James Earle Fraser was an American sculptor during the first half of the 20th century. His work is integral to many of Washington, D.C.'s most iconic structures.
Alexander Phimister Proctor was an American sculptor with the contemporary reputation as one of the nation's foremost animaliers.
Solon Hannibal de la Mothe Borglum was an American sculptor. He is most noted for his depiction of frontier life, and especially his experience with cowboys and native Americans.
Henri-Michel-Antoine Chapu was a French sculptor in a modified Neoclassical tradition who was known for his use of allegory in his work.
Cyrus Edwin Dallin was an American sculptor best known for his depictions of Native Americans. He created more than 260 works, including the Equestrian Statue of Paul Revere in Boston; the Angel Moroni atop Salt Lake Temple in Salt Lake City; and Appeal to the Great Spirit (1908), at the Museum of Fine Arts, Boston. He was also an accomplished painter and an Olympic archer.
Appeal to the Great Spirit is a 1908 equestrian statue by Cyrus Dallin, located in front of the Museum of Fine Arts, Boston. It portrays a Native American on horseback facing skyward, his arms spread wide in a spiritual request to the Great Spirit. It was the last of Dallin's four prominent sculptures of Indigenous people known as The Epic of the Indian, which also include A Signal of Peace (1890), The Medicine Man (1899), and Protest of the Sioux (1904).
Francis Edwin Elwell was an American sculptor, teacher, and author.
The National American Indian Memorial or North American Indian Memorial was a proposed monument to Native Americans to be erected on a bluff overlooking the Narrows, the main entrance to New York Harbor. The major part of the memorial was to be a 165-foot-tall (50 m) statue of a representative American Indian warrior atop a substantial foundation building housing a museum of native cultures, similar in scale to, but higher than, the Statue of Liberty several miles to the north. Ground was broken to begin construction in 1913 but the project was never completed and no physical trace remains today.
Thomas Wiltberger Evans was an American dentist. He performed dental procedures on many heads of state, including Napoleon III, and received numerous medals for his dentistry, including the Grand Croix of the Légion d'honneur. He is noted for popularizing a number of techniques that have since become standard, including the use of amalgam fillings and of nitrous oxide.
The Brigham Young Monument is a bronzed historical monument located on the north sidewalk of the intersection at Main and South Temple Streets of Salt Lake City, Utah. It was erected in honour of pioneer-colonizer, Utah governor, and LDS Church president Brigham Young who led the Mormon pioneers into the Utah Territory in 1847. The base of the twenty-five-foot monument has the bronze figure of an Indian facing east and that of a bearded fur trapper facing west, both of which preceded the Mormon settlers. On the south side is a bronze bas-relief of a pioneer man, woman, and child, while another bronze plaque has a list of the pioneers who arrived in the Salt Lake Valley on July 24, 1847, and their equipment.
John J. Boyle was an American sculptor active in Philadelphia in the last decades of the 19th century, known for his large-scale figurative bronzes in public settings, and, particularly, his portraiture of Native Americans.
The Medicine Man is an 1899 bronze equestrian statue by Cyrus Edwin Dallin located on Dauphin Street, west of 33rd Street, in Fairmount Park in Philadelphia. The statue portrays an indigenous American medicine man.
The End of the Trail is a sculpture by James Earle Fraser. Fraser created the original version of the work in 1894, and he subsequently produced numerous replicas in both plaster and bronze. The sculpture depicts a weary Native American man, wearing only the remains of a blanket and carrying a spear. He is hanging limp as his weary horse with swollen eyes comes to the edge of the Pacific Ocean. The wind blowing the horse's tail suggests they have their backs to the wind. The man in the statue is based on Seneca Chief John Big Tree, and the horse was adapted from one in another work, In the Wind. The statue is a commentary on the damage Euro-American settlement inflicted upon Native Americans. The main figure embodies the suffering and exhaustion of people driven from their native lands.
The Cyrus Dallin Art Museum (CDAM) in Arlington, Massachusetts, United States is dedicated to displaying the artworks and documentation of American sculptor, educator, and Indigenous rights activist Cyrus Dallin, who lived and worked in the town for over 40 years. He is well known for his sculptural works around the US including The Scout in Kansas City, Missouri, TheSoldiers' and Sailors' Monumentin Syracuse, New York and The Signal of Peace in Chicago. Locally, he is best known for his iconic Appeal to the Great Spirit and Paul Revere Monument statues, both located in Boston.
John David Brcin was an American sculptor and artist.
Protest of the Sioux, also known as The Protest, is a 1904 equestrian statue by Cyrus Dallin. It was the third of four important statues of indigenous people on horseback commonly known as The Epic of the Indian, which also includes A Signal of Peace (1890), The Medicine Man (1899), and Appeal to the Great Spirit (1908).
A statue of Anne Hutchinson by Cyrus Edwin Dallin is installed outside the Massachusetts State House, in Boston, Massachusetts, United States.
Massasoit is a statue by the American sculptor Cyrus Edwin Dallin in Plymouth, Massachusetts. It was completed in 1921 to mark the three hundredth anniversary of the Pilgrims' landing. The sculpture is meant to represent the Pokanoket leader Massasoit welcoming the Pilgrims on the occasion of the first Thanksgiving. Several replicas of the statue exist across the United States, including numerous small-scale souvenir reproductions.
