Chris Byars

Last updated

Chris Byars
Chris Byars.jpg
Background information
Born (1970-11-02) November 2, 1970 (age 53)
New York City
GenresJazz
Instrument(s)Saxophone
Labels SteepleChase Records
Formerly ofAcross 7 Street
Alma mater Manhattan School of Music, School of American Ballet
Parent(s) James Byars, Janita Byars
Website chrisbyars.net

Christopher Byars (born November 2, 1970) is an American jazz saxophonist. Formerly a child opera singer, Byars now[ when? ] works in the New York City jazz scene, and has regularly toured for the U.S. State Department as a jazz ambassador with frequent collaborator Ari Roland.

Contents

Early life

Byars was born in New York City on November 2, 1970, to oboist James Byars and clarinetist Janita Byars. [1] At six, he debuted as an opera performer joining the New York City Opera and Metropolitan Opera children's choirs, the New York City Ballet, and attending the School of American Ballet from ages 8 to 11 years old. [2] [3] He performed hundreds of shows as a child, [2] including the title role in a made-for-TV adaptation of The Spellbound Child with George Balanchine. [4] Puberty deepened his voice, and his singing career came to an end when his voice croaked during a performance of Tosca . [5]

When Byars returned from his final tour as a singer in 1983, he was given a saxophone by his father and began focusing exclusively on jazz. [5] [4] As a teenager, he studied the music of Charlie Parker after his father gave him the albums Bird and Diz and Charlie Parker with Strings . [2] [1] Byars was influenced as a teenager by bassist Aaron Bell, pianist Barry Harris, who mentored him, and author Frank McCourt, his creative writing teacher at Stuyvesant High School. [2] [6] He earned his bachelor's and master's degrees in music from the Manhattan School of Music in 1990 and 1992 respectively. [4]

Career

Byars first set as a leader was a 1989 quartet date at the Angry Squire. [7] In 1990, Byars co-founded Across 7 Street with Ari Roland as a tribute band to the erstwhile saxophonist Clarence Sharpe. [8] [6] The band performed Sunday nights at Smalls Jazz Club, playing original compositions inspired by the bebop era. [1] In 1998, Byars joined the Frank Hewitt quintet, which featured former Across 7 Street members Roland and Jimmy Lovelace, performing Saturday nights with him for four years. [2]

Jazz ambassador

Byars has visited more than 50 countries as a jazz ambassador. [9] He began touring as part of the Ari Roland quartet with the State Department in December 2006 after making it to the finals of a competition held at Jazz at Lincoln Center. [10] The tours are intended to improve America's image abroad, and feature Byars collaborating with local musicians and incorporating elements of their native traditions into jazz. [11]

Inspired by his 2007 tour of Central Asia, Byars wrote the suite Jazz Pictures at an Exhibition of Himalayan Art, based on the Modest Mussorgsky piece Pictures at an Exhibition . [11] The work has some foreign influences but is primarily based in the language of American jazz. It debuted at an October 2007 show at the Rubin Museum of Art, [12] and was again played at the Museum in April 2008. The live performances featured Byars playing in front of a slideshow. [13] An album of the same name was later released, with each composition corresponding to a painting on display at the Museum. [14]

In 2008, Byars' quartet toured as part of The Rhythm Road: American Music Abroad, playing in Slovakia, Saudi Arabia, Cyprus, Montenegro, and Slovenia. [3] In Muslim-majority areas, Byars won audiences over by telling them the story of Muslim American musician Basheer Qusim, a.k.a. Gigi Gryce. [15]

After performing in a commemoration of the reopening of Ledra Street crossing, Byars co-directed the "Jazz Futures" program organized by the American embassy in Cyprus with Roland from 2008 to 2013. [16] The series brought together Byars' groups and Turkish and Greek Cypriot musicians and audiences. [17] [18]

Tributes

Byars has recorded a number of tribute albums and live sets, playing the compositions of lesser known post-bop musicians. [3] As part of the programs, Byars infuses his own musical identity with those of his predecessors. [19]

From March 22 to 25, 2006, Byars led a four-night set at Smalls playing the compositions of Lucky Thompson, performing, at various points, with former Thompson sidemen John Hicks and Jerry Dodgion. [2] During the preparation for the set, Byars and historian Noal Cohen discovered a private recording of an August 28, 1961, radio broadcast of Thompson's octet. Byars transcribed every arrangement on the recording and taught them to the members of his own octet. [20] These compositions, as well as re-arrangements from Thompson's quartet records, were later played on the album Lucky Strikes Again . [21]

In 2007, Byars' quartet played at Teddy Charles' house, at the behest of Cohen, helping to coax the vibraphonist-turned-captain back into playing music. In June of the next year, Byars premiered the composition Bop-ography, inspired by Charles' life, in Greenwich Village. [22] He also played with the Teddy Charles Tentet in its first appearance since Charles' retirement. [23] Byars would later record with Charles on Dances with Bulls , Charles' first studio recording in forty years, and his own album Bop-ography . [24] [25]

Byars has also worked on projects commemorating Freddie Redd, Gigi Gryce, Duke Jordan, Frank Strozier, and Jimmy Cleveland. [4]

Style

Byars' music is based in 1950s bebop, though with additional contemporary stylings. [5] He developed as one of many younger players at Smalls Jazz Club during the 1990s, working with veteran players like Jimmy Lovelace and Frank Hewitt. [26] [2] Byars has used the octet format in his band to exploit the texture gains from a big band while retaining the fluidity of a small group. [27] [21]

Personal life

Byars is a member of American Federation of Musicians Local 802. [11] He lives with his second wife, Ayna, and has two children from a previous marriage. [28] During the COVID-19 pandemic, he took up various government jobs for financial reasons. [4] He has one brother, Michael Byars. [29]

Discography

Recordings

As leader

Year recordedTitleLabel
20012002Night OwlsSmalls Records
20012002The Darkling Thrush (with Sasha Dobson)Smalls Records
2002 Made in New York (with Across 7 Street)Smalls Records
2006 Photos in Black, White and Gray Smalls Records
2007 Jazz Pictures At An Exhibition Of Himalayan Art SteepleChase
2008 Blue Lights: The Music of Gigi Gryce SteepleChase
2009 Bop-ography SteepleChase
2010 Lucky Strikes Again SteepleChase
2011Music ForeverSteepleChase
2013Jasmine FlowerSteepleChase
2014The Music of Duke JordanSteepleChase
2014Two FivesSteepleChase
2015The Music of Frank StrozierSteepleChase
2016New York City JazzSteepleChase
2018A Hundred Years from TodaySteepleChase
2019 On the Shoulders of Giants SteepleChase
2021Rhythm And Blues Of The 20sSteepleChase
2023Look AheadSteepleChase
2024BopticsSteepleChase

As sideman

Year recordedLeaderTitleLabel
1999 Frank Hewitt Four Hundred SaturdaysSmalls Records
2005Ari Roland Sketches from a Bassist's Album Smalls Records
2007Ari RolandAnd So I Lived In Old New YorkSmalls Records
2008 Teddy Charles Dances with Bulls Smalls Records
2009Ari RolandNew MusicSmalls Records
2017Phil StewartIntroducing Phil Stewart: Melodious DrumCellar Live

Source [30]

Related Research Articles

Modal jazz is jazz that makes use of musical modes, often modulating among them to accompany the chords instead of relying on one tonal center used across the piece.

<span class="mw-page-title-main">Keith Jarrett</span> American jazz/classical pianist and composer (born 1945)

Keith Jarrett is an American pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd and Miles Davis. Since the early 1970s, he has also been a group leader and solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, including Western classical music, gospel, blues, and ethnic folk music.

<span class="mw-page-title-main">Oscar Pettiford</span> American jazz musician and composer (1922–1960)

Oscar Pettiford was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom.

<span class="mw-page-title-main">Sonny Clark</span> American jazz pianist (1931–63)

Conrad Yeatis "Sonny" Clark was an American jazz pianist and composer who mainly worked in the hard bop idiom.

<span class="mw-page-title-main">John Lewis (pianist)</span> American jazz pianist, composer and arranger

John Aaron Lewis was an American jazz pianist, composer and arranger, best known as the founder and musical director of the Modern Jazz Quartet.

<span class="mw-page-title-main">Lucky Thompson</span> American jazz saxophonist

Eli "Lucky" Thompson was an American jazz tenor and soprano saxophonist whose playing combined elements of swing and bebop. Although John Coltrane usually receives the most credit for bringing the soprano saxophone out of obsolescence in the early 1960s, Thompson embraced the instrument earlier than Coltrane.

<span class="mw-page-title-main">Minton's Playhouse</span> Jazz club and bar in New York City

Minton's Playhouse is a jazz club and bar located on the first floor of the Cecil Hotel at 210 West 118th Street in Harlem, Manhattan, New York City. It is a registered trademark of Housing and Services, Inc. a New York City nonprofit provider of supportive housing. The door to the actual club itself is at 206 West 118th Street where there is a small plaque. Minton's was founded by tenor saxophonist Henry Minton in 1938. Minton's is known for its role in the development of modern jazz, also known as bebop, where in its jam sessions in the early 1940s, Thelonious Monk, Bud Powell, Kenny Clarke, Charlie Christian, Charlie Parker and Dizzy Gillespie pioneered the new music. Minton's thrived for three decades until its decline near the end of the 1960s, and its eventual closure in 1974. After being closed for more than 30 years, the newly remodeled club reopened on May 19, 2006, under the name Uptown Lounge at Minton's Playhouse, which operated until 2010, before re-opening as Minton's Playhouse in 2013.

<span class="mw-page-title-main">Gigi Gryce</span> American jazz musician, composer, arranger, and educator

Gigi Gryce, later in life changing his name to Basheer Qusim, was an American jazz saxophonist, flautist, clarinetist, composer, arranger, and educator.

<span class="mw-page-title-main">Straight-ahead jazz</span> Genre of jazz

Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.

<span class="mw-page-title-main">Bernt Rosengren</span> Swedish jazz saxophonist (1937–2023)

Bernt Åke Rosengren was a Swedish jazz tenor saxophonist. His recordings earned him five Gyllene Skivan awards in Sweden over more than forty years.

<span class="mw-page-title-main">Teddy Charles</span> American jazz musician and composer

Teddy Charles, born Theodore Charles Cohen was an American jazz musician and composer, whose instruments were the vibraphone, piano, and drums.

<span class="mw-page-title-main">Myron Walden</span> Musical artist

Myron Walden is a jazz saxophonist, flutist, and bass clarinetist.

<span class="mw-page-title-main">David Weiss (musician)</span> Musical artist

David Weiss is a jazz trumpeter and the founder of The New Jazz Composers Octet.

Richie Vitale is an American jazz trumpeter, arranger, and composer.

Vahagn Hayrapetyan is a jazz pianist, singer and composer.

Taru Alexander is an American jazz drummer, born and raised in Brooklyn, New York. He is a son of Roland Alexander, an American post-bop jazz tenor saxophone player from Boston, Massachusetts.

Sacha Perry is an American jazz pianist, composer and pedagogue.

James Ross Lovelace was an American jazz drummer.

<i>Photos in Black, White and Gray</i> 2007 studio album by Chris Byars

Photos in Black, White and Gray is an album by American jazz saxophonist Chris Byars.

Across 7 Street was an American jazz group co-led by Ari Roland and Chris Byars. The group played Sunday nights at Smalls Jazz Club for nine years until the original club's closure in 2003, and also played at the University of the Streets. The band was formed after the death of saxophonist C. Sharpe. Its name was in reference to the University of the Streets, where Sharpe taught, being on the other side of East 7th Street from the Peter Jarema Funeral Home, where he was buried. It played music based in traditional bebop. The band was featured in the Impulse! Records compilation Jazz Underground: Live at Smalls, and recorded the album Made In New York. On September 28, 2004, tracks recorded by the band in 2001 were released under the title The Eternal Triangle for digital download, in a bid to raise money for drummer Jimmy Lovelace's cancer treatment.

References

  1. 1 2 3 Stewart, Zac (June 2004). "Extended families". Jazziz. pp. 28–29. ProQuest   194495413 . Retrieved November 20, 2023.
  2. 1 2 3 4 5 6 7 vanTrikt, Ludwig (September 30, 2009). "Chris Byars: Studying Unsung Heroes article @ All About Jazz". All About Jazz. Retrieved November 23, 2023.
  3. 1 2 3 "Top US jazz band at Upstairs Downstairs". Gulf Daily News. March 25, 2009. ProQuest   432739574 . Retrieved November 22, 2023.
  4. 1 2 3 4 5 Cohen, Noal (November 2021). "Chris Byars - Bio". chrisbyars.com. Retrieved November 21, 2023.
  5. 1 2 3 Johnson, Martin (August 9, 2007). "Trane Has Left the Station". New York . Retrieved November 20, 2023.
  6. 1 2 "Smalls Records -- Artists / Chris Byars". www.smallsrecords.com. Archived from the original on November 26, 2023. Retrieved November 26, 2023.{{cite web}}: CS1 maint: unfit URL (link)
  7. Anton Garcia-Fernandez, Chris Byars (April 30, 2017). Jazz Flashes Podcast: Chris Byars (Podcast). Event occurs at 9:55. Retrieved December 8, 2023 via YouTube.
  8. Kaven, Luke (November 2003). "Smalls Records -- Across 7 Street / Made in New York". www.smallsrecords.com. Archived from the original on December 4, 2023. Retrieved December 4, 2023.{{cite web}}: CS1 maint: unfit URL (link)
  9. "Intergenerational Jazz Power Jam featuring jazz artist, ambassador and contact tracer Chris Byars – Jazz Power". Jazz Power Initiative. February 8, 2021. Retrieved January 4, 2024.
  10. Anton Garcia-Fernandez, Chris Byars (April 30, 2017). Jazz Flashes Podcast: Chris Byars (Podcast). Event occurs at 31:13. Retrieved December 8, 2023 via YouTube.
  11. 1 2 3 "Global Trips and Mental Journeys - ProQuest" . International Musician. Vol. 106, no. 1. American Federation of Musicians. January 2008. p. 21. ProQuest   225199489 . Retrieved December 9, 2023 via ProQuest.
  12. Whitehead, Kevin (April 21, 2008). "Chris Byars, Hearing Music in Himalayan Art". WWNO. Retrieved December 17, 2023.
  13. Friedwald, Will (April 21, 2008). "From Harlem to the Himalayas". The New York Sun. Retrieved December 17, 2023.
  14. Yanow, Scott. "Chris Byars - Jazz Pictures at an Exhibition of Himalayan Art Album Reviews, Songs & More". AllMusic . Retrieved December 17, 2023.
  15. Jarenwattananon, Patrick (October 21, 2009). "Chris Byars, Gabriel Alegria, Dafnis Prieto: New York Concert Notes". NPR . Retrieved December 9, 2023.
  16. "Jazz in Karachi". Brecorder. March 5, 2016. Retrieved December 15, 2023.
  17. Christodoulides, Zoe (June 28, 2009). "Jazz without borders". Cyprus Mail . SyndiGate Media.
  18. "Chris Byars - Teaching". chrisbyars.com. Retrieved January 3, 2024.
  19. Jarenwattananon, Patrick (July 9, 2011). "What's With All The Jazz Tribute Albums?". NPR.
  20. Ann Lee, Nancy (July–August 2011). "Lucky Strikes Again: The Chris Byars Octet Plays the Music of Lucky Thompson" (PDF). Jazz & Blues Report. pp. 19–20. Retrieved December 22, 2023.
  21. 1 2 Ramsey, Doug (April 27, 2011). "Recent Listening: Lucky Strikes Again | Rifftides". www.artsjournal.com. Retrieved December 23, 2023.
  22. Fine, Eric (September 2009). "Vibist Charles Returns from Life at Sea" (PDF). Downbeat Magazine . p. 58. Retrieved December 31, 2023.
  23. Cohen, Noal. "The Return of Teddy Charles (2008)". Noal Cohen's Jazz History Website. Retrieved January 2, 2024.
  24. Nastos, Michael. "Teddy Charles - Dances with Bulls Album Reviews, Songs & More | AllMusic". AllMusic . Retrieved January 2, 2024.
  25. Dryden, Ken. "Chris Byars Quartet - Bop-Ography Album Reviews, Songs & More | AllMusic". AllMusic . Retrieved January 2, 2024.
  26. Hull, Tom. "Jazz CG #15". tomhull.com. Retrieved January 4, 2024. Much as bebop developed underground in places like Minton's where musicians gathered to play for each other, the same dynamic developed at Smalls in the '90s, connecting a new generation to unreconstructed veterans such as Frank Hewitt and through them to the foundations of modern jazz.
  27. Holston, Mark (June 2011). "Lucky Strikes Again". Jazziz. pp. 51, 53. ProQuest   1371842784.
  28. "Chris Byars Musician - All About Jazz". All About Jazz Musicians. December 13, 2023. Retrieved January 2, 2024.
  29. "Moore Tidings" (PDF). UNC Pembroke. Fall 2003. p. 6. Retrieved January 13, 2024.
  30. Cohen, Noal. "Chris Byars Discography". Noal Cohen's Jazz History Website. Retrieved January 3, 2024.