Chinweizu | |
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Born | Chinweizu Ibekwe 26 March 1943 |
Nationality | Nigerian |
Occupation(s) | Critic, poet, journalist |
Notable work |
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Chinweizu Ibekwe (born 26 March 1943), known mononymously as Chinweizu, [1] and also by the pen-name Maazi Chinweizu, is a Nigerian critic, essayist, poet, and journalist. [2] While studying in the United States during the Black Power movement, Chinweizu became influenced by the philosophy of the Black Arts Movement. [3] He is commonly associated with Black orientalism and emerged as one of the leading figures in contemporary Nigerian journalism, writing a highly influential column in The Guardian of Lagos. [4]
Chinweizu was born in 1943 in the town of Eluoma, in Isuikwuato in the part of Eastern Region of Nigeria that is known today as Abia State, located in the southeastern region of Nigeria. [5] He was educated at Government Secondary School, Afikpo in Ebonyi State, and later attended college at the Massachusetts Institute of Technology (MIT), where he studied philosophy and mathematics, earning a Bachelor of Science degree in 1967, the year of the outbreak of civil war in Nigeria, which lasted two and a half years. [1] At the time living in Cambridge, Massachusetts, Chinweizu founded and edited the Biafra Review (1969–70). [1]
He enrolled for a Ph.D. at the State University of New York at Buffalo, under the supervision of political scientist Claude E. Welch Jr. [6] Chinweizu apparently had a disagreement with his dissertation committee and walked away with his manuscript, which he got published as The West and the Rest of Us: White Predators, Black Slavers, and the African Elite by Random House in 1975. [7] He took the book to SUNY, Buffalo, where he demanded, and was promptly awarded, his Ph.D. in 1976, one year after he had published the dissertation. Thus, the publication settled his disagreement with his advisers in his favour. [8] [9]
Chinweizu started teaching overseas, at MIT and San Jose State University. He had returned to Nigeria by the early 1980s, working over the years as a columnist for various newspapers in the country and also working to promote Black orientalism in Pan-Africanism. In Nigeria, he became a literary critic, attacking what he saw as the elitism of some Nigerian authors, particularly Wole Soyinka, and he was editor of the Nigerian literary magazine, Okike. [4] Chinweizu's notable intervention on this theme came in the essay "The Decolonization of African Literature" (later expanded into the 1983 book Toward the Decolonization of African Literature), to which Soyinka responded in an essay entitled "Neo-Tarzanism: The Poetics of Pseudo-Transition". [3] Among Chinweizu's other works is Anatomy of Female Power, [10] in which he discusses gender roles, masculinity and feminism.
Chinweizu has argued that the Arab colonization and Islamization of Africa is no different from European imperialism. [11] [12] The violent conquests, forced conversions and slavery perpetrated by European Christians were also perpetrated by Arab Muslims. In fact, the colonization and enslavement of Africa by Arabs began before the Europeans and continues to this day in Sudan, Mauritania and other countries in the Sahel region. Recently he published a comparative digest that shows the parallel history of European and Arab atrocities against indigenous Africans. He has been critical of the popular illusion that Islam is free of slavery and racism. Islam and Arabian culture are just as much foreign invasive forces as Christianity and European culture. [13]
Books
Essays
Akinwande Oluwole Babatunde "Wole" Soyinka is a Nigerian playwright, novelist, poet, and essayist in the English language. He was awarded the 1986 Nobel Prize in Literature for his "wide cultural perspective and... poetic overtones fashioning the drama of existence", the first sub-Saharan African to win the Prize in literature.
Chinua Achebe was a Nigerian novelist, poet, and critic who is regarded as a central figure of modern African literature. His first novel and magnum opus, Things Fall Apart (1958), occupies a pivotal place in African literature and remains the most widely studied, translated, and read African novel. Along with Things Fall Apart, his No Longer at Ease (1960) and Arrow of God (1964) complete the "African Trilogy". Later novels include A Man of the People (1966) and Anthills of the Savannah (1987). In the West, Achebe is often referred to as the "father of African literature", although he vigorously rejected the characterization.
Decolonization is the undoing of colonialism, the latter being the process whereby imperial nations establish and dominate foreign territories, often overseas. The meanings and applications of the term are disputed. Some scholars of decolonization focus especially on independence movements in the colonies and the collapse of global colonial empires.
Postcolonial literature is the literature by people from formerly colonized countries, originating from all continents except Antarctica. Postcolonial literature often addresses the problems and consequences of the decolonization of a country, especially questions relating to the political and cultural independence of formerly subjugated people, and themes such as racialism and colonialism. A range of literary theory has evolved around the subject. It addresses the role of literature in perpetuating and challenging what postcolonial critic Edward Said refers to as cultural imperialism.
Négritude is a framework of critique and literary theory, mainly developed by francophone intellectuals, writers, and politicians in the African diaspora during the 1930s, aimed at raising and cultivating "black consciousness" across Africa and its diaspora. Négritude gathers writers such as sisters Paulette and Jeanne Nardal, Martinican poet Aimé Césaire, Abdoulaye Sadji, Léopold Sédar Senghor, and Léon Damas of French Guiana. Négritude intellectuals disavowed colonialism, racism and Eurocentrism. They promoted African culture within a framework of persistent Franco-African ties. The intellectuals employed Marxist political philosophy, in the black radical tradition. The writers drew heavily on a surrealist literary style, and some say they were also influenced somewhat by the Surrealist stylistics, and in their work often explored the experience of diasporic being, asserting one's self and identity, and ideas of home, home-going and belonging.
Christopher Ifekandu Okigbo was a Nigerian poet, teacher, and librarian, who died fighting for the independence of Biafra. He is today widely acknowledged as an outstanding postcolonial English-language African poet and one of the major modernist writers of the 20th century.
The decolonisation of Africa was a series of political developments in Africa that spanned from the mid-1950s to 1975, during the Cold War. Colonial governments gave way to sovereign states in a process often marred by violence, political turmoil, widespread unrest, and organised revolts. Major events in the decolonisation of Africa included the Mau Mau rebellion, the Algerian War, the Congo Crisis, the Angolan War of Independence, the Zanzibar Revolution, and the events leading to the Nigerian Civil War.
Caryl Phillips is a Kittitian-British novelist, playwright and essayist. Best known for his novels, Phillips is often described as a Black Atlantic writer, since much of his fictional output is defined by its interest in, and searching exploration of, the experiences of peoples of the African diaspora in England, the Caribbean and the United States. As well as writing, Phillips has worked as an academic at numerous institutions including Amherst College, Barnard College, and Yale University, where he has held the position of Professor of English since 2005.
Onwuchekwa Jemie is a Nigerian scholar, poet, journalist, and professor.
Black orientalism is an intellectual and cultural movement found primarily within African-American circles. While similar to the general movement of Orientalism in its negative outlook upon Western Asian – especially Arab – culture and religion, it differs in both its emphasis upon the role of the Arab slave trade and the Coolie slave trade in the historic relationship between Africa and the Arab – and greater Muslim – world, as well as a lack of colonial promotion over the Middle East region as was promoted by European orientalism in the same region. The term "black orientalism" was first used by Kenyan academic Ali Mazrui in his critique of Henry Louis Gates, Jr.'s documentary Wonders of the African World. Supporters of this movement include writers such as Chinweizu.
Postcolonialism is the critical academic study of the cultural, political and economic legacy of colonialism and imperialism, focusing on the impact of human control and exploitation of colonized people and their lands. The field started to emerge in the 1960s, as scholars from previously colonized countries began publishing on the lingering effects of colonialism, developing a critical theory analysis of the history, culture, literature, and discourse of imperial power.
Toyin Omoyeni Falola is a Nigerian historian and professor of African Studies. Falola is a Fellow of the Historical Society of Nigeria and of the Nigerian Academy of Letters, and has served as the president of the African Studies Association. He is currently the Jacob and Frances Sanger Mossiker Chair in the Humanities at the University of Texas at Austin.
Chin Ce is a Nigerian writer of poetry, fiction and essays and a graphic editor.
Decoloniality is a school of thought that aims to delink from Eurocentric knowledge hierarchies and ways of being in the world in order to enable other forms of existence on Earth. It critiques the perceived universality of Western knowledge and the superiority of Western culture, including the systems and institutions that reinforce these perceptions. Decolonial perspectives understand colonialism as the basis for the everyday function of capitalist modernity and imperialism.
Odia Ofeimun is a Nigerian poet and polemicist, the author of many volumes of poetry, books of political essays and on cultural politics, and the editor of two significant anthologies of Nigerian poetry. His work has been widely anthologized and translated and he has read and performed his poetry internationally.
The Mbari Club was a centre for cultural activity by African writers, artists and musicians that was founded in Ibadan, Nigeria, in 1961 by Ulli Beier, with the involvement of a group of young writers including Wole Soyinka and Chinua Achebe. Mbari, an Igbo concept related to "creation", was suggested as the name by Achebe. Among other Mbari members were Christopher Okigbo, J. P. Clark and South African writer Ezekiel Mphahlele, Frances Ademola, Demas Nwoko, Mabel Segun, Uche Okeke, Arthur Nortje and Bruce Onobrakpeya.
Adewale Maja-Pearce is an Anglo-Nigerian writer, journalist and literary critic, who is best known for his documentary essays. He is the author of several books, including the memoirs In My Father's Country (1987) and The House My Father Built (2014), several other non-fiction titles and a collection of short stories entitled Loyalties and Other Stories (1986).
Decolonization of knowledge is a concept advanced in decolonial scholarship that critiques the perceived hegemony of Western knowledge systems. It seeks to construct and legitimize other knowledge systems by exploring alternative epistemologies, ontologies and methodologies. It is also an intellectual project that aims to "disinfect" academic activities that are believed to have little connection with the objective pursuit of knowledge and truth. The presumption is that if curricula, theories, and knowledge are colonized, it means they have been partly influenced by political, economic, social and cultural considerations. The decolonial knowledge perspective covers a wide variety of subjects including philosophy, science, history of science, and other fundamental categories in social science.
Plural Maghreb is a book of critical essays written by Abdelkebir Khatibi first published in 1983. The book, containing six theoretical essays, presents and applies the concepts of other thought and double critique, addressing issues of language, translation, orientalism, knowledge, power, domination, and decolonization.
Mpalive-Hangson Msiska is a Malawian academic resident in London, England. He is a Reader Emeritus in English and Humanities at Birkbeck College, University of London, with research and teaching interests in critical and cultural theory as well as postcolonial literature, including African literature, Wole Soyinka and Chinua Achebe being notable subjects of his writing.
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