"Chuck E.'s in Love" | ||||
---|---|---|---|---|
Single by Rickie Lee Jones | ||||
from the album Rickie Lee Jones | ||||
B-side | "On Saturday Afternoons in 1963" | |||
Released | April 28, 1979 | |||
Genre | ||||
Length | 3:31 | |||
Label | Warner Bros. | |||
Songwriter(s) | Rickie Lee Jones | |||
Producer(s) | Lenny Waronker, Russ Titelman | |||
Rickie Lee Jones singles chronology | ||||
| ||||
Official Audio | ||||
"Chuck E.'s in Love" on YouTube |
"Chuck E.'s in Love" is a song by American singer-songwriter Rickie Lee Jones. Released in 1979 on her eponymous debut album Rickie Lee Jones , the song became her biggest hit, reaching number 4 on the Billboard U.S. Hot 100 chart. [2]
"Chuck E.'s in Love" is track 1 on Side One of the Rickie Lee Jones LP, on which it runs 3 minutes and 28 seconds. It is Side A on the single; the B-side is "On Saturday Afternoon in 1963".
Jones and her lover and fellow songwriter Tom Waits spent a lot of time hanging out with their friend Chuck E. Weiss at the seedy Tropicana Motel in Los Angeles. Eventually Weiss, affectionately referred to as "Chuck E.", disappeared. Later Weiss called the apartment where Jones and Waits lived. When Waits took the call, Weiss explained that he was in Denver, and that he had moved there because he had fallen in love with a cousin there. When Waits hung up he announced to Jones, "Chuck E.'s in love". [3] Jones liked the sound of the sentence and wrote a song around it. Although toward the end of "Chuck E.'s in Love" the lyrics state, "Chuck E.'s in love with the little girl singing this song," the twist ending is fictional; Jones was never the girl with whom Chuck E. was in love. [4]
The first line of the song is, "How come he don't come and P.L.P. with me down at the meter no more?" P.L.P. stands for "public leaning post" and is old American slang for one person, usually female, leaning up against another person, usually male, in a friendly fashion. [5]
Weekly charts
| Year-end charts
|
Rickie Lee Jones is an American singer, musician, and songwriter. Over the course of a career that spans five decades and 15 studio albums, she has recorded in various musical styles including rock, R&B, pop, soul, and jazz. A two-time Grammy Award winner, Jones was listed at No. 30 on VH1's 100 Greatest Women in Rock & Roll in 1999. AllMusic stated: "Few singer/songwriters are as individual and eclectic as Rickie Lee Jones, a vocalist with an expressive and smoky instrument, and a composer who can weave jazz, folk, and R&B into songs with a distinct pop sensibility."
"Lost in Love" is a song recorded by the British/Australian soft rock duo Air Supply. The song was written by group member Graham Russell. The original version of the song appeared on the Life Support album in 1979 and was released as a single in Australia, reaching number 13 on the Kent Music Report. The group re-recorded the song for the album of the same name in 1980 and this version was released as a single in the US, reaching number 3 on the Billboard Hot 100.
Rickie Lee Jones is the debut studio album by American singer-songwriter Rickie Lee Jones, released on February 28, 1979 by Warner Bros. Records.
"Angel of the Morning" is a popular song written by Chip Taylor, originally recorded by Evie Sands but which first charted with a version by Merrilee Rush. The song has been covered by many artists including Chrissie Hynde, Dusty Springfield, P. P. Arnold, Connie Eaton, Mary Mason, Guys 'n' Dolls, Melba Montgomery, Olivia Newton-John and most recognizably by Juice Newton.
Pirates is the second studio album by American singer-songwriter Rickie Lee Jones, released on July 15, 1981, by Warner Bros. Records. The follow-up to her 1979 self-titled debut album, Pirates is partially an account of her break-up with fellow musician Tom Waits after the success of her debut album. The cover is a 1976-copyrighted photo by Brassaï.
"Little Jeannie" is a song written by English musician Elton John and Gary Osborne recorded by John, and released as a single in 1980 from John's studio album 21 at 33. It reached number three on the Billboard pop chart in the United States, becoming the singer's biggest U.S. hit since 1976's "Don't Go Breaking My Heart", and his highest-charting solo hit since 1975's "Island Girl". In the US, it would be John's highest-charting single co-written with Gary Osborne, while in the UK, where the song only reached number 33, "Blue Eyes" would eventually hold that honour.
"Love's Theme" is an instrumental piece written by Barry White around 1965. Recorded and released as a single by White's Love Unlimited Orchestra in 1973, it was one of the few instrumental and purely orchestral singles to reach #1 on the Billboard Hot 100 chart in the United States, which it did in early 1974. Billboard ranked it as #3 on the Year-End Hot 100 singles of 1974.
"Smokin' in the Boys Room" is a song originally recorded by Brownsville Station in 1973 on their album Yeah!. It reached number 3 in Canada and on the US Billboard Hot 100, and was later certified by the RIAA.
"Lonely Night (Angel Face)" is a song written by Neil Sedaka. The song was first recorded by Sedaka and appeared as a track on his 1975 studio album, The Hungry Years. The following year the song was made popular when covered by the pop music duo Captain & Tennille, who took their version to number 3 on the Billboard Hot 100.
"Love Ballad" is a song by R&B/Funk band L.T.D. Jeffrey Osborne is the lead singer.
"My Melody of Love" is the title of a popular song from 1974 by the American singer Bobby Vinton. Vinton adapted his song from a German schlager song composed by Henry Mayer, and it appears on Vinton's album Melodies of Love. The song was also recorded by Spanish pop singer Karina as "Palabras de Cristal".
"A Little More Love" is a song recorded by British-Australian singer Olivia Newton-John for her tenth studio album, Totally Hot (1978). Written and produced by Newton-John's long-time record producer John Farrar, the song was released as the lead single from Totally Hot in October 1978 and became a worldwide hit single.
"My Love" is a song by American singer-songwriter Lionel Richie. It was released in 1983 as the third and final single from his self-titled debut solo album. The song features harmony backing vocals by country music singer Kenny Rogers. It reached the top 10 on three notable Billboard magazine charts in the spring of 1983: on the Billboard Hot 100 the song peaked at No. 5; on the Adult Contemporary chart, the song spent four weeks at No. 1; and on the R&B chart, the song topped out at No. 6. "My Love" was not among Richie's more successful singles in the United Kingdom, where it only managed No. 70 on the UK Singles Chart. In Canada, it peaked at No. 28 on the RPM Top 100 Singles chart.
"Do I Love You" is a song co-written and recorded by Paul Anka, from his 1972 eponymous LP. Released as an advance single in late 1971, "Do I Love You" reached number 14 on the Easy Listening Singles charts of both the U.S. and Canada, number 16 on the Canadian Pop chart, and was a modest hit on the U.S. Hot 100 as well. As with the earlier "My Way", it was adapted from a French-language song popularized by Claude François, and Anka composed the English lyrics.
"How You Gonna See Me Now" is a song written by Alice Cooper, Bernie Taupin, and Dick Wagner, performed by Cooper and produced by David Foster. It was released on Cooper’s album, From the Inside.
"Never Ending Song of Love" is a song written by Delaney Bramlett, and, according to some sources, by his wife Bonnie Bramlett. It was originally recorded with their band, Delaney & Bonnie & Friends, in 1971 on the album Motel Shot. Released as a single by Atco Records the same year, "Never Ending Song of Love" became Delaney & Bonnie's greatest hit on the pop charts, reaching a peak of No. 13 on the Billboard Hot 100 and No. 8 on Easy Listening. It reached No. 16 in Australia.
"I Like Dreamin'" is the debut single by Kenny Nolan, taken from his eponymous debut album. The recording was issued as the album's lead single in October 1976, spending 27 weeks on the U.S. Billboard Hot 100.
"Stand Tall" is the title of an international hit single by Burton Cummings, taken from his eponymous debut album. The song was released less than two years after "Dancin' Fool", the final hit single by the group for which Cummings had been lead singer, The Guess Who.
"Rainy Jane" is a song written and originally recorded by Neil Sedaka in 1969, covered two years later by Davy Jones. Sedaka's rendition became a minor hit in the U.S., Canada and Australia.
"Don't Throw It All Away" is a song written by British musician Gary Benson and first released by the Shadows on their 1975 album Specs Appeal. Benson released his version as a single later the same year, which reached number 20 on the UK Singles Chart in the fall of 1975.