Chasin' the Gypsy | ||||
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Studio album by | ||||
Released | 2000 | |||
Recorded | 2000 | |||
Studio | Avatar, New York City | |||
Genre | Jazz | |||
Length | 54:25 | |||
Label | Atlantic 7567-83304-2 | |||
Producer | Yves Beauvais, James Carter | |||
James Carter chronology | ||||
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Chasin' the Gypsy is the sixth album by saxophonist James Carter which was released on the Atlantic label in 2000. [1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
Robert Christgau | A [3] |
The Penguin Guide to Jazz Recordings | [4] |
The AllMusic review by Richard S. Ginell says, " Chasin' the Gypsy, as you might guess, is an homage to Django Reinhardt, whose music Carter used to dig on Detroit radio when he was a teenager, but Carter doesn't take the predictable reverent path in paying his respects ... this is a delightful departure for Carter, though probably destined to be a one-off excursion". [2] In JazzTimes Bill Milkowski wrote, "Just when you had him pegged as a rip-snorting tenor and bari monster with a wicked penchant for ferocious overblowing, he comes across as a shameless romantic on Chasin' the Gypsy, his lovely ode to Django. Still, Carter's characteristic bravado, tenor squeals, trills and remarkable displays of multiphonics are still intact here". [5] On All About Jazz Mark Corroto noted, "Carter’s Reinhardt tribute, while appealing to traditional jazz fans, also has something to say to the Downtown crowd". [6] Critic Robert Christgau rated the album an "A", saying, "this is the spirit marriage a tribute should be. It swings like a horse thief, parlays Fransay, and adores the melody". [3]
The Jazz Composer's Orchestra is a 1968 album by the Jazz Composer's Orchestra recorded over a period of six months with Michael Mantler as composer, leader and producer. Many of the key figures in avant-garde jazz from the time contributed on the album including Don Cherry, Pharoah Sanders, Gato Barbieri, Larry Coryell, Roswell Rudd, and Carla Bley. The album's finale features a two-part concerto for Cecil Taylor and orchestra.
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Three or Four Shades of Blues is a studio album by the American jazz bassist and bandleader Charles Mingus. It was recorded in sessions held on March 9 and 11, 1977, at New York City's Atlantic Studios, and on March 29 at the Record Plant in Los Angeles. The album features two new versions of Mingus's "standards" and three new compositions performed by large ensembles featuring saxophonists Ricky Ford, George Coleman, and Sonny Fortune, pianist Jimmy Rowles, guitarists Larry Coryell, Philip Catherine and John Scofield, bassists Ron Carter and George Mraz, trumpeter Jack Walrath, and drummer Dannie Richmond.
Don't Stop the Carnival is a live album by jazz saxophonist Sonny Rollins, recorded at the Great American Music Hall and released on the Milestone label in 1978, featuring performances by Rollins with Mark Soskin, Aurell Ray, Jerome Harris and Tony Williams with Donald Byrd joining on five tracks.
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