A Jolly Bad Fellow

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A Jolly Bad Fellow
AJollyBadFello1964Poster.jpg
Directed by Don Chaffey
Screenplay by Robert Hamer
Donald Taylor
Based onDon Among the Dead Men
1952 novel
by C. E. Vulliamy
Produced byDonald Taylor
Starring Leo McKern
Cinematography Gerald Gibbs
Edited by Peter Tanner
Music by John Barry
Production
company
Pax Films
Distributed by British Lion Films
Release date
  • 1964 (1964)
Running time
94 minutes
CountryUnited Kingdom
LanguageEnglish

A Jolly Bad Fellow (U.S. title: They All Died Laughing; also known as Don Among the Dead Men) is a 1964 British black comedy film directed by Don Chaffey and starring Leo McKern and Janet Munro. [1] [2]

Contents

In the film, a university professor advances his career through habitually poisoning his colleagues at the university. It was called "an attempt by Michael Balcon to recapture the magic of Ealing" and gave a rare leading film role to Leo McKern. [3]

Plot

Kerris Bowles-Ottery is professor of science at the University of Ockham. To advance his career, he poisons inconvenient colleagues with an untraceable substance he has discovered that induces hysteria and manic behaviour followed by death. His research assistant, Delia, blackmails him into a promise of marriage, but he remains attached to his wife, and poisons Delia. When the police arrive at his home to question him, he flees in his car but fatally crashes it as a result of smoking a poisoned cigarette that his wife has unknowingly brought from his laboratory. [2]

Cast

Production

The film was based on C.E. Vulliamy’s 1952 black comedy novel Don among the Dead Men, about an Oxford don who murders off rival colleagues. In 1962 it was announced film rights had been purchased by Michael Balcon, who assigned the job of writing the script to Andrew Sinclair, author of The Breaking of Bumbo . [4] It was going to be made by Pax Films who had a deal with Bryanston and Brittania Films. [5]

The script was eventually credited to Robert Hamer who had made Kid Hearts and Coronets. Don Chaffey directed it. [6] The film ended up being the first lead role for Leo McKern, who was usually a character actor. The movie was meant to be in the style of Ealing comedies such as Kind Hearts and Coronets and The Ladykillers. [7] Filming started June 1963 at Shepperton.

Reception

The Evening Standard wrote "McKern is a jolly good actor and it's sad to see him done in by a jolly bad film... a promising idea for a black comedy. But here it's devoid of wit, finesse, style and ruthlessness." [8] "Not very entertaining," said The Observer. [9]

Variety called it "the type of witty, offbeat comedy that used to be a favorite of the oJd Ealing Films setup... a lighthearted entry entertaining while it lasts. But this is unlikely to stick in patrons’ memories." [10]

The Monthly Film Bulletin wrote: "Its awkward, old-fashioned punning title is unfortunately typical of A Jolly Bad Fellow. A Sir Michael Balcon production, with the late Robert Hamer sharing the script credit and a host of familiar character actors in the cast, it naturally arouses hopes of a renewal of the Ealing comedy tradition. But that vein has been worked out and this is the second recent British film to demonstrate that you cannot really rejuvenate an outworn formula simply by throwing in a bit of social comment and a few snide references to television. Like Nothing But the Best , A Jolly Bad Fellow is full of echoes – Genevieve, Kind Hearts, Brief Encounter, even the early films of Ralph Richardson, whose mannerisms have been inherited by Leo McKern. But the echoes only remind one how much better these things were done twenty years ago. The idea of murder as a jolly jape was pretty dated even before The Ladykillers. In the present film it is also peculiarly tasteless because it is unnecessary – the plot does not depend on the death of any of the victims. Don Chaffey's direction manages to be both flat and fussy – the business with the poisoned cigarettes being worked literally and figuratively to death – and there is an irritatingly jaunty score for "jazz organ" which makes one think wistfully of Larry Adler." [11]

Leslie Halliwell said: "Interesting but finally irritating comedy of murders with a punnish rather than a donnish script and only moments of genuine sub-Ealing hilarity." [12]

In a 2017 study of Bryanston Films, Duncan Petrie writes that the film did not make "any impact either commercially or critically." [13]

The New York Times called it "nonconformist but not especially sidesplitting" although having "a deftly casual air about it as well as the polish of professionalism". [14]

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References

  1. "A Jolly Bad Fellow". British Film Institute Collections Search. Retrieved 20 April 2024.
  2. 1 2 "A Jolly Bad Fellow (1964)", British Film Institute. Retrieved 30 April 2021
  3. Vagg, Stephen (6 January 2024). "Girl-next-door or girl-gone-bad: The Janet Munro Story". Filmink. Retrieved 6 January 2024.
  4. "Film fare". Lincolnshire Echo. 14 August 1962. p. 4.
  5. "Balcon's next". Thanet Times. 30 October 1962. p. 2.
  6. "International soundtrack". Variety. 3 July 1963. p. 6.
  7. "Mr McKern, reluctant film star". Evening Standard. 21 June 1963. p. 8.
  8. Walker, Alexander (23 April 1964). "Deadly". Evening Standard. p. 10.
  9. "Films". The Observer. 26 April 1964. p. 22.
  10. "A Jolly Bad Fellow". Variety film reviews. 5 May 1964. p. 58.
  11. "A Jolly Bad Fellow". The Monthly Film Bulletin . 31 (360): 74. 1 January 1964. ProQuest   1305824630 via ProQuest.
  12. Halliwell, Leslie (1989). Halliwell's Film Guide (7th ed.). London: Paladin. p. 542. ISBN   0586088946.
  13. Petrie, Duncan James (2017). "Bryanston Films : An Experiment in Cooperative Independent Production and Distribution" (PDF). Historical Journal of Film, Radio and Television: 12. ISSN   1465-3451.
  14. "Comedy at the Coronet", The New York Times, 16 March 1964