The Choir of Trinity College, Cambridge is a mixed choir whose primary function is to sing choral services in the Tudorchapel of Trinity College, Cambridge.[1] In January 2011, Gramophone named the choir the fifth best choir in the world.[2]
The choir has taken various forms since its foundation, and has existed in its present form since 1982 when, shortly after the admission of women to the college, female voices were used for the first time for the choir's top lines. Three regular services are sung per week in full University Term, and the choir sings Latin grace from the minstrels' gallery in the college's Great Hall at a number of feasts.
In addition, the choir undertakes projects outside term-time such as recordings, concerts, radio broadcasts and tours.
The choir is typically made up of 36 members, many of whom are students in Trinity College.
Trinity College's choral associations date back to the establishment of King's Hall by Edward II in 1317 (Chaucer's "Solar Hall" in The Canterbury Tales). This college, incorporated by Edward III in 1337, was amalgamated with an adjacent early 14th century foundation, Michaelhouse, when Henry VIII created Trinity in 1546. From the time of Edward II, Chapel Royal choristers, on leaving the Court, customarily entered King's Hall to continue their academic studies, alongside other undergraduates training for service in the royal administration.
In the 1896/97 academic year the college choir school was closed down and incorporated into The Perse Grammar School.[5] Thereafter, the choir of boy trebles, lay clerks (some of whom shared their duties with the choirs of King's and St John's Colleges) and students continued the regular pattern of choral services until the 1950s. This traditionally-constituted body then gave way to a choir of undergraduate men during Raymond Leppard's tenure as Director of Music, to be replaced with a mixed choir by Richard Marlow in 1982.
Tours and Concerts
The choir has toured to destinations such as Australia, Germany, France, Spain, Italy, the United States, Canada, the Canary Islands, India, South Africa, Namibia and Zimbabwe, Peru, and Japan, Taiwan and Hong Kong. Particularly notable events include singing mass at the installation of Abbot Martin Werlen, O.S.B. as Abbot of Einsiedeln, Switzerland, and becoming the first western choir to tour India.
The choir also performs concerts in the UK, at home in Cambridge and in London (South Bank Centre, St John's Smith Square, Spitalfields Festival), and around the country. ‘Livings tours’ allow the choir to visit parishes around the country of which the college is patron and sing services and concerts; these include villages in the Isle of Wight, North Yorkshire, County Durham, Norfolk and the Lake District.
May Week
Singing from the Towers, 2013Singing on the River, 2013
On the final Sunday of the academic year the Choir performs two outdoor concerts. At midday the choir sings antiphonally from two of the towers in the college's Great Court, with a brass ensemble performing from the third. In the evening the choir inaugurates May Week with the traditional River Concert, in which the madrigals and part-songs are performed upon punts moored at Trinity Backs. The evening's entertainment concludes, as dusk gives way to darkness, with Wilbye's madrigal Draw on, sweet night performed as the choir is punted down the river and out of sight.
In 2004 the Trinity College Choir Association ("TCCA") was formed by a group of choir alumni. It provides a framework for all current and past members of the choir, organists and clergy to keep in touch, meet up and make new acquaintances, and to keep abreast of the current activities of the choir. It also comprises a body of people to help and support the interests and the future of the choir.
↑ Holman, Peter (2010). Life After Death: The Viola Da Gamba in Britain from Purcell to Dolmetsch. Woodbridge: Boydell & Brewer. pp.67–68. ISBN978-1-84383-574-5.
↑ "Perse Grammar School". Cambridge Chronicle and University Journal, Isle of Ely Herald, and Huntingdonshire Gazette. 30 July 1897. p.8.
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