Christine Webster

Last updated

Christine Webster
Born1958 (age 6566)
Pukekohe, Auckland
NationalityNew Zealander
Education Massey University, Glasgow School of Art
Known for Photography

Christine Webster (born 1958) is a New Zealand visual artist and photographer.

Contents

Background

Webster was born in 1958 in Pukekohe, Auckland. She currently lives in the United Kingdom. Webster has a Diploma in Photography from Massey University and an MFA from Glasgow School of Art. Webster has taught at the ASA School of Art, Auckland, Unitec Institute of Technology, and Elam School of Fine Art, and currently is a senior lecturer at the Cambridge School of Art. [1]

Career

Webster is a photographer and visual artist. Her work explores society's accepted boundaries and the human psyche, specifically relating to gender and identity. In the early eighties women photographers like Christine Webster took up a post modern position creating images as opposed to making a documentary record of the world around them. In doing this they introduced a more conceptual and theatrical approach that would previously been considered unthinkable. [2] Webster started using her own body and that of friends to act out the characters in her work. A friend, and professional magician, Tim Woon [3] appears as an over eager corporate suit, briefcase and alarm clock at the ready. In another image the briefcase opens to a magician’s flash of fire. Later dancer and choreographer Douglas Wright would appear in many of Webster’s photographs in many different guises. As Bridget Sullivan pointed out in the catalogue for the group show alter / image , by using a reference to  ‘glossy up market  advertising stills’, Webster manages to’ upset ideas of male control and gravity’. [4]

Working in series

Almost from the beginning of her career as an art photographer Webster tended to work in series presenting groups of photographs as a cohesive collection. These series have included:

1980s

1989

1991

1991-1998

1996  

Other series include Doll’s House (2000), Quiet (2013) and Therapies [17] (2014). 

Selected Exhibitions

Webster has shown at a number of dealer galleries over the years including : Red Metro, Artis, Southern Cross, Real Pictures, Sue Crockford and Trish Clark Galleries. The following annotated list represents a selection of Webster’s solo and group exhibitions in public art galleries and museums.

1982

1984

1985

1986-1987

1987

1989

1991

1992

1993

1994

1995

1996

1988

2007

2010.

2012

Awards

1991 Frances Hodgkins Fellowship. [35]

1988 Queen Elizabeth II Arts Council Grant,

1989 Polaroid Small Projects Grant. [1]

Collections

Webster's work is held in the following collections:

Related Research Articles

New Zealand photography first emerged in the mid-nineteenth century, and over time has become an important part of New Zealand art. A number of photography associations exist to support photographers in New Zealand.

<span class="mw-page-title-main">Shona Rapira Davies</span> New Zealand artist

Shona Rapira Davies is a New Zealand sculptor and painter of Ngātiwai ki Aotea tribal descent currently residing in Wellington, New Zealand.

<span class="mw-page-title-main">Andrew Drummond (artist)</span> New Zealand artist

Andrew Drummond is a New Zealand painter and sculptor. He attended University of Waterloo in Canada, graduating in 1976. He was a Frances Hodgkins Fellow in 1980.

<span class="mw-page-title-main">Shane Cotton</span> New Zealand artist

Shane William Cotton is a New Zealand painter whose work explores biculturalism, colonialism, cultural identity, Māori spirituality, and life and death.

Richard John Killeen is a significant New Zealand painter, sculptor and digital artist.

<span class="mw-page-title-main">Yuki Kihara</span> New Zealand artist

Shigeyuki "Yuki" Kihara is an interdisciplinary artist of Japanese and Samoan descent. In 2008, her work was the subject of a solo exhibition at the Metropolitan Museum of Art in New York; it was the first time a New Zealander and the first time a Pacific Islander had a solo show at the institution. Titled Shigeyuki Kihara: Living Photographs, the exhibition opened from 7 October 2008 to 1 February 2009. Kihara's self-portrait photographs in the exhibitions included nudes in poses that portrayed colonial images of Polynesian people as sexual objects. Her exhibition was followed by an acquisition of Kihara's work for the museum's collection.

<span class="mw-page-title-main">Philip Clairmont</span> New Zealand artist

Philip Anthony Clairmont (1949–1984) was a New Zealand painter.

<span class="mw-page-title-main">Bill Culbert</span> New Zealand artist (1935–2019)

William Franklin Culbert was a New Zealand artist, notable for his use of light in painting, photography, sculpture and installation work, as well as his use of found and recycled materials.

<span class="mw-page-title-main">Fiona Pardington</span> New Zealand photographer (born 1961)

Fiona Dorothy Pardington is a New Zealand artist, her principal medium being photography.

<span class="mw-page-title-main">Ani O'Neill</span> New Zealand artist

Ani O'Neill is a New Zealand artist of Cook Island and Irish descent. She has been described by art historian Karen Stevenson as one of the core members of a group of artists of Pasifika descent who brought contemporary Pacific art to "national prominence and international acceptance".

<span class="mw-page-title-main">Maureen Lander</span> New Zealand weaver, multimedia installation artist and academic

Maureen Robin Lander is a New Zealand weaver, multimedia installation artist and academic. Lander is of Ngāpuhi and Pākehā descent and is a well-respected and significant artist who since 1986 has exhibited, photographed, written and taught Māori art. She continues to produce and exhibit work as well as attend residencies and symposia both nationally and internationally.

<span class="mw-page-title-main">Anne Noble</span> New Zealand photographer

Anne Lysbeth Noble is a New Zealand photographer and Distinguished Professor of Fine Art (Photography) at Massey University's College of Creative Arts. Her work includes series of photographs examining Antarctica, her own daughter's mouth, and our relationship with nature.

This is a timeline of the feminist art movement in New Zealand. It lists important figures, collectives, publications, exhibitions and moments that have contributed to discussion and development of the movement. For the indigenous Māori population, the emergence of the feminist art movement broadly coincided with the emergence of Māori Renaissance.

Ann Shelton is a New Zealand photographer and academic.

<span class="mw-page-title-main">Peter Peryer</span> New Zealand photographer (1941–2018)

Peter Chanel Peryer was a New Zealand photographer. In 2000, he was one of the five inaugural laureates of the Arts Foundation of New Zealand.

Rosemary Campbell is a New Zealand artist and teacher.

Adrienne Martyn is a New Zealand art photographer. Her work has been collected by numerous art galleries, museums and libraries in New Zealand including the Museum of New Zealand Te Papa Tongarewa, the Dowse Art Museum, the Auckland Art Gallery, the Christchurch Art Gallery and the Hocken Library.

Heather Straka is a New Zealand artist, based in Auckland, who primarily works with the media of painting and photography. Straka is well known as a painter that utilises a lot of detail. She often depicts cultures that are not her own, which has caused controversy at times. Her work engages with themes of economic and social upheaval in interwar China, the role of women in Arabic society and Māori in relation to colonisation in New Zealand. Eventually, the figure became important in Straka's practice and she began to use photographs as the starting point for some of her works and "Increasingly too the body feminine has become her milieu".

Lloyd Godman is a photographer and ecological artist from New Zealand, now active in Australia. He uses living plants within his artworks and installations. His work is included in the permanent collections of Te Papa Museum, Christchurch Art Gallery, Auckland Art Gallery and the Dunedin Public Art Gallery.

Headlands: Thinking Through New Zealand Art was an exhibition of New Zealand art organised in partnership by the Museum of Contemporary Art (MCA), Sydney and the National Art Gallery, Wellington, in 1992

References

  1. 1 2 "Christine Webster". findnzartists.org.nz. Retrieved 11 December 2017.
  2. Ireland, Peter. "Photography - New directions, 1970s to 2000s". Te Ara - the Encyclopedia of New Zealand. Retrieved 5 June 2024.
  3. Jones, Nicholas (6 March 2011). "Auckland Arts Festival: Magician Still Draws Crowds in Internet Age". The New Zealand Herald. Retrieved 5 June 2024.
  4. Barton, Christina; Lawler-Dormer, Deborah; Wellington City Art Gallery (Wellington, N.Z.); Auckland City Art Gallery, eds. (1993). Alter/image: feminism and representation in New Zealand art, 1973-1993. Wellington, N.Z. : Auckland, N.Z: City Gallery, Wellington, Wellington City Council ; Auckland City Art Gallery, Auckland City Council. p. 57. ISBN   978-0-908818-14-3.
  5. Smith, Anna (Winter 2010). "Dead Can't Dance: The Provocations of Christine Webster". Art New Zealand (134).
  6. "Tiananmen Square" (PDF). Retrieved 7 June 2024.
  7. McAloon, William; Museum of New Zealand, eds. (2009). Art at Te Papa. Wellington, N.Z: Te Papa Press. p. 380. ISBN   978-1-877385-38-4. OCLC   181354783.
  8. "Christine Webster: Black Carnival" (PDF). Robert McDougall Art Gallery Bulletin (95): 3. April 1995.
  9. Notman, Robyn; Cullen, Lynda (2009). Beloved: works from the Dunedin Public Art Gallery [exhibition, Dunedin public art gallery, 12 December 2009 - October 2011]. Dunedin, N.Z: Dunedin Public Art Gallery. pp. 228–229. ISBN   978-0-908910-58-8.
  10. McDonald, Ewan (Spring 1993). "Process, Procession, Possession: Christine Webster's Black Carnival". Art New Zealand (68).
  11. "Christine Webster: Mika Kai Tahu" . Retrieved 5 June 2024.
  12. Harrington, Erin (Autumn 2015). "(In) Decent Exposure". Bulletin of the Christchurch Art Gallery (183): 35–41.
  13. "Erotic art exhibit already under fire". Waikato Times. 22 July 1994.
  14. "Controversial show goes on". Otago Daily Times. 27 July 1994.
  15. Gibson, Sarah (1997). "Circus of Angels: Recent Work by Christine Webster". Art New Zealand (83): 50–53.
  16. "Raewyn Whyte An Interview with Douglas Wright". Landfall (191): 37–49. Autumn 1996.
  17. Seja, Nina (2014). "Refuge & Ritual Trust: Christine Webster's Therapies". Art New Zealand (150).
  18. Keith, Sheridan (Summer 1983). "Christine Webster Large Colour Photographs". Art New Zealand (29).
  19. Hurrell, John (8 August 1984). "'Tribal' photographs". The Press (Christchurch). p. 23.
  20. Pitts, Pricilla (Spring 1984). "New Women Artists at the Govett-Brewster Art Gallery". Art New Zealand (32).
  21. "Art's new attitude". The Press (Christchurch). 26 June 1985. p. 20.
  22. Content / Context , Wellington 1986. National Art Gallery. 1986. pp. 100–101.
  23. Airey, Mavis (20 September 1989). "Ancient beliefs inspire symbolic paintings". The Press (Christchurch). p. 23.
  24. Wedde, Ian (14 December 1989). "Imposing Narratives". Evening Post.
  25. Aberhart, Laurence; Burke, Gregory; Wellington City Art Gallery, eds. (1989). Imposing Narratives: Beyond the Documentary in Recent New Zealand Photography; Laurence Aberhart ...; [publ. to accompany the exhibition ... Wellington City Art Gallery, 26 November 1989 - 22 January 1990]. Wellington. ISBN   978-0-908818-07-5.{{cite book}}: CS1 maint: location missing publisher (link)
  26. Kirker, Anne (1993). New Zealand women artists a survey of 150 years. East Roseville, NSW, Australia: Craftsman House. ISBN   978-976-8097-30-9.
  27. "Christine Webster Possession & Mirth". Hocken Library Gallery. 1992.
  28. Whiting, Cliff; Murphy, Bernice; McCormack, John; Sotheran, Cheryll, eds. (1992). Headlands: Thinking through New Zealand Art. Sydney: The Museum of contemporary Art [u.a.] p. 48. ISBN   978-1-875632-04-6.
  29. "alter/image". 1993. Retrieved 7 June 2024.
  30. 1 2 Seja, Nina (2014). PhotoForum at 40: counterculture, clusters, and debate in New Zealand. Auckland, New Zealand: Rim Books. pp. 159. 164. ISBN   978-0-473-28325-4.
  31. "Blindfield" (PDF). Retrieved 7 June 2024.
  32. "Provocations: The Work of Christine Webster" . Retrieved 7 June 2024.
  33. Harper, Jenny (July 2011). "Peace Junctures". Journal for Thematic Dialogue.
  34. "The Brink" . Retrieved 7 June 2024.
  35. "The Frances Hodgkins Fellowship". University of Otago. Retrieved 11 December 2017.
  36. "Christine Webster". Queensland Art Gallery. Retrieved 5 June 2024.
  37. "Christine Webster". Museum of New Zealand Te Papa Tongarewa. Retrieved 11 December 2017.
  38. "Christine Webster". Auckland Art Gallery. Retrieved 11 December 2017.