Christophe Dumaux | |
|---|---|
 Christophe Dumaux | |
| Background information | |
| Born | 1979 |
| Genres | opera |
| Years active | 2002–present |
Christophe Dumaux (born 1979) is a French classical countertenor.
Christophe Dumaux | |
|---|---|
| Christophe Dumaux | |
| Background information | |
| Born | 1979 |
| Genres | opera |
| Years active | 2002–present |
Christophe Dumaux (born 1979) is a French classical countertenor.
Christophe Dumaux initially studied voice and cello at his local conservatory in Châlons-en-Champagne and in 2000 entered the Conservatoire National Supérieur de Musique in Paris. In July 2002 at the age of 21, he made his professional debut singing the role of Eustazio in Handel's Rinaldo at the Festival de Radio France et Montpellier. Since then he has sung as a soloist with several prominent baroque music ensembles, including William Christie's Le Jardin des Voix and Les Arts Florissants, Emmanuelle Haïm's Le Concert d’Astrée, and Il Combattimento Consort di Amsterdam.
He made his American debut in 2003 at the Spoleto Festival in Charleston, South Carolina singing the title role in Handel's Tamerlano . [1] Several other major house and company debuts soon followed, including: the Théâtre de la Monnaie in Brussels as Giuliano in Cavalli's Eliogabalo (2004); Santa Fe Opera as Ottone in Handel's Agrippina (2004); [2] the Opéra national de Paris as Ottone in Monteverdi's L'incoronazione di Poppea (2005); [3] Glyndebourne Festival Opera as Tolomeo in Handel's Giulio Cesare (2005); [4] and the New York Metropolitan Opera first as Unulfo in Handel's Rodelinda (2006). [5] and a critically acclaimed Tolomeo in Handel's Giulio Cesare (2013). [6]
Michael Chance CBE is an English countertenor and the founder and Artistic Director of The Grange Festival.
Emmanuelle Haïm is a French harpsichordist and conductor with a particular interest in early music and Baroque music.
Daniel John Taylor, is a Canadian countertenor, conductor and early music specialist. He is one of Canada's most celebrated cultural ambassadors, known for his warmth and humour and a voice that draws global applause. Taylor directs the Trinity Choir, the Theatre of Early Music and is Professor of Opera, Voice and Early Music at the University of Toronto.
Sandrine Piau is a French soprano. She is particularly renowned in Baroque music although also excels in Romantic and modernist art songs. She has the versatility to perform works from Vivaldi, Handel, Mozart to Schumann, Debussy, and Poulenc. In addition to an active career in concerts and operas, she is prolific in studio recordings, primarily with Harmonia Mundi, Naïve, and Alpha since 2018.
Danielle de Niese is an Australian-American lyric soprano. After success as a young child in singing competitions in Australia, she moved to the United States where she developed her operatic career. From 2005 she came to widespread public attention with her performances as Cleopatra in Giulio Cesare at Glyndebourne Festival Opera, England.
Harry Alexander Clarence Bicket is a British conductor, harpsichordist and organist. He is particularly associated with the baroque and classical repertoire.
Bejun Mehta is an American countertenor. He has been awarded the Echo Klassik, the Gramophone Award, Le Diamant d’Opera Magazine, the Choc de Classica, the Traetta Prize, and been nominated for the Grammy Award, the Laurence Olivier Award, and the Preis der Deutschen Schallplattenkritik. Writing in the Süddeutsche Zeitung, Michael Stallknecht called him "arguably the best counter tenor in the world today."
La Calisto is an Italian opera by Francesco Cavalli from a libretto by Giovanni Faustini based on the mythological story of Callisto.
Dame Sarah Patricia Connolly is an English mezzo-soprano. Although best known for her baroque and classical roles, Connolly has a wide-ranging repertoire which has included works by Wagner as well as various 20th-century composers. She was appointed a Commander of the Order of the British Empire (CBE) in the 2010 New Year Honours and a Dame Commander of the Order of the British Empire (DBE) in the 2017 Birthday Honours for services to music.
Lorenzo Regazzo, is an opera singer. His voice can be categorised as bass, bass-baritone or basso cantante. He is especially well known for interpreting Baroque, Classical, and bel canto repertoire. Among the qualities frequently noted by the critical press are his virtuosic coloratura technique, sumptuous tone, and vivid stage presence.
Ottavio Dantone is an Italian conductor and keyboardist particularly noted for his performances of Baroque music. He has been the music director of the Accademia Bizantina in Ravenna since 1996.
Sonia Prina is an Italian operatic contralto who has had an active career in concerts and operas since the mid-1990s. She is particularly known for her appearances in Baroque operas and for her performances of the Baroque concert repertoire. She has recorded works by composers George Frideric Handel and Antonio Vivaldi.
Tim Mead is an English countertenor.
Nathan Berg is an operatic bass-baritone. He is a Grammy Award winner, and four-time Grammy nominated, a Juno award winner and 2014 Juno Awards nominee
Lawrence Zazzo is an American countertenor who has performed at major opera houses in Europe and the US. His repertoire includes Baroque opera and oratorios as well as works of the 20th century.
Brenda Rae is an American operatic soprano who has performed leading roles in opera houses internationally. She was a resident artist at the Frankfurt Opera from 2008 through 2017. She is a featured performer on the Naxos Records 2015 recording of Milhaud's L'Orestie d'Eschyle, which was nominated for the Grammy Award for Best Opera Recording.
"Va tacito e nascosto" is an aria written for alto castrato voice in act 1 of George Frideric Handel's opera Giulio Cesare in Egitto, composed in 1724 to a libretto by Nicola Francesco Haym. Sung by the character Julius Caesar, it features extensive solos for natural horn.
Christian Curnyn is a British conductor, harpsichordist and baroque music specialist.
Aryeh Nussbaum Cohen is an American countertenor known for bringing his “ravishing…otherworldly” instrument to a broad range of repertoire spanning the Baroque to the contemporary. Acclaimed as both a "complete artist" and "young star" in The New York Times, and as "extravagantly gifted... poised to redefine what’s possible for singers of this distinctive voice type” in the San Francisco Chronicle, Mr. Nussbaum Cohen’s passion for creating performances of great vocal beauty and dramatic intensity have earned him a reputation as “a redefining force in the countertenor field” (Limelight).
| International | |
|---|---|
| National | |
| Academics | |
| Artists | |
| Other | |
