Christopher Byars | |
|---|---|
 | |
| Background information | |
| Born | November 2, 1970 New York City |
| Genres | Jazz |
| Occupation | Musician |
| Instrument | Saxophone |
| Labels | SteepleChase |
| Website | chrisbyars |
Christopher Byars (born November 2, 1970) is an American jazz saxophonist. Formerly a child opera singer, Byars has toured for the U.S. State Department as a jazz ambassador with frequent collaborator Ari Roland.
Byars was born in New York City on November 2, 1970, to oboist James Byars and clarinetist Janita Byars. [1] At six, he debuted as an opera performer joining the New York City Opera and Metropolitan Opera children's choirs, the New York City Ballet, and attending the School of American Ballet from ages 8 to 11 years old. [2] [3] He performed hundreds of shows as a child, [2] including the title role in a made-for-TV adaptation of The Spellbound Child with George Balanchine. [4] Puberty deepened his voice, and his singing career came to an end when his voice croaked during a performance of Tosca . [5]
When Byars returned from his final tour as a singer in 1983, he was given a saxophone by his father and began focusing exclusively on jazz. [5] [4] As a teenager, he studied the music of Charlie Parker after his father gave him the albums Bird and Diz and Charlie Parker with Strings . [2] [1] Byars was influenced as a teenager by bassist Aaron Bell, pianist Barry Harris, who mentored him, and author Frank McCourt, his creative writing teacher at Stuyvesant High School. [2] [6] He earned his bachelor's and master's degrees in music from the Manhattan School of Music in 1990 and 1992 respectively. [4]
Byars first set as a leader was a 1989 quartet date at the Angry Squire. [7] In 1990, Byars co-founded Across 7 Street with Ari Roland as a tribute band to the erstwhile saxophonist Clarence Sharpe. [8] [6] The band performed Sunday nights at Smalls Jazz Club, playing original compositions inspired by the bebop era. [1] In 1998, Byars joined the Frank Hewitt quintet, which featured former Across 7 Street members Roland and Jimmy Lovelace, performing Saturday nights with him for four years. [2]
Byars has visited more than 50 countries as a jazz ambassador. [9] He began touring as part of the Ari Roland quartet with the State Department in December 2006 after making it to the finals of a competition held at Jazz at Lincoln Center. [10] The tours are intended to improve America's image abroad, and feature Byars collaborating with local musicians and incorporating elements of their native traditions into jazz. [11]
Inspired by his 2007 tour of Central Asia, Byars wrote the suite Jazz Pictures at an Exhibition of Himalayan Art, based on the Modest Mussorgsky piece Pictures at an Exhibition . [11] The work has some foreign influences but is primarily based in the language of American jazz. It debuted at an October 2007 show at the Rubin Museum of Art, [12] and was again played at the Museum in April 2008. The live performances featured Byars playing in front of a slideshow. [13] An album of the same name was later released, with each composition corresponding to a painting on display at the Museum. [14]
In 2008, Byars' quartet toured as part of The Rhythm Road: American Music Abroad, playing in Slovakia, Saudi Arabia, Cyprus, Montenegro, and Slovenia. [3] In Muslim-majority areas, Byars won audiences over by telling them the story of Muslim American musician Basheer Qusim, a.k.a. Gigi Gryce. [15]
After performing in a commemoration of the reopening of Ledra Street crossing, Byars co-directed the "Jazz Futures" program organized by the American embassy in Cyprus with Roland from 2008 to 2013. [16] The series brought together Byars' groups and Turkish and Greek Cypriot musicians and audiences. [17] [18]
Byars has recorded a number of tribute albums and live sets, playing the compositions of lesser known post-bop musicians. [3] As part of the programs, Byars infuses his own musical identity with those of his predecessors. [19]
From March 22 to 25, 2006, Byars led a four-night set at Smalls playing the compositions of Lucky Thompson, performing, at various points, with former Thompson sidemen John Hicks and Jerry Dodgion. [2] During the preparation for the set, Byars and historian Noal Cohen discovered a private recording of an August 28, 1961, radio broadcast of Thompson's octet. Byars transcribed every arrangement on the recording and taught them to the members of his own octet. [20] These compositions, as well as re-arrangements from Thompson's quartet records, were later played on the album Lucky Strikes Again . [21]
In 2007, Byars' quartet played at Teddy Charles' house, at the behest of Cohen, helping to coax the vibraphonist-turned-captain back into playing music. In June of the next year, Byars premiered the composition Bop-ography, inspired by Charles' life, in Greenwich Village. [22] He also played with the Teddy Charles Tentet in its first appearance since Charles' retirement. [23] Byars would later record with Charles on Dances with Bulls , Charles' first studio recording in forty years, and his own album Bop-ography . [24] [25]
Byars has also worked on projects commemorating Freddie Redd, Gigi Gryce, Duke Jordan, Frank Strozier, and Jimmy Cleveland. [4]
Byars' music is based in 1950s bebop, though with additional contemporary stylings. [5] He developed as one of many younger players at Smalls Jazz Club during the 1990s, working with veteran players like Jimmy Lovelace and Frank Hewitt. [26] [2] Byars has used the octet format in his band to exploit the texture gains from a big band while retaining the fluidity of a small group. [27] [21]
Byars is a member of American Federation of Musicians Local 802. [11] He lives with his second wife, Ayna, and has two children from a previous marriage. [28] During the COVID-19 pandemic, he took up various government jobs for financial reasons. [4] He has one brother, Michael Byars. [29]
| Year recorded | Title | Label |
|---|---|---|
| 2001–2002 | Night Owls | Smalls Records |
| 2001–2002 | The Darkling Thrush (with Sasha Dobson) | Smalls Records |
| 2002 | Made in New York (with Across 7 Street) | Smalls Records |
| 2006 | Photos in Black, White and Gray | Smalls Records |
| 2007 | Jazz Pictures At An Exhibition Of Himalayan Art | SteepleChase |
| 2008 | Blue Lights: The Music of Gigi Gryce | SteepleChase |
| 2009 | Bop-ography | SteepleChase |
| 2010 | Lucky Strikes Again | SteepleChase |
| 2011 | Music Forever | SteepleChase |
| 2013 | Jasmine Flower | SteepleChase |
| 2014 | The Music of Duke Jordan | SteepleChase |
| 2014 | Two Fives | SteepleChase |
| 2015 | The Music of Frank Strozier | SteepleChase |
| 2016 | New York City Jazz | SteepleChase |
| 2018 | A Hundred Years from Today | SteepleChase |
| 2019 | On the Shoulders of Giants | SteepleChase |
| 2021 | Rhythm And Blues Of The 20s | SteepleChase |
| 2023 | Look Ahead | SteepleChase |
| 2024 | Boptics | SteepleChase |
| Year recorded | Leader | Title | Label |
|---|---|---|---|
| 1999 | Frank Hewitt | Four Hundred Saturdays | Smalls Records |
| 2005 | Ari Roland | Sketches from a Bassist's Album | Smalls Records |
| 2007 | Ari Roland | And So I Lived In Old New York | Smalls Records |
| 2008 | Teddy Charles | Dances with Bulls | Smalls Records |
| 2009 | Ari Roland | New Music | Smalls Records |
| 2017 | Phil Stewart | Introducing Phil Stewart: Melodious Drum | Cellar Live |
Source [30]
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Across 7 Street was an American jazz group co-led by Ari Roland and Chris Byars. The group played Sunday nights at Smalls Jazz Club for nine years until the original club's closure in 2003, and also played at the University of the Streets. The band was formed after the death of saxophonist C. Sharpe. Its name was in reference to the University of the Streets, where Sharpe taught, being on the other side of East 7th Street from the Peter Jarema Funeral Home, where he was buried. It played music based in traditional bebop. The band was featured in the Impulse! Records compilation Jazz Underground: Live at Smalls, and recorded the album Made In New York. On September 28, 2004, tracks recorded by the band in 2001 were released under the title The Eternal Triangle for digital download, in a bid to raise money for drummer Jimmy Lovelace's cancer treatment.
{{cite web}}: CS1 maint: unfit URL (link){{cite web}}: CS1 maint: unfit URL (link)Much as bebop developed underground in places like Minton's where musicians gathered to play for each other, the same dynamic developed at Smalls in the '90s, connecting a new generation to unreconstructed veterans such as Frank Hewitt and through them to the foundations of modern jazz.
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