Description
The work is signed and dated VICTORIS CHARPATJO / VENETI OPVS / 1496 on a cartouche attached to the basement. It is contemporary of Carpaccio's cycle of the Legend of Saint Ursula and shows some influences of Giovanni Bellini.
It depicts Christ standing on a double basement, keeping the Cross. Behind him is a damask cloth held by two angels and, at the sides, a landscape inspired to the Venetian hills; the castle on the right is similar to that of Udine. In the foreground are four angels with the Instruments of the Passion: from the left, the Holy Lance, the nails from the cross, the sticks of the Flagellation and the Holy Sponge. On the cross is the Crown of Thorns and the inscription "INRI". Blood rays spring up from Christ's wounds, ending in the Holy Chalice and turning themselves into the sacramental bread.
The sacrifice of Christ is also alluded to by the deer which is being slaughtered by a leopard on the lawn on the right.
Vittore Carpaccio (UK: /kɑːrˈpætʃ oʊ/, US: /-ˈpɑːtʃ-/, Italian: [vitˈtoːre karˈpattʃo]; was an Italian painter of the Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina, as well as Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio's command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of St. Augustine in His Study from 1502, reflects the popularity of collecting "exotic" and highly desired objects from different cultures.
Arma Christi, or the Instruments of the Passion, are the objects associated with the Passion of Jesus Christ in Christian symbolism and art. They are seen as arms in the sense of heraldry, and also as the weapons Christ used to achieve his conquest over Satan. There is a group, at a maximum of about 20 items, which are frequently used in Christian art, especially in the Late Middle Ages. Typically they surround either a cross or a figure of Christ of the Man of Sorrows type, either placed around the composition, or held by angels.
Giovanni di Niccolò Mansueti was an Italian painter.
Holy Family is a Christian term for Jesus, the Virgin Mary and St. Joseph.
The decade of the 1490s in art involved some significant events.
Holy Family and Donors is a painting by the Italian Renaissance artist Vittore Carpaccio. It is collected in the Museu Calouste Gulbenkian, in Lisbon, Portugal.
The Musée du Petit Palais is a museum and art gallery in Avignon, southern France. It opened in 1976 and has an exceptional collection of Renaissance paintings of the Avignon school as well as from Italy, which reunites many "primitives" from the collection of Giampietro Campana. It is housed in a 14th-century building at the north side of the square overlooked by the Palais des Papes. The building, built in the early 14th century as the residence of the bishops of Avignon, was made a UNESCO World Heritage Site as part of the historic center of Avignon in 1995.
The Scuola Grande di San Giovanni Evangelista is a confraternity building located in the San Polo sestiere of the Italian city of Venice. Founded in the 13th century by a group of flagellants it was later to become one of the five Scuole Grandi of Venice. These organisations provided a variety of charitable functions in the city as well as becoming patrons of the arts. The Scuola Grande di San Giovanni Evangelista is notable for housing a relic of the true cross and for the series of paintings it commissioned from a number of famous Venetian artists depicting Miracles of the Holy Cross. No longer in the school, these came into public ownership during the Napoleonic era and are now housed in the Gallerie dell'Accademia. The scuola is open to visitors on a limited number of days, detailed on the official website.
Santa Maria della Passione is a late Renaissance-style church located in Milan, Italy.
St. Augustine in His Study is an oil and tempera on canvas painting by the Italian Renaissance artist Vittore Carpaccio housed in the Scuola di San Giorgio degli Schiavoni of Venice, northern Italy. The painting depicts St. Augustine while he has a vision while sitting in a large room filled with objects. The study, or stuliolo, that was a one way that Italian aristocrats and collectors that displayed wealth, power, taste, and worldly knowledge. Carpaccio intentionally opens up the study to the viewer, revealing a vast amount of objects that have different origins and meanings. The artist signed the work on the small plaque, or cartellino, in the foreground near the dogs that reads: "VICTOR / CARPATHIVS / FINGEBAT".
The Procession in St. Mark's Square is a tempera-on-canvas painting by Italian Renaissance artist Gentile Bellini, dating from c. 1496. It is housed in the Gallerie dell'Accademia in Venice.
The Miracle of the Cross at the Bridge of S. Lorenzo is a tempera-on-canvas painting by Italian Renaissance artist Gentile Bellini, dating from c. 1500. It is now housed in the Gallerie dell'Accademia, in Venice.
The Miracle of the Cross at the Ponte di Rialto, also known as The Healing of the Madman, is a painting by Italian Renaissance artist Vittore Carpaccio, dating from c. 1496. It is now housed at the Gallerie dell'Accademia in Venice.
The Cybo-Soderini Chapel or the Chapel of the Crucifixion is a side chapel of the Basilica of Santa Maria del Popolo, Rome. Its most important works of art are the frescos of a Flemish artist, Pieter van Lint from c. 1636-37.
The Master of Delft was a Dutch painter of the final period of Early Netherlandish painting, whose name is unknown. He may have been born around 1470. The notname was first used in 1913 by Max Jakob Friedländer, in describing the wings of a Triptych with the Virgin and Child with St Anne with the central panel by the Master of Frankfurt, which is now in Aachen. This has donor portraits of an identifiable family from Delft, that of the Burgomaster of Delft, Dirck Dircksz van Beest Heemskerck (1463–1545), with his wife and children.
The Santa Maria dei Fossi Altarpiece is a 1496-1498 painting by Pinturicchio, now in the Galleria nazionale dell'Umbria in Perugia. Unusually for an altarpiece, it is painted on canvas stretched over wooden panels.
The Ponteranica Altarpiece is a six-panel oil painting series produced by Lorenzo Lotto in 1522, commissioned by the Scuola del Corpo di Cristo for the parish church of San Vincenzo e Sant'Alessandro in Ponteranica, where it still remains. Its upper register shows the risen Christ flanked by an Annunciation scene, whilst below is John the Baptist flanked by saints Peter and Paul.
Saint Francis with the Blood of Christ is a c. 1490-1495 tempera and gold on panel painting by Carlo Crivelli, signed at bottom right OPUS CAROLI CRIVELLI VENETI / MILES VERUS". On the reverse is a heraldic emblem. It is now in the Museo Poldi Pezzoli in Milan.
Madonna and Child enthroned with St. John the Baptist and St. Augustine is an oil painting by Greek painter Ioannis Permeniates. He was from Crete living in Venice. He was active during the first part of the 16th century. There are dozens of works attributed to the artist. He is a cross-over artist who painted in both the maniera greca and the Venetian style. Other similar artists were El Greco and Michael Damaskinos. Ioannis Permeniates's work was influenced by Vittore Carpaccio and Giovanni Bellini. His most notable painting is the Madonna and Child enthroned with St. John the Baptist and St. Augustine. Many Italian artists painted the same subject matter. The most famous painting depicting the subjects is the Madonna and Child with St John the Baptist and St Augustine by Petrus Perusinus. The Permeniates is part of the collection Museo Correr in Venice, Italy.
