Author | Maeve Binchy |
---|---|
Language | English |
Genre | Short story collection |
Publisher | Orion (UK) Knopf (US) |
Publication date | April 24, 2014 |
Publication place | Ireland |
Media type | Print (Hardback & Paperback) |
Pages | 400 |
Preceded by | A Week in Winter (2012) |
Followed by | A Few of the Girls (2015) |
Chestnut Street is a 2014 short story collection by the Irish author Maeve Binchy. It was published posthumously by her husband, Gordon Snell. It contains 36 short stories, the majority never before published, which Binchy had written over a period of decades. Each story centers around a different resident or family living on or connected to the fictional Chestnut Street in Dublin.
The setting for the stories is the fictional Chestnut Street in Dublin, which Binchy describes as a U-shaped road with a "big bit of grass in the middle beside some chestnut trees" and "thirty small houses in a semicircle". [1] Each story in the collection focuses on a different resident or family living on the street or connected to it in some way. [2] [3] Some characters appear in more than one story, but usually as a "passing mention" in the latter tales. [2] The collection offers a panoply of character studies, exploring relationships between parents and children, spouses, lovers, and friends. [2] Many of the situations Binchy creates "focus on people dealing with tough issues, with plenty of ambiguity and no tidy endings in sight"; others are drawn with humor and wit. [3] O. Henry-style plot twists and surprise endings are often employed to bring tales to a satisfying conclusion. [1] [4]
The characters are quintessentially Irish and grapple with issues common to Irish society. [4] Many of the main characters are women, [5] and many of the men are "deadbeats" or unfaithful spouses and lovers. [6] The protagonists span all ages, from children to teens to adults, and also all social classes. [2] [7] [8]
Among the themes explored in the stories are "love, romance, marriage, divorce, greed, regret, miscommunication, come-uppance, change, connection, understanding". [4] "Community" is also a common theme in the tales. [4]
Chestnut Street was the second Binchy title to be published after her death in July 2012; the first was the novel A Week in Winter , published at the end of 2012. [9] [10] The appearance of this Binchy title came as a surprise to her legions of fans, as they had had no knowledge of its existence. [9] According to Binchy's husband Gordon Snell, who approved the publication and wrote the preface, Binchy had penned the stories over a period of decades with the intention of one day compiling them into a book. [2] [3] She had jotted down the stories in-between her major writing projects, and filed them away in a drawer. [9] A couple of the tales had been printed in magazines, but most of the 36 stories selected for inclusion in this edition were being published for the first time. [4] [9]
Binchy's English-language publishers released the book simultaneously worldwide on April 24, 2014. [9] The collection was marketed as a novel, as it mirrors Binchy's use of the interlocking-story format seen in her longer novels, such as Quentins . [6] However, Snell had announced that A Week in Winter would be Binchy's last novel, saying: "It was the last novel – there will be no more", leading The Independent to rename this Binchy's "last book". [9] [lower-alpha 1]
The Sunday Express gave the work 4 out of 5 stars, calling it "vintage Maeve Binchy ... with the wisdom and warmth that was a hallmark of her fiction". [6] NPR praised the universality of the stories, adding: "Chestnut Street has everything that makes Binchy special, in small delicious bites; her ability to capture human nature, describe individual life arcs, and breathe life into characters ... Binchy's storytelling is so astute that we regard unlikable characters with understanding, if not sympathy". [4] USA Today also commended the writing style, stating: "Binchy's prose is lyrical, carrying the reader along like a lullaby". [8]
The Boston Globe noted the uneven nature of the stories, some "more fully realized than others, while some remain closer to fragments, vignettes, or even character sketches". [2] Though composed over a period of decades, the stories also give no indication of the era in Irish history in which they were written. [3] The Irish Times lamented the absence of Binchy's guiding hand to polish and prepare these stories for publication, stating: "As is perhaps inevitable in a posthumous collection, a few of the stories don't feel finished or polished; some just feel like extracts from potentially longer stories". [3] As a rule, the earlier stories are better developed. [7]
Anne Maeve Binchy Snell was an Irish novelist, playwright, short story writer, columnist, and speaker. Her novels were characterised by a sympathetic and often humorous portrayal of small-town life in Ireland, and surprise endings. Her novels, which were translated into 37 languages, sold more than 40 million copies worldwide. Her death at age 73, announced by Vincent Browne on Irish television late on 30 July 2012, was mourned as the death of one of Ireland's best-loved and most recognisable writers.
The Glass Lake is a 1994 novel by the Irish author Maeve Binchy. The action takes place in a rural Irish village as well as in London in the 1950s. It is notable as the last of Binchy's novels to be set in the 1950s. Binchy explores the roles of women in Irish society and inconstant lovers, and uses an operatic plot to hold the reader's attention.
Mary Dorcey is an Irish author and poet, feminist, and LGBT+ activist. Her work is known for centring feminist and queer themes, specifically lesbian love and lesbian eroticism.
Maeve Brennan was an Irish short story writer and journalist. She moved to the United States in 1934 when her father was assigned by the Department of Foreign Affairs to the Irish Legation in Washington, D.C. She was an important figure in both Irish diaspora writing and in Irish literature itself. Collections of her articles, short stories, and a novella have been published.
Chestnut Street may refer to:
Evening Class is a 1996 novel by the Irish author Maeve Binchy. It was adapted as the award-winning film Italian for Beginners (2000) by writer-director Lone Scherfig, who failed to formally acknowledge the source, although at the very end of the closing credits is the line 'with thanks to Maeve Binchy'.
Quentins is a 2002 novel by the Irish author Maeve Binchy. The title refers to Quentins Restaurant, a fictional upscale dining establishment in central Dublin, Ireland. The restaurant was referenced numerous times in previous Binchy titles; this novel explores its 30-year history as well as the lives of its patrons. The novel was produced as a BBC Word for Word audiobook in 2003.
Light a Penny Candle is a 1982 novel by the Irish author Maeve Binchy. Her debut novel, it follows the friendship between an English girl and an Irish girl over the course of three decades, beginning with the English girl's stay in Ireland during the Blitz. It is one of Binchy's best-known novels.
Circle of Friends is a 1990 novel by the Irish author Maeve Binchy. Set in Dublin, as well as in the fictitious town of Knockglen in rural Ireland during the 1950s, the story centres on a group of university students. The novel was adapted into a 1995 feature film directed by Pat O'Connor.
Tara Road is a 2005 film directed by Gillies MacKinnon. It is based on the 1998 novel of the same name by Maeve Binchy.
Firefly Summer is a 1987 novel by the Irish author Maeve Binchy. Set in an Irish small town, this third novel by Binchy depicts the changes that affected the country in the late twentieth century. BBC Radio 4 produced a 6-episode, 3-hour dramatization of the novel in 2008.
The Copper Beech is a 1992 novel by the Irish author Maeve Binchy. Set in the 1950s and 1960s, the storyline follows the lives of eight characters and those closest to them living in a small Irish town, in chapters with interlocking plot elements. Reviews are positive about this novel with an unusual structure.
Heart and Soul is a 2008 novel by the Irish author Maeve Binchy. The plot centers around what Binchy terms "a heart failure clinic" in Dublin and the people involved with it. Several characters from Binchy's previous novels, including Evening Class, Scarlet Feather, Quentins, and Whitethorn Woods, make appearances.
Echoes is a 1985 novel by the Irish author Maeve Binchy. As Binchy's second novel, it explores various themes of Irish small-town life, including social classes and expectations, the paucity of educational opportunities before the introduction of free secondary education in 1967, and women's roles. A four-part television miniseries was adapted from the novel in 1988.
Nights of Rain and Stars is a 2004 novel by the Irish author Maeve Binchy.
Gordon Snell is a British author of children's literature and scriptwriter. He was married to Irish author Maeve Binchy from 1977 until her death in 2012. He lives in the home that he shared with his late wife in Dalkey, outside of Dublin, Ireland.
A Week in Winter is a novel by the Irish author Maeve Binchy. It was published posthumously in 2012. It set a record for the most pre-orders ever for a book on Amazon.com.
Minding Frankie is a 2010 novel by the Irish author Maeve Binchy.
Silver Wedding is a 1988 novel by the Irish author Maeve Binchy. Set in London, Dublin, and the west of Ireland in the year 1985, the novel explores the lives and inner feelings of a couple and their family and friends who are about to celebrate the couple's 25th wedding anniversary.
Róisín Ingle is an Irish writer – a journalist, columnist and editor – as well as a podcast presenter and producer. She grew up in Sandymount, Dublin and, except for a brief stint in the UK, has lived and worked in Ireland for most of her life. She started working at the Sunday Tribune and then moved to the Irish Times in the late 1990s, where she has worked since, notably producing a widely read lifestyle column, working as a features editor and producing multiple series of podcasts. Selections of her columns, which number more than 4,000, have been collected in two books. Ingle has also co-produced and contributed to another publication, and edited others, notably a collection of work by Maeve Binchy.