James William Wallack, commonly referred to as J. W. Wallack, was an Anglo-American actor and manager, born in London, and brother of Henry John Wallack.
In American theater, summer-stock theater is a theater that presents stage productions only in the summer. The name combines the season with the tradition of staging shows by a resident company, reusing stock scenery and costumes. Summer stock theaters frequently take advantage of seasonal weather by having their productions outdoors or under tents set up temporarily for their use.
William Dunlap was a pioneer of American theater. He was a producer, playwright, and actor, as well as a historian. He managed two of New York City's earliest and most prominent theaters, the John Street Theatre and the Park Theatre. He was also an artist, despite losing an eye in childhood.
Beginning July 7, 1834, New York City was torn by a huge antiabolitionist riot that lasted for nearly a week until it was put down by military force. "At times the rioters controlled whole sections of the city while they attacked the homes, businesses, and churches of abolitionist leaders and ransacked black neighborhoods."
The Meisner technique is an approach to acting developed by American theatre practitioner Sanford Meisner.
The Bowery Theatre was a playhouse on the Bowery in the Lower East Side of Manhattan, New York City. Although it was founded by rich families to compete with the upscale Park Theatre, the Bowery saw its most successful period under the populist, pro-American management of Thomas Hamblin in the 1830s and 1840s. By the 1850s, the theatre came to cater to immigrant groups such as the Irish, Germans, and Chinese. It burned down four times in 17 years, a fire in 1929 destroying it for good. Although the theatre's name changed several times, it was generally referred to as the "Bowery Theatre".
Mrs. John Wood, born Matilda Charlotte Vining, was an English actress and theatre manager.
Thomas Souness Hamblin was an English actor and theatre manager. He first took the stage in England, then immigrated to the United States in 1825. He received critical acclaim there, and eventually entered theatre management. During his tenure at New York City's Bowery Theatre he helped establish working-class theatre as a distinct form. His policies preferred American actors and playwrights to British ones, making him an important influence in the development of early American drama.
The Chatham Theatre or Chatham Street Theatre was a playhouse on the southeast side of Chatham Street in New York City. It was located at numbers 143-9, between Roosevelt and James streets, a few blocks south of the Bowery. At its opening in 1839, the Chatham was a neighborhood establishment, which featured big-name actors and drama. By the mid-1840s, it had become primarily a venue for blackface minstrel shows. Frank S. Chanfrau restored some of its grandeur in 1848.
Francis S. Chanfrau was an American actor and theatre manager in the 19th century. He began his career playing bit parts and doing impressions of star actors such as Edwin Forrest and of ethnic groups.
The Park Theatre, originally known as the New Theatre, was a playhouse in New York City, located at 21–25 Park Row in the present Civic Center neighborhood of Manhattan, about 200 feet (61 m) east of Ann Street and backing Theatre Alley. The location, at the north end of the city, overlooked the park that would soon house City Hall. French architect Marc Isambard Brunel collaborated with fellow émigré Joseph-François Mangin and his brother Charles on the design of the building in the 1790s. Construction costs mounted to precipitous levels, and changes were made in the design; the resulting theatre had a rather plain exterior. The doors opened in January 1798.
Christopher William Edgar BigsbyFRSA FRSL, is a British literary analyst and novelist, with more than sixty books to his credit. Earlier in his writing career, his books were published under the name C. W. E. Bigsby. He has won awards for his work on the American theatre, for his biography of Arthur Miller, for his first novel, Hester, and for his work in study abroad. He holds honorary degrees from Bolton University and the Complutense University of Madrid.
The Eagle Theatre in Gold Rush-era Sacramento was the first permanent theatre to be built in the state of California. Established in 1849 this relatively small structure was originally wood-framed and canvas-covered with a tin roof and a packed earth floor. The theatre was flooded on Jan 4, 1850.
Three New York City playhouses named Wallack's Theatre played an important part in the history of American theater, as the successive homes of the stock company managed by actors James W. Wallack and his son, Lester Wallack. During its 35-year lifetime, from 1852 to 1887, that company developed and held a reputation as the best theater company in the country.
The history of theatre charts the development of theatre over the past 2,500 years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment and theatrical or performative elements in other activities. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity. Since classical Athens in the 6th century BC, vibrant traditions of theatre have flourished in cultures across the world.
Lafayette Circus Theatre emerged in Manhattan in 1825 as an equestrian circus arena; in 1826–1827 it was rebuilt into a conventional theatre hall with an orchestra pit and advanced rigging. It boasted equipment for both equestrian (Hippodrama) and aquatic drama. The theatre was destroyed by fire in 1829.
Palmo's Opera House was a 19th-century theatre in Manhattan, New York that was located on Chambers Street between Broadway and Centre Street. It was one of the earliest opera houses in New York before it was converted into one of the earliest Broadway theatres. The theatre was conceived by Ferdinand Palmo, an Italian immigrant and successful restaurateur in New York City. It was located inside the former Stoppani's Arcade Baths building. Modest alteration to the building was done in 1843 to convert the building into a theater.
The Theatre on Nassau Street, or The New Theatre, was probably the first purpose-built theatre in Manhattan.
Jane Shirreff (1808-1883) was a British soprano opera singer and stage actress. She was described as America's "most admired prima donna between the days of Mrs. Wood and those of Louisa Pyne".
Caroline Placide Waring Blake was an American stage actress.
