Christopher Kenneth Green, FBA (born 1943) is a British art historian, who was professor of the History of Art at the Courtauld Institute of Art between 1991 and 2008.
Christopher Kenneth Green was born in 1943, [1] the second son of Frederic Ray Hilton Green, a civil servant with the Colonial Office who served as Inspector of Mines in Kenya and later lived at Epsom Downs, Surrey. [2] [3] [4] He was educated at Christ's College, Cambridge, graduating in 1966 with a Bachelor of Arts (BA) degree. Thereafter, he completed a Master of Arts (MA) degree at the University of London in 1973. [1] Green was awarded a Doctor of Philosophy (PhD) degree by the Courtauld Institute of Art, University of London, for his thesis "Fernand Léger and the Parisian avant-garde , 1909–1921", [5] supervised by the artist and writer John Golding. [6]
Green's first curatorial work was with Golding for the Tate exhibition Léger and Purist Paris in 1970. [6] He remained at the Courtauld as a lecturer after completing his PhD and was later appointed a reader there. In 1991, the Institute appointed him Professor of the History of Art, [7] a post he held until his retirement in 2008. Photographs attributed to Green are held in the Conway Library at The Courtauld Institute of Art, London, whose archive, of primarily architectural images, is being digitised under the wider Courtauld Connects project. [8] For the 1997–8 academic year, he was a Leverhulme Research Fellow, and between 2001 and 2010, he was Trustee of National Museums Liverpool. [1]
Green curated the Juan Gris exhibition at the Whitechapel Gallery in 1992, [9] the Roger Fry exhibition at the Courtauld Institute in 1999, the Henri Rousseau exhibition at the Tate Modern in Paris and Washington in 2005, [10] the Picasso exhibition in Barcelona in 2008, the Modern Antiquity exhibition at the J. Paul Getty Museum in 2011 and, most recently, the Mondrian–Nicholson exhibition at the Courtauld in 2012. [1] [11]
Green's major works include: [7] [6]
In 1999, Green was elected a Fellow of the British Academy, the United Kingdom's national academy for the humanities and social sciences. [7]
In 1968, Green married Charlotte Hannah (born 1944), younger daughter of Lt-Col. Oliver Robert Marne Sebag-Montefiore (1915–1993), OBE, who was President of the Jewish Welfare Board. They have two children: one son and one daughter. [1] [2] [12] [13]
José Victoriano González-Pérez , better known as Juan Gris, was a Spanish painter born in Madrid who lived and worked in France for most of his active period. Closely connected to the innovative artistic genre Cubism, his works are among the movement's most distinctive.
Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture. Cubist subjects are analyzed, broken up, and reassembled in an abstract form—instead of depicting objects from a single perspective, the artist depicts the subject from multiple perspectives to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term cubism is broadly associated with a variety of artworks produced in Paris or near Paris (Puteaux) during the 1910s and throughout the 1920s.
Joseph Fernand Henri Léger was a French painter, sculptor, and filmmaker. In his early works he created a personal form of cubism which he gradually modified into a more figurative, populist style. His boldly simplified treatment of modern subject matter has caused him to be regarded as a forerunner of pop art.
Daniel-Henry Kahnweiler was a German-born art collector, and one of the most notable French art dealers of the 20th century. He became prominent as an art gallery owner in Paris beginning in 1907 and was among the first champions of Pablo Picasso, Georges Braque and the Cubist movement in art.
Henri Laurens was a French sculptor and illustrator.
Benjamin Lauder Nicholson, OM was an English painter of abstract compositions, landscapes, and still-life. He was one of the leading promoters of abstract art in England.
Henri Julien Félix Rousseau was a French post-impressionist painter in the Naïve or Primitive manner. He was also known as Le Douanier, a humorous description of his occupation as a toll and tax collector. He started painting seriously in his early forties; by age 49, he retired from his job to work on his art full-time.
transition was an experimental literary journal that featured surrealist, expressionist, and Dada art and artists. It was founded in 1927 by Maria McDonald and her husband Eugene Jolas and published in Paris. They were later assisted by editors Elliot Paul, Robert Sage, and James Johnson Sweeney. After the Second World War, the publishing license of transition was transferred from the Jolases and McDonald to Georges Duthuit who capitalized the title to Transition and changed its focus.
The Section d'Or, also known as Groupe de Puteaux or Puteaux Group, was a collective of painters, sculptors, poets and critics associated with Cubism and Orphism. Based in the Parisian suburbs, the group held regular meetings at the home of the Duchamp brothers in Puteaux and at the studio of Albert Gleizes in Courbevoie. Active from 1911 to around 1914, members of the collective came to prominence in the wake of their controversial showing at the Salon des Indépendants in the spring of 1911. This showing by Albert Gleizes, Jean Metzinger, Robert Delaunay, Henri le Fauconnier, Fernand Léger and Marie Laurencin, created a scandal that brought Cubism to the attention of the general public for the first time.
Wilhelm Uhde was a German art collector, dealer, author, and critic, an early collector of modernist painting, and a significant figure in the career of Henri Rousseau.
Henri Victor Gabriel Le Fauconnier was a French Cubist painter born in Hesdin. Le Fauconnier was seen as one of the leading figures among the Montparnasse Cubists. At the 1911 Salon des Indépendants Le Fauconnier and colleagues Jean Metzinger, Albert Gleizes, Fernand Léger and Robert Delaunay caused a scandal with their Cubist paintings. He was in contacts with many European avant-garde artists such as Wassily Kandinsky, writing a theoretical text for the catalogue of the Neue Künstlervereinigung in Munich, of which he became a member. His paintings were exhibited in Moscow reproduced as examples of the latest art in Der Blaue Reiter Almanach.
Charlotte Wankel was a Norwegian painter regarded as one of the first Norwegian cubist and painters of abstract art.
(Arthur William) Douglas Cooper, who also published as Douglas Lord, was a British art historian, art critic and art collector. He mainly collected Cubist works. He was involved with investigating who had dealt with stolen art during the war. After the war he bought a chateau and converted it into a gallery of early cubist art.
Nigel Graeme Henderson (1 April 1917 – 15 May 1985) was an English documentary artist, and photographer.
Tea Time is an oil painting created in 1911 by the French artist and theorist Jean Metzinger. It was exhibited in Paris at the Salon d'Automne of 1911, and the Salon de la Section d'Or, 1912.
Léonce Rosenberg was an art collector, writer, publisher, and one of the most influential French art dealers of the 20th century. His greatest impact was as a supporter and promoter of the cubists, especially during World War I and in the years immediately after.
Les Peintres Cubistes, Méditations Esthétiques, is a book written by Guillaume Apollinaire between 1905 and 1912, published in 1913. This was the third major text on Cubism; following Du "Cubisme" by Albert Gleizes and Jean Metzinger (1912); and André Salmon, Histoire anecdotique du cubisme (1912).
Crystal Cubism is a distilled form of Cubism consistent with a shift, between 1915 and 1916, towards a strong emphasis on flat surface activity and large overlapping geometric planes. The primacy of the underlying geometric structure, rooted in the abstract, controls practically all of the elements of the artwork.
Galeries Dalmau was an art gallery in Barcelona, Spain, from 1906 to 1930. The gallery was founded and managed by the Symbolist painter and restorer Josep Dalmau i Rafel. The aim was to promote, import and export avant-garde artistic talent. Dalmau is credited for having launched avant-garde art in Spain.
The British Constructivists, also called the Constructionist Group, or Constructionists, were an informally constituted group of British artists, working in a constructivist mode, with no formal membership or manifesto. The groups most active period was between 1951 to 1955, when its members exhibited in ten London exhibitions, produced two broadsheets and were involved in the publication of two books on abstract art.
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