Victor John Mature was an American stage, film, and television actor who was a leading man in Hollywood during the 1940s and 1950s. His best known film roles include One Million B.C. (1940), My Darling Clementine (1946), Kiss of Death (1947), Samson and Delilah (1949), and The Robe (1953). He also appeared in many musicals opposite such stars as Rita Hayworth and Betty Grable.
Crazy Horse was a Lakota war leader of the Oglala band in the 19th century. He took up arms against the United States federal government to fight against encroachment by White American settlers on Native American territory and to preserve the traditional way of life of the Lakota people. His participation in several famous battles of the Black Hills War on the northern Great Plains, among them the Fetterman Fight in 1866, in which he acted as a decoy, and the Battle of the Little Bighorn in 1876, in which he led a war party to victory, earned him great respect from both his enemies and his own people.
Jeff Chandler was an American actor. He was best known for his portrayal of Cochise in Broken Arrow (1950), for which he was nominated for the Academy Award for Best Supporting Actor. He was one of Universal Pictures' more popular male stars of the 1950s. His other credits include Sword in the Desert (1948), Deported (1950), Female on the Beach (1955), and Away All Boats (1956). He also performed as a radio actor and as a singer.
American Horse was an Oglala Lakota chief, statesman, educator and historian. American Horse is notable in American history as a U.S. Army Indian Scout and a progressive Oglala Lakota leader who promoted friendly associations with whites and education for his people. American Horse opposed Crazy Horse during the Great Sioux War of 1876–1877 and the Ghost Dance Movement of 1890, and was a Lakota delegate to Washington. American Horse was one of the first Wild Westers with Buffalo Bill's Wild West and a supporter of the Carlisle Indian Industrial School. His record as a councilor of his people and his policy in the new situation that confronted them was consistent, and he was known for his eloquence.
Black Shawl or Tasina Sapewin was the wife of Crazy Horse, whom she married in 1871. She was Crazy Horse's second wife. She was a member of the Oglala Lakota and relative of Spotted Tail. She was the sister of Red Feather.
John Lund was an American film, stage, and radio actor who is probably best remembered for his role in the film A Foreign Affair (1948) and a dual role in To Each His Own (1946).
George Sherman was an American film director and producer of low-budget Western films. One obituary said his "credits rival in number those of anyone in the entertainment industry."
American Horse was an Oglala Lakota warrior chief renowned for courage and honor. American Horse is notable in American history as one of the principal war chiefs allied with Crazy Horse during Red Cloud's War (1866–1868) and the Battle of the Little Bighorn during the Great Sioux War of 1876–1877. Chief American Horse was a son of Old Chief Smoke, an Oglala Lakota head chief and one of the last great Shirt Wearers, a highly prestigious Lakota warrior society. He was a signatory to the Fort Laramie Treaty of 1868, along with his brothers Chief Red Cloud and Chief Blue Horse. A month or so after the Treaty, American Horse was chosen a "Ogle Tanka Un" along with Crazy Horse, They Even Fear His Horses and Man That Owns a Sword. On September 9, 1876, American Horse was mortally wounded in the Battle of Slim Buttes fighting to protect his family while committing his invasion of the Black Hills. "Paha Sapa" Black Hills.
They Died with Their Boots On is a 1941 American biographical western war film directed by Raoul Walsh and starring Errol Flynn, Olivia de Havilland and Arthur Kennedy. It was made and distributed by Warner Bros. and produced by Hal B. Wallis and Robert Fellows,
Sitting Bull is a 1954 American-Mexican Eastmancolor Western film directed by Sidney Salkow and René Cardona that was filmed in Mexico in CinemaScope. In a greatly fictionalised form, it depicts the war between Sitting Bull and the American forces, leading up to the Battle of the Little Bighorn and Custer's Last Stand. It was the first independent production to be filmed in the CinemaScope process. Featuring sympathetic portrayals of Sitting Bull and Crazy Horse, The New York Times called it a "Crazy Horse opera".
Dangerous Mission is a 1954 American Technicolor thriller film starring Victor Mature, Piper Laurie, Vincent Price and William Bendix. The film was produced by Irwin Allen, directed by Louis King and released by RKO Radio Pictures. It is remembered today mainly for its use of 3-D film technology.
Away All Boats is a 1956 American war film directed by Joseph Pevney and starring Jeff Chandler, George Nader, Lex Barker, and Julie Adams. It was produced by Howard Christie from a screenplay by Ted Sherdeman based on the 1953 novel by Kenneth M. Dodson (1907–1999), who served on the USS Pierce (APA-50) in World War II and used his experiences there as a guide for his novel. He was encouraged in his writing by Carl Sandburg, who had read some of Dodson’s letters, written in the Pacific. The book is about the crew of the Belinda (APA-22), an amphibious attack transport. The book became a best seller. The film was produced by Universal Pictures.
Ray Danton was an American radio, film, stage, and television actor, director, and producer whose most famous roles were in the screen biographies The Rise and Fall of Legs Diamond (1960) and The George Raft Story (1962).
Violent Saturday is a 1955 American CinemaScope crime film directed by Richard Fleischer and starring Victor Mature, Richard Egan and Stephen McNally. Set in a fictional mining town in Arizona, the film depicts the planning of a bank robbery as the nexus in the personal lives of several townspeople. Filmed on location in Bisbee, Arizona, the supporting cast was particularly strong, with Lee Marvin, Sylvia Sidney, and Ernest Borgnine.
War Arrow is a 1954 American Technicolor Western film directed by George Sherman and starring Maureen O'Hara, Jeff Chandler and John McIntire. Filmed by Universal Pictures and based on the Seminole Scouts, the film was shot in Agoura, California.
East of Sumatra is a 1953 American south seas adventure film directed by Budd Boetticher and starring Jeff Chandler, Marilyn Maxwell, Anthony Quinn and Suzan Ball.
Istanbul is a 1957 American CinemaScope film noir crime film directed by Joseph Pevney, and starring Errol Flynn and Cornell Borchers. It is a remake of the film Singapore, with the location of the action moved to Turkey. The plot involves an American pilot who becomes mixed up with various criminal activities in Istanbul.
The Divided Heart is a 1954 British black-and-white drama film directed by Charles Crichton and starring Cornell Borchers, Yvonne Mitchell and Armin Dahlen. The film is based on a true story of a child, whose father was a member of Slovenian Partisans executed by Nazis and whose mother was deported to the Auschwitz concentration camp, while little Ivan was, like other 300 babies and young children from Slovenia, whose parents were declared Banditen by Nazis, sent to Germany in a Nazi program known as Lebensborn.
Little Big Man, or Charging Bear, was an Oglala Lakota, or Oglala Sioux, who was a fearless and respected warrior who fought under, and was distant cousin to, Crazy Horse ("His-Horse-Is-Crazy"). He opposed the 1868 Treaty of Fort Laramie and fought against efforts by the United States to take control of the ancestral Sioux lands in the Black Hills area of the Dakota Territory. He also fought at the Battle of Little Big Horn in the Montana Territory in 1876. Late in life he decided to cooperate with the U.S. and may have been involved in the murder of his old ally and rival, Crazy Horse, at Fort Robinson in Nebraska in 1877.
Redface is the wearing of makeup to darken or redden skin tone, or feathers, warpaint, etc. by non-Natives to impersonate a Native American or Indigenous Canadian person, or to in some other way perpetuate stereotypes of Indigenous peoples of Canada and the United States. It is analogous to the wearing of Blackface. In the early twentieth century, it was often white performers, who wore blackface or redface when portraying Plains Indians in Hollywood Westerns. In the early days of television sitcoms, "non-Native sitcom characters donned headdresses, carried tomahawks, spoke broken English, played Squanto at Thanksgiving gatherings, received 'Indian' names, danced wildly, and exhibited other examples of representations of redface".
