LGBT art in Singapore, or queer art in Singapore, broadly refers to modern and contemporary visual art practices that draw on lesbian, gay, bisexual, and transgender+ imagery and themes, addressing topics such as LGBT rights, history and culture in Singapore. Such queer art practices are often by Singaporean or Singapore-based visual artists and curators who identify as LGBT+ or queer.
Cài is a Chinese-language surname that derives from the name of the ancient Cai state. In 2019 it was the 38th most common surname in China, but the 9th most common in Taiwan, where it is usually romanized as "Tsai", "Tsay", or "Chai" and the 8th most common in Singapore, where it is usually romanized as "Chua", which is based on its Teochew and Hokkien pronunciation. Koreans use Chinese-derived family names and in Korean, Cai is 채 in Hangul, "Chae" in Revised Romanization, It is also a common name in Hong Kong where it is romanized as "Choy", "Choi" or "Tsoi". In Macau, it is spelled as "Choi". In Malaysia, it is romanized as "Choi" from the Cantonese pronunciation, and "Chua" or "Chuah" from the Hokkien or Teochew pronunciation. It is romanized in the Philippines as "Chua" or "Chuah", and in Thailand as "Chuo" (ฉั่ว). Moreover, it is also romanized in Cambodia as either "Chhay" or "Chhor" among people of full Chinese descent living in Cambodia and as “Tjhai”, "Tjoa" or "Chua" in Indonesia.
Lee Wen was a Singapore-based performance artist who shaped the development of performance art in Asia. He worked on the notion of identity, ethnicity, freedom, and the individual's relationship to communities and the environment. Lee's most iconic work is his performance series titled The Journey of aYellow Man, which started as a critique of racial and ethnic identities in 1992 and has evolved into a meditation on freedom, humility, and religious practices over more than a decade. Painting his own body with bright yellow poster paint, he expresses an exaggerated symbol of his ethnic identity as a citizen of Singapore. He was also active in artist-run initiatives, especially as part of The Artists Village (TAV) in Singapore, the performance artist collective Black Market International, as well as the festivals Future of Imagination and Rooted in the Ephemeral Speak (R.I.T.E.S.). On 3 March 2019, he died due to a lung infection, at the age of 61.
Chen Wen Hsi was a Chinese-born Singaporean artist, known for his avant-garde Chinese paintings.
Cheong Soo Pieng was a Singaporean artist who was a pioneer of the Nanyang art style, and a driving force to the development of Modernism in visual art in the early 20th-century Singapore. He was also known for his signature depiction of Southeast Asian indigenous tribal people with elongated limbs and torso, almond-shaped faces and eyes in his paintings.
The culture of Singapore has changed greatly over the millennia. Its contemporary modern culture consists of a combination of Asian and European cultures, mainly by Malay, South Asian, East Asian and Eurasian influences. Singapore has been dubbed as a country where "East meets West", "Gateway to Asia" and a "Garden city".
Chua Ek Kay was a Singaporean artist hailed as the "bridge between Asian and Western art" with a unique painting style using Chinese ink on paper that demonstrated an ingenious blend of traditional Chinese painting forms with Western art theories and techniques. Most of his works were themed of Chinatown street scenes, lotuses, and abstract works inspired by Australian aboriginal cave paintings.
Della Butcher was an art gallery owner and an avid patron of Singapore art, noted for her lifetime of work supporting Singaporean artists and making it an international name.
Yip Cheong Fun was an influential Singaporean documentary photographer, best known for his photograph "Rowing at Dawn", which was taken in 1957 in celebration of Singapore obtaining self-government, and which in his words, was to show "the dawn of a new day, new hope and new life for Singapore".
Group 90 is an informal arts group in Singapore, committed to the study and interpretation, and promotion of the human nudity as an art form. It was founded the late Brother Joseph McNally, along with founding members S. Namasivayam, Chia Wai Hon and Sim Tong Khern, who subscribe to the European art tradition of using the human body in developing artistic mastery in depicting form, perceptual acuity and fluency in drawing.
Lim Cheng Hoe was a Singaporean watercolourist recognized as one of the key pioneer artists in Singapore, along with his peers like Cheong Soo Pieng and Chen Chong Swee. He was credited for the amalgamation of interest in watercolour art in the local art scene and in turn, the founding of the Singapore Watercolour Society. He also was a contrast from other pioneer artists schooled in mainstream Chinese art aesthetic culture, by being a product of Western art education and a primarily self-taught artist.
Georgette Liying Chendana Chen, commonly known as Georgette Chen, was a Singaporean painter and one of the pioneers of modern Singaporean art as well as the Nanyang style of art in the region.
The art produced in Southeast Asia includes the art from eleven countries that form Southeast Asia. The cultural development of the area was historically dominated by Indian influence, though several cohesive traits exist before Indian influence. The art is inspired by many countries.
The 5th Passage Artists Limited, commonly known as 5th Passage or 5th Passage Artists, was an artist-run initiative and contemporary art space in Singapore from 1991 to 1994. As a registered, artist-led non-profit organisation, it was one of the earliest of its kind for early-1990s Singapore, with its initial space located at Parkway Parade, a shopping centre in the east of the city. The "meteoric existence" of 5th Passage has been noted alongside other art collectives and alternative spaces existing in 1990s Singapore, such as The Artists Village, The Substation, Plastique Kinetic Worms, and Trimurti.
Suzann Victor is a Singaporean contemporary artist based in Australia whose practice spans installation, painting, and performance art. Victor is most known for her public artworks and installations that examine ideas of disembodiment, the postcolonial, and the environmental in response to space, context and architecture.
Lim Tzay Chuen is a Singaporean contemporary artist known for his conceptual works that involve designing or constructing subtle interventions within systems, leading viewers to re-evaluate their perceptions and assumptions of social, economic, cultural and political processes.
Constance Sheares is a Singaporean arts administrator, curator, and writer. Sheares helped establish the National Museum Art Gallery in 1976, curating its inaugural exhibition and other major exhibitions. Through exhibitions, publications, and acquisitions initiated at the Museum, Sheares helped to shape the basis of art institutions and art historical discourse in Singapore.
The visual art of Singapore, or Singaporean art, refers to all forms of visual art in or associated with Singapore throughout its history and towards the present-day. The history of Singaporean art includes the indigenous artistic traditions of the Malay Archipelago and the diverse visual practices of itinerant artists and migrants from China, the Indian subcontinent, and Europe.
Wong Keen is a Singaporean painter who was primarily trained in New York. He is known for being one of the first Singaporean artists to be educated in the United States and for his syncretic body of work that melds together the sensibilities of Chinese literati painting and the New York School. His practice, unusual for his generation, has led to him being described as "Singapore's first abstract expressionist". From 1969 to 1996, Wong also founded and operated Keen Gallery in New York, a framing studio and exhibition space.
