"},"rev2":{"wt":"[[Robert Christgau]]"},"rev2Score":{"wt":"A"},"rev3":{"wt":"''[[The Penguin Guide to Jazz Recordings]]''"},"rev3score":{"wt":"{{Rating|2.5|4}}{{cite book |last1=Cook |first1=Richard |authorlink1=Richard Cook (journalist) |last2=Morton |first2=Brian |authorlink2=Brian Morton (Scottish writer) |title=[[The Penguin Guide to Jazz|The Penguin Guide to Jazz Recordings]] |year=2008 |edition=9th |publisher=[[Penguin Books|Penguin]] |isbn=978-0-141-03401-0 |page=233}}"},"rev4":{"wt":"''[[The Rolling Stone Album Guide]]''"},"rev4Score":{"wt":"{{Rating|5|5}}{{cite book|last=Berger|first=Arion|chapter=James Carter|pages=[https://archive.org/details/newrollingstonea00brac/page/142 142–43]|year=2004|editor1-last=Brackett|editor1-first=Nathan|editor2-last=Hoard|editor2-first=Christian|title=[[The Rolling Stone Album Guide]]|publisher=[[Simon and Schuster]]|isbn=0-7432-0169-8}}"}},"i":0}}]}" id="mwDw">
}} The AllMusic review by Richard S. Ginell says, " Chasin' the Gypsy, as you might guess, is an homage to Django Reinhardt, whose music Carter used to dig on Detroit radio when he was a teenager, but Carter doesn't take the predictable reverent path in paying his respects ... this is a delightful departure for Carter, though probably destined to be a one-off excursion".[2] In JazzTimes Bill Milkowski wrote, "Just when you had him pegged as a rip-snorting tenor and bari monster with a wicked penchant for ferocious overblowing, he comes across as a shameless romantic on Chasin' the Gypsy, his lovely ode to Django. Still, Carter's characteristic bravado, tenor squeals, trills and remarkable displays of multiphonics are still intact here".[6] On All About Jazz Mark Corroto noted, "Carter’s Reinhardt tribute, while appealing to traditional jazz fans, also has something to say to the Downtown crowd".[7] Critic Robert Christgau rated the album an "A", saying, "this is the spirit marriage a tribute should be. It swings like a horse thief, parlays Fransay, and adores the melody".[3]
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