The Man Upstairs | |
---|---|
Directed by | Don Chaffey |
Written by | Alun Falconer Robert Dunbar Don Chaffey |
Produced by | Robert Dunbar |
Starring | Richard Attenborough Bernard Lee Donald Houston |
Cinematography | Gerald Gibbs |
Edited by | John Trumper |
Release date |
|
Running time | 88 min. |
Country | United Kingdom |
Language | English |
The Man Upstairs is a 1958 British psychological drama film directed by Don Chaffey and starring Richard Attenborough and Bernard Lee. [1] [2] The film was produced by Robert Dunbar for Act Films Ltd. [3]
Peter Watson, a tenant of a boarding house, is troubled with pain and an inability to sleep. He repeatedly tries unsuccessfully to light the gas-fire that requires coins and seeks help from another lodger, artist Nicholas, who is spending the night with his model, and is reluctant to be disturbed. Another neighbour, Pollen, calls for police help. The other occupants in the property are awake by this time, and one of them, Mrs Barnes, tries to help the mentally confused Watson (known to them as John Wilson) but he also refuses her help. The police clash with Mr Sanderson, a mental health worker, who thinks he can take Watson, who is armed, without complications, but when a police sergeant is injured Inspector Thompson is determined to remove him by force if necessary. Eventually Mrs Barnes manages to persuade the sick man to leave his room, and Mr Sanderson accompanies him to a waiting ambulance for hospital treatment.
The Monthly Film Bulletin wrote: "In its situation, its skilful use of suspense and even some of its details (the alarm clock, the trapped man shouting to the crowd) this film recalls Le Jour Se Léve [1939]. But in this case the focus is less on the man than on the reactions of the people around him; argument is substituted for lyricism and the conflict between kindness and brute force, despite occasional over-simplification, is absorbing. Editing and direction are crisp, while the characters are nicely pointed in the script and acting. If Richard Attenborough cannot repeat the performance of [Jean] Gabin he is effective within the compass of the part and supporting roles are uniformly well played." [4]
TV Guide wrote, "a superb performance from Attenborough is at the core of this character study." [5]
The New York Times singled out Alun Falconer's "script, the tight direction by Don Chaffey, and the performances of the principals", and noted, "although they (the performances) do not make The Man Upstairs extraordinary, they give this modest effort the sheen of honesty and quality." [6]
Séance on a Wet Afternoon is a 1964 British thriller film directed by Bryan Forbes, and starring Kim Stanley, Richard Attenborough, Nanette Newman, Mark Eden and Patrick Magee. Based on the 1961 novel by Mark McShane, the film follows a mentally unstable medium who convinces her husband to kidnap a child so she can help the police solve the crime and achieve renown for her abilities. Kim Stanley was nominated for the Academy Award for Best Actress for her role in the film.
The Whisperers is a 1967 British drama film directed by Bryan Forbes and starring Edith Evans. It is based on the 1961 novel by Robert Nicolson. Star Edith Evans received many honours for her leading performance, including her third Oscar nomination.
Gordon Cameron Jackson, was a Scottish actor best remembered for his roles as the butler Angus Hudson in Upstairs, Downstairs and as George Cowley, the head of CI5, in The Professionals. He also portrayed Capt Jimmy Cairns in Tunes of Glory, and Flt. Lt. Andrew MacDonald, "Intelligence", in The Great Escape.
John Harvey was an English actor. He appeared in 52 films, two television films and made 70 television guest appearances between 1948 and 1979.
David William Frederick Lodge was an English character actor.
London Belongs to Me is a British film released in 1948, directed by Sidney Gilliat, and starring Richard Attenborough and Alastair Sim. It was based on the novel London Belongs to Me by Norman Collins, which was also the basis for a seven-part series made by Thames Television shown in 1977.
Tiger Bay is a 1959 British crime drama film based on the short story "Rodolphe et le Revolver" by Noël Calef. It was directed by J. Lee Thompson, produced by John Hawkesworth, and co-written by John Hawkesworth and Shelley Smith. It stars John Mills as a police superintendent investigating a murder; his real-life daughter Hayley Mills, in her first major film role, as a girl who witnesses the murder; and Horst Buchholz as a young sailor who commits the murder in a moment of passion.
Emergency Call, released in the US as The Hundred Hour Hunt, is a 1952 British drama film directed by Lewis Gilbert and starring Jack Warner, Anthony Steel, Joy Shelton and Sid James. It was distributed by Butcher's Film Service. The film was a noted success compared to its small budget and helped establish Gilbert as a director. It was remade in 1962 as Emergency.
The Unexpected Guest is a 1958 play by crime writer Agatha Christie.
Donald Chaffey was a British film director, writer, producer, and art director.
Never Let Go, also known as Moment of Truth, is a 1960 British thriller film directed by John Guillermin and starring Richard Todd, Peter Sellers and Elizabeth Sellars. It concerns a man's attempt to recover his stolen car. Sellers plays a London villain, in one of his rare serious roles.
The Long Arm is a 1956 British film noir police procedural crime film directed by Charles Frend and starring Jack Hawkins.It was based on a screenplay by Robert Barr and Janet Green, and produced by Michael Balcon. It was shot on location in London and Snowdonia in North Wales.
10 Rillington Place is a 1971 British crime film. The film stars Richard Attenborough, Judy Geeson, John Hurt and Pat Heywood and was directed by Richard Fleischer, produced by Leslie Linder and Martin Ransohoff. It was adapted by Clive Exton from the book Ten Rillington Place by Ludovic Kennedy.
The Girl in the Picture is a 1957 British second feature crime film directed by Don Chaffey and starring Donald Houston and Patrick Holt.
The Third Secret is a 1964 British CinemaScope neo-noir psychological mystery thriller film directed by Charles Crichton and starring Stephen Boyd, Jack Hawkins, Richard Attenborough, Diane Cilento, Pamela Franklin, Paul Rogers and Alan Webb. The screenplay by Robert L. Joseph focuses on an American newscaster who investigates the mysterious death of his psychoanalyst. According to the film, there are three kinds of secrets; the first, you keep from others; the second, you keep from yourself, and the third is the truth.
Wensley Ivan William Frederick Pithey was a South African character actor who had a long stage and film career in Britain.
Dancing with Crime is a 1947 British film noir film directed by John Paddy Carstairs, starring Richard Attenborough, Barry K. Barnes and Sheila Sim. A man hunts down the killer of his lifelong friend.
The Secret Tent is a 1956 crime film directed by Don Chaffey. It stars Donald Gray and Andrée Melly and was made at Shepperton Studios.
Enemy Agents Meet Ellery Queen is a 1942 black-and-white thriller film, directed by James P. Hogan and written by Ellery Queen, the duo of Manfred Lee and Frederic Dannay.
Witness in the Dark is a 1959 British second feature crime drama film directed by Wolf Rilla, and starring Patricia Dainton, Conrad Phillips, Madge Ryan and Nigel Green. It was produced by Norman Williams.