Grant Park is a large urban park in the Loop community area of Chicago, Illinois. Located within the city's central business district, the 319-acre (1.29 km2) park's features include Millennium Park, Buckingham Fountain, the Art Institute of Chicago, and the Museum Campus.
Jaume Plensa i Suñé is a Spanish visual artist, sculptor, designer and engraver. He is a versatile artist who has also created opera sets, video projections and acoustic installations. He worked with renowned Catalan theatrical group La Fura dels Baus. He is better known for his large sculptures made up of letters and numbers.
Evelyn Beatrice Longman was a sculptor in the U.S. Her allegorical figure works were commissioned as monuments and memorials, adornment for public buildings, and attractions at art expositions in early 20th-century America. She was the first woman sculptor to be elected a full member of the National Academy of Design in 1919.
The Union Stock Yard & Transit Co., or The Yards, was the meatpacking district in Chicago for more than a century, starting in 1865. The district was operated by a group of railroad companies that acquired marshland and turned it into a centralized processing area. By the 1890s, the railroad capital behind the Union Stockyards was Vanderbilt money. The Union Stockyards operated in the New City community area for 106 years, helping Chicago become known as the "hog butcher for the world," the center of the American meatpacking industry for decades. The yards became inspiration for literature and social reform.
Milton Horn was a Ukrainian American sculptor and artist known for work that, according to a 1957 citation of honor from the American Institute of Architects, demonstrated "the truth that architecture and sculpture are not two separate arts but, in the hands of sympathetic collaborators, one and the same".
Cloud Gate is a public sculpture by Indian-born British artist Anish Kapoor, that is the centerpiece of AT&T Plaza at Millennium Park in the Loop community area of Chicago, Illinois. The sculpture and AT&T Plaza are located on top of Park Grill, between the Chase Promenade and McCormick Tribune Plaza & Ice Rink. Constructed between 2004 and 2006, the sculpture is nicknamed "The Bean" because of its shape, a name Kapoor initially disliked, but later grew fond of. Made up of 168 stainless steel plates welded together, its highly polished exterior has no visible seams. It measures 33 by 66 by 42 feet, and weighs 110 short tons.
The Fountain of Eternal Life, also known as the War Memorial Fountain and Peace Arising from the Flames of War, is a statue and fountain in downtown Cleveland, Ohio designed by Cleveland Institute of Art graduate Marshall Fredericks and dedicated on May 30, 1964. The sculpture, which honors Greater Clevelanders who served, died, or were declared missing in military service, is situated on Veterans' Memorial Plaza as part of the Cleveland Mall.
Roni Horn is an American visual artist and writer. The granddaughter of Eastern European immigrants, she was born in New York City, where she lives and works. She is currently represented by Xavier Hufkens in Brussels and Hauser & Wirth. She is openly gay.
Fountain of the Great Lakes, or Spirit of the Great Lakes Fountain, is an allegorical sculpture and fountain by Lorado Taft. The bronze artwork, created between 1907 and 1913, depicts five women arranged so that the fountains waterfall recalls the waterflow through the five Great Lakes of North America. In the Great Lakes, the waterflow begins in Lake Superior at 600 feet (180 m) above sea level and continues eastward through each lake until it reaches Lake Ontario. The Fountain is one of Taft's best known works. It is located in the public South McCormick Memorial Court of the Art Institute of Chicago, in the Chicago Loop.
AT&T Plaza is a public space that hosts the Cloud Gate sculpture. It is located in Millennium Park, which is a park built to celebrate the third millennium and which is located within the Loop community area of Chicago, Illinois in the United States. The sculpture and the plaza are sometimes jointly referred to as Cloud Gate on the AT&T Plaza.
Boeing Galleries are a pair of outdoor exhibition spaces within Millennium Park in the Loop community area of Chicago in Cook County, Illinois, United States. The spaces are located along the south and north mid-level terraces, above and east of Wrigley Square and the Crown Fountain. In a conference at the Chicago Cultural Center, Boeing President and Chief Executive Officer James Bell to Chicago Mayor Richard M. Daley announced Boeing would make a $5 million grant to fund both the construction of and an endowment for the space.
Spaces with Iron is a public sculpture by American artist Will Horwitt. It was installed in January 2009 on the Indiana University-Purdue University Indianapolis (IUPUI) campus, near downtown Indianapolis, Indiana. The sculpture is located at the corner of Blackford and Vermont Streets, on the southeast lawn of the Science Building, and is on long-term loan from the Indianapolis Museum of Art.
Coal Miner is a public artwork by Polish American artist John J. Szaton (1907–1966) which is located in two US State capitals; the original, commissioned in 1963 in Springfield, Illinois, as well as a copy on the west lawn of the Indiana State House in Indianapolis The statues commemorate coal miners who had lost their lives in those states' mining industry. The 7-foot (2.1 m) tall statue rests on a 3-foot (0.91 m) square, granite base supported by a cement foundation that is 4–6 inches (100–150 mm) thick.
Kvinneakt is an abstract bronze sculpture located on the Transit Mall of downtown Portland, Oregon. Designed and created by Norman J. Taylor between 1973 and 1975, the work was funded by TriMet and the United States Department of Transportation and was installed on the Transit Mall in 1977. The following year Kvinneakt appeared in the "Expose Yourself to Art" poster which featured future Mayor of Portland Bud Clark flashing the sculpture. It remained in place until November 2006 when it was removed temporarily during renovation of the Transit Mall and the installation of the MAX Light Rail on the mall.
Pod is the name of a 2002 modern sculpture by American artist Pete Beeman, currently installed at Southwest 10th Avenue and West Burnside Street in downtown Portland, Oregon. The 30-foot (9.1 m) sculpture, intended to represent the "infrastructure, energy, and vibrancy of Portland," is supported by its static tripod base with a 15-foot (4.6 m) diameter. It is constructed from stainless steel, galvanized steel, bronze, titanium, lead and other materials. Pod was fabricated by Beeman and David Bermudez, and engineered by Beeman and Peterson Structural Engineers. It is considered interactive and kinetic, with a central, vertical pendulum that swings back and forth when pushed. The sculpture cost as much as $50,000 and was funded by the Portland Streetcar Project. Pod is part of the City of Portland and Multnomah County Public Art Collection courtesy of the Regional Arts & Culture Council.
The Great God Pan is a bronze sculpture by American sculptor George Grey Barnard. Since 1907, it has been a fixture of the Columbia University campus in Manhattan, New York City.
The Promised Land is an outdoor bronze sculpture by David Manuel, installed in 1993 in Chapman Square, in Portland, Oregon. It was de-accessioned in 2020 in response to vandalism and racial justice concerns during the George Floyd protests.
Babies is a series of sculptures by Czech artist David Černý.
Cottontail on the Trail is a bronze sculpture in Minneapolis, Minnesota. The piece was commissioned as part of the city's Art in Public Places program and was designed by sculptor Jeff Barber of Cannon Falls, Minnesota. The sculpture, which depicts an oddly proportioned cottontail rabbit, was permanently installed on Minnehaha Parkway in 2002. Cottontail on the Trail has been well received by residents of the surrounding area, who often decorate it seasonally or in response to current events.
Anyanwu is a bronze sculpture created by the Nigerian artist Ben Enwonwu between 1954 and 1955. It is a representation of the Igbo mythological figure and earth goddess Ani. It was created to mark the opening of the Nigerian National Museum in Lagos in 1956 and is still on display outside the museum. A life size version of the piece was presented to the United Nations by Nigeria in 1966 and is displayed in the Headquarters of the United Nations in New York City. Several subsequent smaller editions of the piece have since been created.
