. [1] [2]
In the film, a university professor advances his career through habitually poisoning his colleagues at the university.
Kerris Bowles-Ottery is professor of science at the University of Ockham. To advance his career, he poisons inconvenient colleagues with an untraceable substance he has discovered that induces hysteria and manic behaviour followed by death. His research assistant, Delia, blackmails him into a promise of marriage, but he remains attached to his wife, and poisons Delia. When the police arrive at his home to question him, he flees in his car but fatally crashes it as a result of smoking a poisoned cigarette that his wife has unknowingly brought from his laboratory. [2]
The Monthly Film Bulletin wrote: "Its awkward, old-fashioned punning title is unfortunately typical of A Jolly Bad Fellow. A Sir Michael Balcon production, with the late Robert Hamer sharing the script credit and a host of familiar character actors in the cast, it naturally arouses hopes of a renewal of the Ealing comedy tradition. But that vein has been worked out and this is the second recent British film to demonstrate that you cannot really rejuvenate an outworn formula simply by throwing in a bit of social comment and a few snide references to television. Like Nothing But the Best , A Jolly Bad Fellow is full of echoes – Genevieve, Kind Hearts, Brief Encounter, even the early films of Ralph Richardson, whose mannerisms have been inherited by Leo McKern. But the echoes only remind one how much better these things were done twenty years ago. The idea of murder as a jolly jape was pretty dated even before The Ladykillers. In the present film it is also peculiarly tasteless because it is unnecessary – the plot does not depend on the death of any of the victims. Don Chaffey's direction manages to be both flat and fussy – the business with the poisoned cigarettes being worked literally and figuratively to death – and there is an irritatingly jaunty score for "jazz organ" which makes one think wistfully of Larry Adler." [3]
Leslie Halliwell said: "Interesting but finally irritating comedy of murders with a punnish rather than a donnish script and only moments of genuine sub-Ealing hilarity." [4]
In a 2017 study of Bryanston Films, Duncan Petrie writes that the film did not make "any impact either commercially or critically." [5]
The New York Times called it "nonconformist but not especially sidesplitting" although having "a deftly casual air about it as well as the polish of professionalism". [6]
Reginald "Leo" McKern, AO was an Australian actor who appeared in numerous British, Australian and American television programmes and films, and in more than 200 stage roles. His notable roles include Clang in Help! (1965), Thomas Cromwell in A Man for All Seasons (1966), Tom Ryan in Ryan's Daughter (1970), Harry Bundage in Candleshoe (1977), Paddy Button in The Blue Lagoon (1980), Dr. Grogan in The French Lieutenant's Woman (1981), Father Imperius in Ladyhawke (1985), and the role that made him a household name as an actor, Horace Rumpole, whom he played in the British television series Rumpole of the Bailey. He also portrayed Carl Bugenhagen in the first and second instalments of The Omen series and Number Two in the TV series The Prisoner.
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Donald Chaffey was a British film director, writer, producer, and art director.
A Place to Go is a 1963 British crime drama film directed by Basil Dearden and starring Bernard Lee, Rita Tushingham and Michael Sarne. It was based on the 1961 novel Bethnal Green by Michael Fisher.
Ladies Who Do is a 1963 British comedy film directed by C. M. Pennington-Richards and starring Peggy Mount, Robert Morley and Harry H. Corbett. It was written by Michael Pertwee and John Bignall.
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Doctor in Distress is a 1963 British comedy film directed by Ralph Thomas and starring Dirk Bogarde, James Robertson Justice, and Samantha Eggar. It is the fifth of the seven films in the Doctor series. After a one-film absence, it was the final return to the role of Simon Sparrow by Dirk Bogarde, and also the return of Donald Houston. The film uses some of the characters in Richard Gordon's Doctor novels, but is not based on any of them.
Girl in the Headlines is a 1963 British detective film directed by Michael Truman and starring Ian Hendry, Ronald Fraser, Jeremy Brett, and Jane Asher. It is based on the 1961 novel The Nose on my Face by actor Laurence Payne.
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The Secret Tent is a 1956 crime film directed by Don Chaffey. It stars Donald Gray and Andrée Melly and was made at Shepperton Studios.
The Crooked Road is a 1965 British film directed and co-written by Don Chaffey. It stars Stewart Granger, Robert Ryan and Janet Munro. It is based on the 1957 novel The Big Story by Morris West. An American journalist plans to expose as a crook the dictator of a small Balkan state, but finds himself framed for murder.
The Boy Who Stole a Million is a 1960 British comedy thriller film directed by Charles Crichton and starring Maurice Reyna and Virgílio Teixeira.
Come On George! is a 1939 British comedy film directed by Anthony Kimmins which stars George Formby, with Pat Kirkwood and Joss Ambler in support. It was made by Associated Talking Pictures. It concerns the world of horse racing, and Formby, who had once been a stable apprentice, did his own riding in the film. Songs featured are "I'm Making Headway Now", "I Couldn't Let The Stable Down", "Pardon Me", and "Goodnight Little Fellow, Goodnight".
Bryanston Films was a British film company formed by Michael Balcon and Maxwell Setton in mid-1959 following the collapse of Ealing Studios. Neither a production studio, nor a distributor, it released independent British films through British Lion Films In operation until 1963, it was intended to be an unofficial group of independent film producers.
Colwyn Edward Vulliamy was an Anglo-Welsh biographer and author. He was mostly credited as C. E. Vulliamy, but he sometimes used the pen name Anthony Rolls for his crime fiction.